While Ranaa and Emad, a married couple, are participating in a production of "Death of a Salesman," she is assaulted in their new home, which leaves him determined to find the perpetrator ov... Read allWhile Ranaa and Emad, a married couple, are participating in a production of "Death of a Salesman," she is assaulted in their new home, which leaves him determined to find the perpetrator over his wife's traumatized objections.While Ranaa and Emad, a married couple, are participating in a production of "Death of a Salesman," she is assaulted in their new home, which leaves him determined to find the perpetrator over his wife's traumatized objections.
- Won 1 Oscar
- 15 wins & 32 nominations total
Maral Baniadam
- Kati
- (as Maral Bani Adam)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaFarhadi was so taken by this project that he decided to stop his ongoing project in Spain with Penelope Cruz and return to Iran to shoot this movie in his home country.
- GoofsIranian actresses are not allowed to appear without hijab. And Iranian women don't wear hijab in their home. Farhadi always find a way to solve this problem, such as there always being a stranger in the house, but in the scene in which Rana is cleaning the house she is all alone and still wearing a hijab.
- ConnectionsFeatures The Cow (1969)
- SoundtracksSolfege
(uncredited)
Written by Sattar Oraki
Performed by Hana Kamkar, Emad Emami, Ali Baghfar, Maral Baniadam, Mehdi Koushki and Payam Eghdami
Featured review
I am struck at the complexity of this film, and the reflective nature of its narrative structure. Action or events as a device to look at our natures, choices, motives, drives and dreams. And let's not stop there. How about actors acting theater scenes, and throw in a play within a play to boot, for good measure.
I know I sound somewhat critical above, and under less skilled hands, such criticism would be warranted. But not here. THE SALESMAN is compelling from beginning to end. And using Arthur Miller's iconic play, THE DEATH OF A SALESMAN, works so well to comment on these character's dreams, failings, nobility and humanity.
A dream -- or rather dreams -- shattered by a single, accidental, innocent incident. At the end of the journey, of our own Odyssey, whether we arise as a hero or a victim depends on our choices, our attitudes, our sheer willfulness for goodness or our tendency for self-destruction. To me, this movie raised these issues, and more. I loved it. Compelling through and through, and from a most-gifted, cinematically articulate director.
Scoring the different elements of the film objectively, 1 to 4:
Script/Story: 4, loved it. And all this set against a backdrop of a crackling, fall building; a house of cards, if you will.
Cinematography/Visual Effects: 3.5. Well shot. Close shots heightened the tension.
Editing: 3.5. Well edited; kept the pacing of a natural thriller, but lacked the cheesiness of one.
Sound Effects: 3, competent sound mixing
Musical Score: 3; frankly do not recall any musical score underscoring the film. This is sad as I should have noticed. Was there one?
Performances: 4, extremely strong performances. Great ensemble work, and standout work by the two leads, and the old man, too. I was particularly touched by the scene between the two men when the lead told the old man to take off his shoes. This scene was so effectively shot. Slow pacing of the camera capturing every quiver of both performances. Wow.
Production Design: Sets, Locations, Costumes, etc.: 2.5; my complaint here deals with the shots from the theater itself where DEATH OF A SALESMAN was being performed. Needed something more here.
Would you recommend this movie to a friend? Absolutely; a fine work of cinema. And extremely provocative. Well written; well shot; well delivered. Most highly recommended. Strong Oscar contender for Best Foreign Language Film.
I know I sound somewhat critical above, and under less skilled hands, such criticism would be warranted. But not here. THE SALESMAN is compelling from beginning to end. And using Arthur Miller's iconic play, THE DEATH OF A SALESMAN, works so well to comment on these character's dreams, failings, nobility and humanity.
A dream -- or rather dreams -- shattered by a single, accidental, innocent incident. At the end of the journey, of our own Odyssey, whether we arise as a hero or a victim depends on our choices, our attitudes, our sheer willfulness for goodness or our tendency for self-destruction. To me, this movie raised these issues, and more. I loved it. Compelling through and through, and from a most-gifted, cinematically articulate director.
Scoring the different elements of the film objectively, 1 to 4:
Script/Story: 4, loved it. And all this set against a backdrop of a crackling, fall building; a house of cards, if you will.
Cinematography/Visual Effects: 3.5. Well shot. Close shots heightened the tension.
Editing: 3.5. Well edited; kept the pacing of a natural thriller, but lacked the cheesiness of one.
Sound Effects: 3, competent sound mixing
Musical Score: 3; frankly do not recall any musical score underscoring the film. This is sad as I should have noticed. Was there one?
Performances: 4, extremely strong performances. Great ensemble work, and standout work by the two leads, and the old man, too. I was particularly touched by the scene between the two men when the lead told the old man to take off his shoes. This scene was so effectively shot. Slow pacing of the camera capturing every quiver of both performances. Wow.
Production Design: Sets, Locations, Costumes, etc.: 2.5; my complaint here deals with the shots from the theater itself where DEATH OF A SALESMAN was being performed. Needed something more here.
Would you recommend this movie to a friend? Absolutely; a fine work of cinema. And extremely provocative. Well written; well shot; well delivered. Most highly recommended. Strong Oscar contender for Best Foreign Language Film.
- ArminCallo-PalmSprings
- Jan 16, 2017
- Permalink
Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- El viajante
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $2,402,067
- Opening weekend US & Canada
- $71,078
- Jan 29, 2017
- Gross worldwide
- $6,953,604
- Runtime2 hours 4 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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