Flawlessly produced and meticulously authentic, this production deserves more enthusiasm than it has evidently created. This version is worth checking out not merely because of the breathtaking visuals, authentic costumes and perfectly re-created historical ballroom dances (with actual orchestras playing live music on the set), but also for the compelling character development. It takes six hours, but finally we get a compelling glimpse of what might have been going on in the mind and soul of a tormented and spirited woman in a rigid society. The beautiful Elizaveta Boyarskaya creates a high-strung, intense Anna, whose love develops into obsession and spirals down a maelstrom of unstoppable self-destruction. She gives us a mentally unstable, bipolar heroine who is as irritating as she is lovable. Her high octane performance is well balanced by the stoic but eventually deep and touching performances by the handsome Maksim Matveev (Vronski) and the spooky Vitaliy Kishchenko (Karenin), both unable to provide her with what she needs and yet unable to let her go. The story is presented as a series of flashbacks, told thirty years later by the aged Vronski to Anna's son - not necessarily a very important narrative device, but - why not. One should definitely give this atmospheric version a chance.
