IMDb RATING
6.4/10
5.9K
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Set in the Parisian publishing world, an editor and an author find themselves in over their heads, as they cope with a middle-age crisis, the changing industry and their wives.Set in the Parisian publishing world, an editor and an author find themselves in over their heads, as they cope with a middle-age crisis, the changing industry and their wives.Set in the Parisian publishing world, an editor and an author find themselves in over their heads, as they cope with a middle-age crisis, the changing industry and their wives.
- Awards
- 3 wins & 9 nominations
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaOlivier Assayas' statement for the film: "Our world is in constant change. It has always been. The issue is our ability to keep an eye on that flux, to understand what is truly at stake, and then adapt, or not. After all, that is what politics and opinion are about. The digitization of our world and its reduction to algorithms is the modern vector of a change that unrelentingly confuses and overwhelms us. Digital economy infringes rules, and often laws. Moreover it questions whatever seemed most stable and solid in society and the reality around us, only to dissolve on mere contact. Doubles vies is not about analyzing the workings of the new economy. Its more modest intent is to observe how those questions beleaguer us, personally, emotionally, and sometimes humorously."
- ConnectionsReferences The Leopard (1963)
- SoundtracksBeach Club
Written by Per Bluitgen Andreasen and Yannick Kalfayan
Featured review
Doubles vies (2018) (literally Double Lives) is a French film that was shown in the U.S. with the title Non-Fiction. The movie was written and directed by
Olivier Assayas.
Guillaume Canet as publisher Alain Danielson, who is married to the TV actress Slena (Juliette Binoche). They are friends with another couple, author Léonard Spiegel (Vincent Macaigne) and political consultant Valerie, portrayed Nora Hamzawi. Into the mix comes Laure d'Angerville played by Christa Théret. She works for Alain as "Head of Digital Transition."
Because this is a French film, everyone sleeps with everyone else, and everyone gathers in groups of four, six, or eight to talk, talk, and talk. (They also gather in cafes to talk.)
Nothing is going quite right for any of them, and they are all dissatisfied with their lives. This is despite the fact that they are beautiful, successful, relatively wealthy people. (Remember this is a French film.)
On the positive side is that the acting is excellent, the plot moves forward steadily, if slowly, and the movie embodies everything I know about French intellectuals. OK--it's true that all I know about French intellectuals is what I've seen in movies about French intellectuals. Even so, by that criterion it looks right.
If you like dialog films, with great French actors, this film is for you. If you like movies with more action and less talk, then Non-Fiction isn't for you.
We saw on the large screen at Rochester's great Little Theatre. It will work well enough on the small screen.
I think it's worth seeing, but I'm somewhat prejudiced, because I have wanted to see La Binoche act ever since "The Unbearable Lightness of Being" in 1988.
Guillaume Canet as publisher Alain Danielson, who is married to the TV actress Slena (Juliette Binoche). They are friends with another couple, author Léonard Spiegel (Vincent Macaigne) and political consultant Valerie, portrayed Nora Hamzawi. Into the mix comes Laure d'Angerville played by Christa Théret. She works for Alain as "Head of Digital Transition."
Because this is a French film, everyone sleeps with everyone else, and everyone gathers in groups of four, six, or eight to talk, talk, and talk. (They also gather in cafes to talk.)
Nothing is going quite right for any of them, and they are all dissatisfied with their lives. This is despite the fact that they are beautiful, successful, relatively wealthy people. (Remember this is a French film.)
On the positive side is that the acting is excellent, the plot moves forward steadily, if slowly, and the movie embodies everything I know about French intellectuals. OK--it's true that all I know about French intellectuals is what I've seen in movies about French intellectuals. Even so, by that criterion it looks right.
If you like dialog films, with great French actors, this film is for you. If you like movies with more action and less talk, then Non-Fiction isn't for you.
We saw on the large screen at Rochester's great Little Theatre. It will work well enough on the small screen.
I think it's worth seeing, but I'm somewhat prejudiced, because I have wanted to see La Binoche act ever since "The Unbearable Lightness of Being" in 1988.
- How long is Non-Fiction?Powered by Alexa
Details
- Release date
- Country of origin
- Official sites
- Language
- Also known as
- Double Lives
- Filming locations
- Majorca, Spain(final scenes)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $704,919
- Opening weekend US & Canada
- $29,853
- May 5, 2019
- Gross worldwide
- $3,649,042
- Runtime1 hour 48 minutes
- Color
- Sound mix
- Aspect ratio
- 1.85 : 1
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