65
Metascore
29 reviews · Provided by Metacritic.com
- 80TheWrapSam FragosoTheWrapSam FragosoIt gets away with missteps because of how consistently heartwarming and affable the people on screen are. Clemons and Offerman are especially effective, with Frank’s earnestness comically shot down by Clemons’ quick-witted preciousness.
- 70The Hollywood ReporterJohn DeForeThe Hollywood ReporterJohn DeForeHeartfelt and unassuming but likely to prompt a few complaints that it doesn't ring true.
- 70VarietyAmy NicholsonVarietyAmy NicholsonClemons has been a luminous presence who could bloom into a great grown-up actress. Hearts Beat Loud proves she’s the real deal. As for the film around her, Haley’s 21-drum solo salute to the passage of time is, like Frank, merely fine. But he admirably keeps his characters’ victories small and their losses familiar, making his movie a ballad everyone can hum to.
- 70Los Angeles TimesKenneth TuranLos Angeles TimesKenneth TuranEnergized by Offerman and Clemons, the effectiveness of the music and the emotional freshness of "Hearts Beat Loud" are finally triumphant. Sometimes wearing your heart on your sleeve is the only way to go.
- 67The Film StageDan MeccaThe Film StageDan MeccaThis film is often slight but always welcoming. The two leads have a pleasant chemistry that elevates each exchange and build out a meaningful–and meaningfully deep–relationship that’s easy to engage with and root fo
- 67The A.V. ClubMike D'AngeloThe A.V. ClubMike D'AngeloHearts Beat Loud is smart, sincere, expertly performed (though Ted Danson, in a small role as Frank’s favorite bartender, gets little to do apart from echo Sam Malone), quietly progressive (Sam’s ethnicity and sexuality elicit no onscreen comment whatsoever), and just thoroughly… nice.
- 60Village VoiceRen JenderVillage VoiceRen JenderThe real reason to see this film is Kiersey Clemons’s Sam and her romance with aspiring artist Rose (Sasha Lane).
- 50The New York TimesJeannette CatsoulisThe New York TimesJeannette CatsoulisWith its oversimplified emotions and dumbed-down depiction of the creative process, this inoffensive time-filler dissolves in the mouth like vanilla pudding.
- 38Slant MagazineSlant MagazineThe steadiness with which Haley's film progresses through its dramatic beats is rather like its familiar-sounding indie pop, moving rhythmically toward a predictable climax whose emotional intensity feels unearned.