IMDb RATING
4.6/10
7.2K
YOUR RATING
The raucous exploits of the Bakers, a blended family of 12, as they simultaneously navigate a hectic home life and their family business.The raucous exploits of the Bakers, a blended family of 12, as they simultaneously navigate a hectic home life and their family business.The raucous exploits of the Bakers, a blended family of 12, as they simultaneously navigate a hectic home life and their family business.
- Awards
- 1 win & 2 nominations total
Timon Kyle Durrett
- Dom Clayton
- (as Timon Durrett)
Cynthia Daniel
- Michele
- (as Cynthia Daniel Hauser)
Simeon Othello Daise
- Chris
- (as Simeon Daise)
Featured reviews
The Cheaper by the Dozen films with Steve Martin and Bonie Hunt weren't great, but they were watchable. I actually rewatched Cheaper By the Dozen 2 last night and teared up, that isn't happening with this viewing. That incarnation had a fun story, kids that you could actually want to hang with and a fun location.
Cut to Disney's un necessary reboot. The charm is gone and is re placed by un likeable actors and frustrating plot. Zach Braff " replaces' Seve Martin and he is very un likeable. I hate to sound negative, but, the children are not likeable. Let me back up, there are no likeable characters.
I had really low expectations, and was slightly hoping this would be "ok."
Kenya Barris, the creator of Black.ish, wrote this, and yes, it feels like a Black.ish film. I wish he casted better kids. There was no reason for this film, producers should have had Steve Martin brought in for a cameo as a different character, but didn't happen. Can Disney stop with these un necessary reboots, please.
Cut to Disney's un necessary reboot. The charm is gone and is re placed by un likeable actors and frustrating plot. Zach Braff " replaces' Seve Martin and he is very un likeable. I hate to sound negative, but, the children are not likeable. Let me back up, there are no likeable characters.
I had really low expectations, and was slightly hoping this would be "ok."
Kenya Barris, the creator of Black.ish, wrote this, and yes, it feels like a Black.ish film. I wish he casted better kids. There was no reason for this film, producers should have had Steve Martin brought in for a cameo as a different character, but didn't happen. Can Disney stop with these un necessary reboots, please.
Meh....it was ok. Pretty generic and nothing new or special. I like the idea of a mixed family but they made it so PC it kinda ruined it for me. I find Gabrielle Union plays the same type of character in most things I've seen her in, so I wasn't impressed with her performance. Zach Braff is a good comedic actor and so I expected a bit more of a comedy element from him. All in all it was just a below average family comedy that only made me laugh a few times.
If you're old enough to remember the book and the original Disney film, then you'll be well aware of the glue that is strong enough to hold a family with 12 kids together - unconditional love for the family. When push comes to shove, the Baker clan has always known that family comes first.
This updated version sets its tone immediately with a mini-documentary that establishes where all their many kids came from, and in this case it is in many ways. There was a divorce on both sides of the relationship, an adoption, bi-racial kids from the new marriage and of course a nephew that quickly enters the picture to round out a total of 9+1 children.. That's the way they have chosen to interpret a dozen this time around, 12 bakers. You have your black kids, your wheel-chair bound child, your Indian represented child and the white kids and the bi-racial kids that came from the new marriage. If you're getting the feeling that this might be motivated to create a sense of token diversity you might be encouraged to feel that way by the political content of the film. The Baker's home features BLM signs and their dogs are named Joe Biten and Bark Obama (not sure if that's a compliment or an insult). Many opportunities are taken in dialogue to feature political ideologies including micro-aggressions, victim shaming and profiling. There are even some painful moments where the white cast are lectured about inequality and how they naturally fit in everywhere they go because they're white while black people are profiled, ostracized, discriminated against and generally lose opportunities because of generational wealth. White people are told that they can never understand what that is like and that their accomplishments are invalidated.
The writers handle this in some creative ways, and the responses are thought provoking. A contradiction is present, for example, when their white nephew is profiled because of his past behaviour and he was bullied and felt like a misfit, but the answer is found in the Baker's #1 rule - family comes first.
Not all of the scenarios outlined make sense but on the whole it is a sweet story of a family fighting to be genuine and the gist of the plot remains the same as previous films, albeit with some changes to the characters. But too many faces quickly disappear into the background while posing some unanswered questions along the way. There are two sets of twins, contributing to the feeling that the children all blend together. It never truly feels like a full house. This is where the film struggles to stay coherent. There are many characters that fail to be distinct, and several agendas that don't support the plot, all contributing to the feeling that this film was rushed while never connecting well with the traditional family audience that typically supported this kind of a family comedy/drama.
This updated version sets its tone immediately with a mini-documentary that establishes where all their many kids came from, and in this case it is in many ways. There was a divorce on both sides of the relationship, an adoption, bi-racial kids from the new marriage and of course a nephew that quickly enters the picture to round out a total of 9+1 children.. That's the way they have chosen to interpret a dozen this time around, 12 bakers. You have your black kids, your wheel-chair bound child, your Indian represented child and the white kids and the bi-racial kids that came from the new marriage. If you're getting the feeling that this might be motivated to create a sense of token diversity you might be encouraged to feel that way by the political content of the film. The Baker's home features BLM signs and their dogs are named Joe Biten and Bark Obama (not sure if that's a compliment or an insult). Many opportunities are taken in dialogue to feature political ideologies including micro-aggressions, victim shaming and profiling. There are even some painful moments where the white cast are lectured about inequality and how they naturally fit in everywhere they go because they're white while black people are profiled, ostracized, discriminated against and generally lose opportunities because of generational wealth. White people are told that they can never understand what that is like and that their accomplishments are invalidated.
The writers handle this in some creative ways, and the responses are thought provoking. A contradiction is present, for example, when their white nephew is profiled because of his past behaviour and he was bullied and felt like a misfit, but the answer is found in the Baker's #1 rule - family comes first.
Not all of the scenarios outlined make sense but on the whole it is a sweet story of a family fighting to be genuine and the gist of the plot remains the same as previous films, albeit with some changes to the characters. But too many faces quickly disappear into the background while posing some unanswered questions along the way. There are two sets of twins, contributing to the feeling that the children all blend together. It never truly feels like a full house. This is where the film struggles to stay coherent. There are many characters that fail to be distinct, and several agendas that don't support the plot, all contributing to the feeling that this film was rushed while never connecting well with the traditional family audience that typically supported this kind of a family comedy/drama.
Tries to cover too many social issues with no solid character building. I couldn't tell you what any of the childrens names were or anything about them.. a real missed opportunity.
I recently read an interview with the show runner from a very popular and well made TV series that has been off the air for a number of years. They asked him, with excitement, if he was going to reboot or restart the show. He simply said absolutely not, all these reboots are awful and I would never want to destroy the memory of my show by making a cheaper, woke, lazy version like everyone else in Hollywood is doing. I really wish someone from Disney would read that article and take it to heart. You built an empire on good entertaining family shows, don't destroy it by making cheap, woke, lazy shows (which seems to be all you are doing nowadays).
Did you know
- TriviaThe movie the Bakers watch during family movie night was the original Cheaper by the Dozen (1950).
- GoofsAt about an hour and twenty minutes into the movie you can see gaff tape on the floor showing actors marks.
- Crazy creditsThe closing Disney logo is not shown after the end credits.
- ConnectionsFeatured in AniMat's Crazy Cartoon Cast: The Rat of All My Dreams (2020)
- SoundtracksLove on Top
Written by Beyoncé (as Beyoncé Knowles), The-Dream (as Terius Nash) and Shea Taylor
Performed by Beyoncé
Courtesy of Columbia Records
By arrangement with Sony Music Entertainment
- How long is Cheaper by the Dozen?Powered by Alexa
Details
- Release date
- Country of origin
- Official site
- Language
- Also known as
- Nhà Có Một Tá Con
- Filming locations
- Production companies
- See more company credits at IMDbPro
- Runtime
- 1h 47m(107 min)
- Color
- Sound mix
- Aspect ratio
- 1.78 : 1
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