A couple going through a divorce must team up to find their son who has disappeared during one of their bitter arguments.A couple going through a divorce must team up to find their son who has disappeared during one of their bitter arguments.A couple going through a divorce must team up to find their son who has disappeared during one of their bitter arguments.
- Nominated for 1 Oscar
- 28 wins & 49 nominations total
Andris Keiss
- Anton
- (as Andris Keysh)
Natalya Potapova
- Zhenya's Mother
- (as Nataliya Potapova)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaOfficial submission of Russia for the 'Best Foreign Language Film' category of the 90th Academy Awards in 2018. However, the movie lost out to the Chilean transgender drama, A Fantastic Woman (2017).
- GoofsWhile the plot sets in late 2012, Sleepwalking by Bring Me The Horizon, that was released in 2013, plays in the car.
- ConnectionsFeatured in 75th Golden Globe Awards (2018)
- SoundtracksSilouans Song
Composed by Arvo Pärt
Featured review
Moscow, 2012: Zhenya (Maryana Spivak) and Boris (Aleksey Rozin) are a miserably married couple preparing for a divorce as they try to sell their apartment. Each has a new lover as they prepare for their new lives but both are negligent of their tormented twelve-year old son, Alyosha (Matvey Novikov) - thus causing a major twist in the story.
Director/co-writer Andrey Zvyagintsev created a sensation with the very powerful "Leviathan" released in 2014. The earlier film was very critical of the authorities in Russian society (which irked actual Russian authorities) while "Loveless" is critical of the degradation of Russian individuals and society in general. Some characters are more attached to their smartphones than to the people around them. Boris is attached to the endless news cycle. (In one such scene, it is fascinating to hear the biased Russian media's take on the troubles in Ukraine a few years back).
Boris's worst characteristic is his extreme indifference to others while Zhenya is a verbally abusive monster. It is easy to despise her for the way she treats her husband and son but her story is brought to the forefront when the viewer witnesses her with her equally monstrous mother (Natalya Potapova). At this point the viewer sees Zhenya as someone at both ends of the tragic "unwanted child" syndrome - a trait that is sadly hereditary.
Among Zvyagintsev's gifts is the way he handles sex scenes. Rather than the quasi-pornography that is rampant in modern films, the sex scenes in this film are actually erotic and intimate. And despite the film's title, they do represent rare moments when people are loving toward each other.
He is also adept at maintaining a bleak mood throughout the film - one that reflects most of the characters and the society around them. There is an extended scene that involves an abandoned building. One can't help but observe that the building looks functional and even pleasant in some rooms. Like some of the human characters, it was unnecessarily neglected and left to rot.
The epilogue of "Loveless" takes place a few years after the main story. Without giving anything away, its conclusion is sad yet not altogether surprising considering the scenes that preceded it. It's the right conclusion for a very good film with very powerful performances. And its subtle jab against the degradation of people via modern technology is not just a Russian problem; it's truly universal. - dbamateurcritic
Director/co-writer Andrey Zvyagintsev created a sensation with the very powerful "Leviathan" released in 2014. The earlier film was very critical of the authorities in Russian society (which irked actual Russian authorities) while "Loveless" is critical of the degradation of Russian individuals and society in general. Some characters are more attached to their smartphones than to the people around them. Boris is attached to the endless news cycle. (In one such scene, it is fascinating to hear the biased Russian media's take on the troubles in Ukraine a few years back).
Boris's worst characteristic is his extreme indifference to others while Zhenya is a verbally abusive monster. It is easy to despise her for the way she treats her husband and son but her story is brought to the forefront when the viewer witnesses her with her equally monstrous mother (Natalya Potapova). At this point the viewer sees Zhenya as someone at both ends of the tragic "unwanted child" syndrome - a trait that is sadly hereditary.
Among Zvyagintsev's gifts is the way he handles sex scenes. Rather than the quasi-pornography that is rampant in modern films, the sex scenes in this film are actually erotic and intimate. And despite the film's title, they do represent rare moments when people are loving toward each other.
He is also adept at maintaining a bleak mood throughout the film - one that reflects most of the characters and the society around them. There is an extended scene that involves an abandoned building. One can't help but observe that the building looks functional and even pleasant in some rooms. Like some of the human characters, it was unnecessarily neglected and left to rot.
The epilogue of "Loveless" takes place a few years after the main story. Without giving anything away, its conclusion is sad yet not altogether surprising considering the scenes that preceded it. It's the right conclusion for a very good film with very powerful performances. And its subtle jab against the degradation of people via modern technology is not just a Russian problem; it's truly universal. - dbamateurcritic
- proud_luddite
- Apr 23, 2018
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Details
- Release date
- Countries of origin
- Official sites
- Languages
- Also known as
- Нелюбов
- Filming locations
- Shodnenskiy Kovsh, Yuzhnoye Tushino District, Moscow, Russia(woods and river)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $566,356
- Opening weekend US & Canada
- $30,222
- Feb 18, 2018
- Gross worldwide
- $3,928,358
- Runtime2 hours 7 minutes
- Color
- Sound mix
- Aspect ratio
- 2.35 : 1
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