User reviews

This Mexican film is passable, it has good actors, a correct plot and good settings.

Alejandro Springall' s 6th feature film tells a story at the beginning of the century in northern Mexico, when the United States closed its southern border and Chinese Mexicans were victims of discrimination. Cinematography is interesting. However, the use of aerial shots is abused, so the viewer soon gets tired. The soundtrack is totally nondescript. But "Sonora"s main problem is its lack of a good script. At one point we have up to ten individuals, perhaps more, traveling through the desert in a car, but the script does not focus on any of them to tell the story from their point of view. If the script had focused, for example, on the Chinese immigrant's family, and four or five characters had been erased from the script, an interesting, even poignant, story could have been told. As it stands, the film feels like bad editing of a much longer story. However, if you like desert aerial shots, you wont be disappointed.

Predicable, cliched but still watchable. One of those films in which if something can go wrong then it surely will. Also, one of those films where somehow life, decency and goodness prevails - at least most of the time.

The movie, set during the great depression of the 1939s, is about a diverse group of Mexicans traveling - nay smuggling themselves - across the border to the US.

This journey through the thankless Sonora Desert brings out different elements from each character: the Indian man trying to defeat his demons; a Chinese Mexican and his wife and young daughter escaping racist persecution; a couple of stranded bootleggers; a young girl yet to experience life; and a few more along the way.

Sonora is as much a social commentary as it is entertainment. It's short, not so sharp, but an acceptable no frills film.

You know those films which you can not take your eye off. Well, this is one is like this. From minute one to the end you feel like we're there, with the characters. Goof performances, great direction and beautiful photography. I really recommend it.

I'd dare to say that this movie is a failed attempt to assert a political message by drawing on historical events and manipulating them. The acting is pathetic, cheesy and over-dramatic. The whole movie is filled with cliches and unnecessary conflicts, so much that it reminded me of the kind of poorly written prose my professors warned me to stay away from. The world isn't just black and white - it is obnoxious to state that all rich men are good and all poor men are bed, but at the same time it is quite stupid to declare that all rich men are evil and all poor men are good. This is what this movie does: sailing from one prejudice to the other, while constantly claiming to denounce "racism" and "discrimination". Left-winged naivety at its best.

Uneven but nonetheless worthwhile. Besides some surprising acting and the Sonora's desert deathly beauty, this film's unquestionable merit is uncovering an buried chapter in Mexican history: the sistematic persecution of Chinese immigrants in the 1930s.

Ostensibly a western (although set in 1931), or just a "disparate group facing danger, who will survive?" movie, "Sonora" is both a look at some forgotten Mexican history, and a commentary on asylum and migration.

The usual scenario... people thrown together by chance facing danger... does rely on some of the darker parts of Mexican history (the Fascist anti-Chinese purges in Sonora, the mass deportation of Mexicans by the United States in the early 1930s), it also brings to mind the disparate and desperate reasons for making dangerous trips through the desert (today to the United States, then, merely across state lines into Baja California). The Wongs flee racial prejudice, Doña Rosario and Pilar seek family reunification, the Commario flees the law, etc. Smugglers (booze in 1931, drugs today), racists, the elements... all complications, sometimes deadly, faced by those having to leave their homes today. What makes it particularly worth watching is that the only member of the expedition, the guide, Emeterio (Juan Cossio), is also a displaced person... when introduced, he is a deracinated "Indian", but emerges as a leader when he returns to his own cultural traditions.

As a European, i know nothing about the desert or the politics in 1930. Even this movie was so foreign for me, it was really beautiful and i enjoyed it a lot. It is nice to learn new cultures.