IMDb RATING
5.5/10
1.9K
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A travelling monk and his followers find themselves trapped in a land inhabited by only women.A travelling monk and his followers find themselves trapped in a land inhabited by only women.A travelling monk and his followers find themselves trapped in a land inhabited by only women.
- Awards
- 2 wins & 4 nominations total
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaIt takes Aaron Kwok, Gigi Leung, and Him Law for about five to six hours to put on their special makeups; the makeups are easier for Shaofeng Feng and Shenyang Xiao, who only have to spend two to three hours. The heaviest make up goes to Chi-Ling Lin's character as the river goddess, for which she has to spend eight hours.
- Quotes
National Division: Being a man is a capital crime. And being an ugly one... double guilty!
- ConnectionsFollows The Monkey King: Havoc in Heaven's Palace (2014)
Featured review
"The Monkey King 3: Kingdom of Women," released in 2018, takes a distinct turn in the franchise, shifting its focus from predominantly action-driven sequences to a more character-centric narrative, with a strong emphasis on romance and interpersonal relationships. This installment delves into the "Women's Country" arc from "Journey to the West," providing a unique and somewhat controversial interpretation of the classic tale.
One of the most notable aspects of "The Monkey King 3" is its departure from the heavy reliance on large-scale action sequences that characterized the previous films. Instead, the film dedicates significant screen time to exploring the emotional dynamics between the characters, particularly Tang Sanzang and the Queen of the Women's Country. This shift in focus allows for a deeper exploration of themes such as love, desire, and the challenges of adhering to spiritual vows.
Aaron Kwok returns as Sun Wukong, providing a consistent and compelling portrayal of the character's mischievous yet loyal nature. Feng Shaofeng's Tang Sanzang is also central to the story, and the film dedicates much time to his internal conflict between his religious duties and his burgeoning feelings for the Queen. The Queen of the Women's Country, played by Zhao Liying, adds a new and interesting element to the story.
However, the film's emphasis on romance has drawn mixed reactions from audiences. While some appreciate the attempt to explore the characters' emotional depths, others find the romantic subplot to be forced and out of place within the context of the "Journey to the West" narrative. Critics also pointed out that the films handling of gender roles was at times clumsy.
Visually, "The Monkey King 3" maintains the franchise's high standards of special effects and production design. The depiction of the Women's Country and its inhabitants is visually stunning, with vibrant colors and intricate details. However, the decreased emphasis on action sequences may disappoint viewers who were expecting a more action-packed experience.
In essence, "The Monkey King 3" represents a significant departure from the previous installments, prioritizing character development and romance over action and spectacle. While this shift in focus may not appeal to all viewers, it offers a unique and interesting interpretation of the "Women's Country" arc. The film's impressive visuals and solid performances contribute to its overall entertainment value, even if its narrative choices are somewhat divisive.
One of the most notable aspects of "The Monkey King 3" is its departure from the heavy reliance on large-scale action sequences that characterized the previous films. Instead, the film dedicates significant screen time to exploring the emotional dynamics between the characters, particularly Tang Sanzang and the Queen of the Women's Country. This shift in focus allows for a deeper exploration of themes such as love, desire, and the challenges of adhering to spiritual vows.
Aaron Kwok returns as Sun Wukong, providing a consistent and compelling portrayal of the character's mischievous yet loyal nature. Feng Shaofeng's Tang Sanzang is also central to the story, and the film dedicates much time to his internal conflict between his religious duties and his burgeoning feelings for the Queen. The Queen of the Women's Country, played by Zhao Liying, adds a new and interesting element to the story.
However, the film's emphasis on romance has drawn mixed reactions from audiences. While some appreciate the attempt to explore the characters' emotional depths, others find the romantic subplot to be forced and out of place within the context of the "Journey to the West" narrative. Critics also pointed out that the films handling of gender roles was at times clumsy.
Visually, "The Monkey King 3" maintains the franchise's high standards of special effects and production design. The depiction of the Women's Country and its inhabitants is visually stunning, with vibrant colors and intricate details. However, the decreased emphasis on action sequences may disappoint viewers who were expecting a more action-packed experience.
In essence, "The Monkey King 3" represents a significant departure from the previous installments, prioritizing character development and romance over action and spectacle. While this shift in focus may not appeal to all viewers, it offers a unique and interesting interpretation of the "Women's Country" arc. The film's impressive visuals and solid performances contribute to its overall entertainment value, even if its narrative choices are somewhat divisive.
- rahuldeep-37247
- Feb 27, 2025
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Details
- Release date
- Countries of origin
- Official site
- Languages
- Also known as
- The Monkey King 3: Kingdom of Women
- Filming locations
- Taiwan(Studio and town)
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $73,000,000 (estimated)
- Gross US & Canada
- $187,074
- Opening weekend US & Canada
- $95,577
- Feb 18, 2018
- Gross worldwide
- $115,084,576
- Runtime1 hour 54 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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