When a few hundred films stop by the Toronto International Film Festival, it’s certainly impossible to cover everything, but we were able to catch around 100 features — and, with that, it’s time to conclude our experience, following the festival’s own award winners. We’ve rounded up our favorite films seen during the festival, followed by a list of the complete coverage.
Stay tuned over the next months (or years) as we bring updates on films as they make their way to screens. One can also click here for a link to all of our coverage, including news, trailers, reviews, and much more. As always, thanks for reading, and let us know what you’re most looking forward to in the comments below.
The Breadwinner (Nora Twomey)
In the Taliban-controlled Afghan city of Kabul, Nora Twomey’s debut film as sole director (she co-helmed Oscar nominee The Secret of Kells...
Stay tuned over the next months (or years) as we bring updates on films as they make their way to screens. One can also click here for a link to all of our coverage, including news, trailers, reviews, and much more. As always, thanks for reading, and let us know what you’re most looking forward to in the comments below.
The Breadwinner (Nora Twomey)
In the Taliban-controlled Afghan city of Kabul, Nora Twomey’s debut film as sole director (she co-helmed Oscar nominee The Secret of Kells...
- 9/18/2017
- by The Film Stage
- The Film Stage
The big story surrounding Grayson Moore and Aidan Shipley’s feature debut Cardinals playing the Toronto International Film Festival stems from the fact that both men graduated from the city’s own Ryerson University. As a longtime festival venue/partner, this premiere will inevitably be treated as a homecoming. But don’t let that fool you into screaming “favoritism!” while dismissing it as a “homer” pick: it’s the real deal. Stripping away the college they graduated from, the knowledge that both are Tiff alumni after screening their short Boxing, and their Canadian nationalities still leaves you with a singular work of devastating emotional psychology and infectiously biting wit. So remove the local fanfare and judge it on its own merits because it earns that right and deserves any accolade bestowed upon it.
Written by Moore, the story centers on Valerie Walker’s (Sheila McCarthy) release from prison after serving...
Written by Moore, the story centers on Valerie Walker’s (Sheila McCarthy) release from prison after serving...
- 9/9/2017
- by Jared Mobarak
- The Film Stage
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