67
Metascore
17 reviews · Provided by Metacritic.com
- 88Movie NationRoger MooreMovie NationRoger MooreGospel According to André immortalizes a man of his moment, who invented himself and made his own moment. And as he winds down his career and takes a deep, sweeping, cape-bedecked parting bow, this self-flattering film biography gives us one last chance to appreciate what a trip he’s had, and what a trip he’s been.
- 88TheWrapTodd GilchristTheWrapTodd GilchristUltimately this intimate, affectionate biography underscores an essential truth about the fashion industry, Talley’s work, and the life that he built out of what might seem like the unlikeliest circumstances: “Fashion is fleeting. Style remains.”
- 80Los Angeles TimesKatie WalshLos Angeles TimesKatie WalshIt's a rare delight to spend so much time with the inimitable André. This revealing documentary shows the playful, loving and vulnerable side to this towering figure of taste.
- 80Village VoiceApril WolfeVillage VoiceApril WolfeThe Talley of before the election presents himself as a man who believes anything is possible if you swallow your anger, work hard enough, and sacrifice all — especially your chance at love — and the Talley of after seems to worry that much of that progress has proved an illusion.
- Unlike previous glossy docs such as “The September Issue,” Gospel is far more than a dressed-up Vogue infomercial.
- 70VarietyAndrew BarkerVarietyAndrew Barker“Gospel” is Novack’s first solo feature, though she co-directed “Eat This New York” with husband Andrew Rossi, whose “Page One: Inside the New York Times” she also produced, and she seems to have an implicit understanding that shot composition is every bit as important in a documentary as in a narrative feature.
- 63The Globe and Mail (Toronto)Nathalie AtkinsonThe Globe and Mail (Toronto)Nathalie AtkinsonThe film’s most insightful moments come when the documentary reconnects Talley with his past as they revisit his hometown and oldest friends.
- 60The Hollywood ReporterFrank ScheckThe Hollywood ReporterFrank ScheckThe film delivers an evocative biographical portrait of Talley.
- 60The New York TimesJon CaramanicaThe New York TimesJon CaramanicaThe director, Kate Novack, has delivered a film that’s detailed and affectionate, but also frustratingly static, making a point not to get in its subject’s way.
- 50Slant MagazineClayton DillardSlant MagazineClayton DillardWhile many documentaries about notable figures feel the unfortunate need to legitimate their subjects with hyperbolic praise from recognizable sources, the film immediately runs the gamut in a manner that would be worthy of a mockumentary were it not completely serious.