User reviews

I don't even know how to describe how much I loved this show. I loved it so much I've watched it all the way through several times and will again. It's definitely one of the best shows I've ever seen. This show takes you into the world of very top 1%. There aren't many likable characters on the show, it's actually the opposite, all the characters are very unlikeable but they're fun to watch. I understand that not everyone liked it though. You have to really appreciate good acting and writing to love this show. HBO has made some of the best shows of all time and Succession is definitely one of those.

Going into this I thought there was no way Succession could ever live up to all the hype surrounding it but then I watched it. It not only lives up to it but surpasses it in every way. This really is one of the best shows of all-time. I heard such great things about it and saw all the awards it's won but still put it off until recently. I can't believe how much I was missing out on, I binged the entire series within a week. I have to admit that you have to give it a few episodes before you really get into it because it starts off pretty slow but before you know it you'll be addicted. I can't say enough about this cast either, the entire cast is unbelievable, not a single bad actor on the entire show. Every actor/actress on the show have been nominated for their performances in this, thats unheard of for a show. Here's the list of all the actors/actresses that have been nominated and or won an Emmy for their performance: Kieran Culkin, Jeremy Strong, Brian Cox, Sarah Snook, Matthew Macfayden, Nicholas Braun, Alan Ruck, Alexander Skarsgård, James Cromwell, J. Smith-Cameron, Adrien Brody, Hope Davis, Sanaa Lathan, Cherry Jones, Harriet Walter, Hiam Abbass & Arian Moayed. That's ridiculous and unheard for any show. That's how good this show is, 17 different actors were nominated for an Emmy, almost all of them multiple times and in every season the show was on. Succession absolutely deserves all the awards it's won and more.

I actually enjoyed Succession but it's definitely a show that's not for everyone. The majority of the people I know end up loving up but there are those who don't like it too. You'll have to judge for yourself. What can you say about it that hasn't already been said? First off this show has won the Emmy for Best Drama every season it's been on and literally every major character has been nominated or won an Emmy for their work on this show. It's also one of the highest rated shows here so it's not only a hit with the critics but the fans love it too. Bottom line is this is one of the best shows ever created. It's one of the rare shows where every season is just as good as the others. There's no let down or weak season. This show is not for everyone though. If you are looking for action and a fast paced show then this isn't for you. What makes this series so special is the writing and acting. It will suck you into their world and won't let go. I can't recommend this show enough but again not everyone has is going to like it.

Succession is a show that's not for everyone, and with how heavy and cringe it can be to watch at times it's understandable why some people can't bear it. While not having experience in the field that's shown in this series, I feel like what's being portrayed is almost too real at times. I find myself being very uncomfortable watching these scenes that just feel so obnoxious and slimy with the way these characters act and respond to situations. But in all honesty that's partially what makes this show so good. It throws you into a world with characters that at some point in the show you'll absolutely despise and hate, then in a complete 180 make you love that character and want to root for them even with how much deep rooted corruption is in their veins. But that sympathy comes from many places for many people. For me it's partially from a standpoint of the fact that in a way some characters are victims to what they were born into as children. A shiny key in the form of a corrupt corporation dangling in front of them that they feel is their destiny, yet as they grow older and become more responsible it's harder to watch as these adults act like children in a "professional" manner trying to unlock a door they don't want to open. Yet in some instances you might find yourself cheering for someone to open that door themselves, because they might've already lost their chance at a "normal" life a long time ago. What succeeding is can be subjective for anyone for their given goals, but Succession above all shows you what chasing a false dream can be, and how it can either make or break you as a person. While Succession can be a very tough watch, I think it's one of the most important watches in all of television that everyone should experience with open eyes.

As a show lover I constantly see myself in the position of judging and "personally" rating the stuff I see for myself, investigating and doing research of the shows I watch and etc, I've find myself pretty surprised with this production since It carries a really life changing narrative doesn't matter how ridiculous that sounds, it's quite literally perfect. From the writing, to the acting, to the direction, to the music. Everything just amazes me and quite literally changed my life. I hope I can see myself in a future directing something as powerful as this or at least take as reference such a magnificent show like Succession. Delightful.

Its so one of those shows that you'll only like it if you watch the first couple episodes when youre ready to. It catches some peoples attention in the first episodes but it just gets better and better the more you watch it, and the more attached you get to the characters. Honestly it makes you more attached when you can take aspects of the story and characters and resonate with their feelings or story. Also THE SCOREEE just adds to it. The acting is phenomenal, especially the last few but jesus the way they film it like a sitcom in some parts just its perfection. Wish i could eat the whole thing.

At first, I didn't like Succession and didn't understand the high levels of praise, because I found every character to be thoroughly awful... but that's the point.

This show is a character study about how the people around power and money are all awful, but awful in different ways and we explore these ways.

My own personal favourites are:

• Tom is the ultimate corporate sleazebag who prospers by being a sycophant and immoral.

• Nan Pierce tries to hide her awfulness with a cloak of faux sophistication.

• Greg is despicable, devious, greedy and grasping throughout while masquerading as the fool/innocent.

• Matsson and his cronies are the Sweden most of the world isn't aware of.

• Bringing the show to Dundee and the British aspects of inherited wealth was a rich vein to explore.

• The relationships of the wealthy to their servants and employees were perfectly presented.

The casting and the acting is excellent across the board.

One thing I'm quite surprised by is how Brian Cox seems to not understand the character he plays, in various interviews he's done. "Logan loves his kids too much" - Logan doesn't love his kids at all, as clearly reflected by their twisted childhoods devoid of good parenting, and as adults, they are merely tools to be used to feed his narcissism and achieve his goals.

The production is as lavish and rich as the world it portrays.

The theme tune is one of the all-time greats, alongside Friends, Angel and Millenium. It runs through my head regularly.

Where the show fell short of perfect:

• The first half/two-thirds of Season 3 was tedious and unremarkable. It's only until the final 4-ish episodes of that season that we return to what made the show great.

• The election episode was boring and should have been binned.

I watched 1 episode; thought it was just okay and then didn't watch the next episode until maybe 2-4 weeks later. Then once I was on episode 3-5, I was absolutely hooked. Give this series a chance.

The show is great, you start to really care about the characters despite most of them having massive character flaws. In my opinion, 3/4 of the children are outright sociopaths (oldest son is the only halfway decent guy). Father is ruthless but you can't help but respect him for his accomplishments.

It gives an insight on how some of the 0.001% live. Very interesting and it will keep you entertained throughout the series!

Watching succession is like being in a construction site learning all sorts of curse words and mind you these words are bouncing from father to son to daughter to senior management.

Also this demonstrates how difficult it is for a son to get approval from egocentric, cut throat ,power grabbing self made father. In the end Roy himself acknowledges he sees him self through his siblings.

The best line for me is when Roy had to tell Ken right before public betrayal. Son your smart but you mis one thing you are not a killer, you have to be a killer but may nowadays you don but I don't know. Lillte did he know knedle was up to draw his sword for yet another public betrayal.

Not for everyone. Even for the people it's made for, there are no likable characters. Lots of wasteful scenes and dialogue, almost as if to extend the runtime of an episode. The dialogue is high quality, but many characters feel like the same person in the ways in which they speak. There are lots of academic terms and language. The comedy is sometimes amazing (Tom & Greg). The problem with this show is, it feels like a FORTY HOUR MEETING. They never EVER stop talking about making some sort of deal or acquisition, and there is no room for anything else. No conglomerate of people are that obsessed with work.

Season 1 (8/10) Season 2 (7.25/10) Season 3 (6/10) Season 4 (8/10)

Final episode is a phenomenal 9/10.

Unfortunately I have to finish something I have started, which has again caused me to have to drag myself to finish Succession.

Don't get me wrong there were good segments across the 4 seasons but on the whole it was mediocre at very best.

The writers seemed to run out of ideas and regurgitate episode after episode, utilising the same daddy issue narrative to piece together said episodes.

As has been said in a number of reviews, all 4 seasons could have been easily edited down to one season.

I'd recommend watching Billions instead, if you're looking for a show that wages wealthy powerful people against each other.

**Review: *Succession***

*Succession*, HBO's critically acclaimed series, has cemented its place as one of the most gripping modern dramas. It offers a brutally honest and darkly humorous look at power dynamics within the fictional Roy family, media moguls whose empire seems boundless, as do their ambitions. The show centers on the family patriarch, Logan Roy (played by Brian Cox), and his adult children-Kendall, Roman, Shiv, and Connor-each vying for approval, inheritance, or power over the empire.

What makes *Succession* compelling is its ability to navigate the darkness of wealth and ambition with sharp satire, creating moments that are equal parts discomforting and hilarious. The writing is razor-sharp, and each character is crafted with layers of dysfunction, insecurity, and ruthlessness. It's refreshing to see a show where there are no clear heroes or villains-each character, while flawed and manipulative, reveals their own vulnerabilities that keep the audience hooked.

The cast performances are phenomenal. Brian Cox brings an unmatched intensity as Logan, whose domineering personality sets the tone for the entire series. Jeremy Strong (Kendall), Sarah Snook (Shiv), Kieran Culkin (Roman), and Alan Ruck (Connor) all offer performances that elevate their characters beyond archetypal rich heirs, adding depth and complexity to each one.

A standout feature of the show is its cinematography and direction. The handheld camera work adds an almost documentary-style feel, making viewers feel like a fly on the wall, witnessing intimate, raw exchanges. The production design also captures the opulence of the ultra-wealthy, contrasted with the characters' often hollow and fractured relationships.

The show's pacing might feel slow to some, especially those who prefer action-driven narratives. However, for viewers who savor character-driven drama, *Succession* is a feast. It peels back the layers of the 1% elite in a way that feels authentic yet horrifying, pulling no punches in exposing their greed, narcissism, and the brutal cost of loyalty.

In conclusion, *Succession* is a masterclass in modern storytelling, blending dark comedy with drama and nuanced social commentary. It's a show that invites viewers to indulge in the chaos of the ultra-rich while also critiquing the ethical void left in their wake. If you haven't watched *Succession* yet, it's a must-see for anyone who appreciates layered characters, intense family drama, and an unfiltered look at power and privilege.

The outstanding drama on business and hands down one of the best shows to grace the screen, "Succession" has it all. The tale of media giant Logan Roy and his family is one of the great epics of filmdom. With a stellar cast, topnotch direction, memorable music and scintillating script the viewer is taken for a wild ride into a rollercoaster of scenes, thoughts and emotions as one is privy to familial intrigues, business deals and human nature at its best and worst. The leads are archetypes: crude and towering Logan Roy, the irascible patriarch who dominates and is the bedrock and foundation where everyone revolves on; university smart but weak and indecisive Kendall Roy who just doesn't have the "It" factor to get things done; soft and snivelly Roman Roy whose barbed cynicism is as strong as his character is weak; Siobhan "Shiv" Roy, the only daughter who exemplifies the female in a male dominated field: eager to impress and usually disappoints in the end; the marginalized and barely there Connor Roy whose sheltered state of mind borders on the delusional. Add in Shiv's fruity and weasly hub Tom Wambsgans and their obnoxiously detestable within the spectrum cousin Gregory Hirsch and you've got a personality stew that'll crackle the screen. With an equally compelling rotating cast in support the show is a powerhouse from start to finish. While a number of episodes are all over the place this is one show where it hits bullseyes all the time.

An excellent example where perfect casting combines with outstanding filmmaking, when it comes to business and drama, business drama, "Succession" is the model and the standard, the one to beat. Nominated numerous times and winner of multiple awards throughout different categories this is one show where art and finance superbly meet. Essential.

The series Succession brilliantly captures the power struggles, betrayals, and ambitions within a wealthy and disloyal family as they fight for control of a global media empire. With razor-sharp dialogue, outstanding performances, and complex, morally ambiguous characters, it offers a fascinating look into the cutthroat world of corporate politics and family dynamics. The series is elevated by its phenomenal soundtrack, stunning cinematography, and a perfect blend of drama and dark humor. Each episode keeps you hooked with its unpredictable twists and emotional depth. A must-watch for anyone who appreciates gripping storytelling and masterful production-don't miss Succession!

Succession, across its four seasons, stands as one of the most compelling and sophisticated dramas in modern television. It chronicles the dysfunctional Roy family, at the heart of a global media empire, and their bitter struggle for control over the company as their father's health wanes. From the very first episode, the series establishes a cutthroat atmosphere where familial bonds are fragile, ambition is toxic, and power is the ultimate currency. The show's brilliance lies in its ability to blend high-stakes corporate drama with intimate character studies, examining the emotional damage wrought by extreme wealth and ambition.

One of the most striking aspects of Succession is the way it weaves power dynamics into the fabric of every relationship. The central figure, Logan Roy, played with intimidating authority by Brian Cox, embodies a ruthless capitalist who pits his children against one another. The most memorable moments of the show often involve Logan manipulating his offspring - Kendall, Roman, Shiv, and Connor - to maintain his dominance. In the first season, Kendall (Jeremy Strong) attempts a coup against his father, only to be crushed in a car accident cover-up that Logan exploits to maintain control. This set the tone for the entire series: even the most powerful within the Roy family are rendered powerless by their patriarch.

Season two builds on this dynamic, with Kendall becoming a broken shell of his former self after his failed rebellion. Jeremy Strong's performance throughout the series is particularly lauded, especially in moments where Kendall teeters on the brink of collapse. His attempted defiance at the end of season two, where he publicly betrays his father in a press conference, is one of the show's most iconic moments, serving as a shocking climax to a season full of tension. The writing in Succession is masterful, constantly shifting alliances and creating complex emotional stakes that elevate the drama beyond the corporate sphere. It's not just about who will take over the company, but about whether these people are capable of genuine human connection.

The third season is where the Roy siblings' infighting becomes even more intense, particularly with Shiv (Sarah Snook) and Roman (Kieran Culkin) vying for favor from their father. Roman's arc is particularly compelling as he evolves from a joker to a serious contender, his vulnerability shining through in moments where he grapples with both his desire for power and his emotional scars. Shiv, on the other hand, navigates the corporate landscape with a steely ambition that mirrors her father's, but her constant wavering and inability to fully commit to any side of the battle for control ultimately undermines her. Sarah Snook's portrayal of Shiv's conflicted character brings depth to her internal struggle between loyalty to her family and her own ambitions.

Season four, the final season, marks the culmination of years of intricate plotting, and emotional breakdowns. Kendall, Roman, and Shiv face the prospect of a future without Logan's omnipresent control after his sudden death in the episode "Connor's Wedding." The episode, one of the most impactful in television history, not only shocks the audience but forces the characters to confront their fragile relationships with each other. Logan's death, while a massive plot point, serves as a catalyst for the siblings to fully embrace their personal ambitions, but it also reveals just how much of their identities have been shaped by his overbearing presence. The tension escalates as they struggle with the boardroom politics of selling Waystar Royco or keeping it within the family.

Thematically, Succession is a deep exploration of capitalism, legacy, and power. The Roy family's empire is built on a foundation of moral ambiguity, with Logan Roy representing the darker side of corporate America. The show critiques the hollow nature of extreme wealth, with characters who are emotionally stunted and disconnected from the real world. Despite their immense power and influence, the Roy children are incapable of forming healthy relationships, either with each other or with the outside world. The series repeatedly underscores the idea that wealth and power cannot buy happiness or stability, a message made clear as each sibling fails, in their own way, to succeed in filling their father's shoes.

Visually, the show is a masterclass in capturing the cold, sterile world of corporate elite. The cinematography uses expansive, minimalist sets to reflect the isolation and emotional emptiness of its characters. From the luxurious penthouses to the sprawling offices, there's a sense of detachment in every frame. The way the camera lingers on the Roy siblings in moments of crisis emphasizes their vulnerability despite the power they wield. The editing of the show is sharp, with the tension building expertly across each episode, especially during pivotal scenes like boardroom showdowns or intimate family confrontations.

One of the strongest elements of Succession is its pacing. Each season is structured like a slow burn, gradually building tension and stakes before delivering explosive climaxes. The boardroom vote in the final episode, "With Open Eyes," is a prime example of this. The show has a remarkable ability to make corporate machinations thrilling, largely due to the personal stakes involved. The pacing allows for moments of quiet reflection between the more dramatic scenes, offering insights into the characters' inner turmoil and highlighting the emotional costs of their endless pursuit of power.

The ensemble cast is another highlight, with every actor delivering standout performances. Brian Cox's portrayal of Logan Roy is legendary, his presence looming large even in the episodes where he's absent. Jeremy Strong's Kendall is the heart of the series, his tragic arc offering some of the show's most emotionally resonant moments. Kieran Culkin's Roman provides darkly comic relief, yet his character is far more complex than his quips suggest, particularly in his relationship with his father. Sarah Snook's Shiv embodies the conflict between ambition and loyalty, and Matthew Macfadyen as Tom Wambsgans offers a nuanced performance of a man constantly trying to survive in the Roy family's ruthless world.

In terms of critical reception, Succession has been lauded for its writing, performances, and direction. It has consistently garnered awards and critical acclaim, praised for its biting satire of the ultra-wealthy and its unflinching portrayal of power and family. The show's ability to tackle both macro themes of capitalism and micro themes of family dysfunction makes it a standout in the crowded landscape of prestige television. Its dialogue, often sharp and darkly humorous, captures the absurdity of the world the Roys inhabit while offering pointed commentary on the nature of power.

In conclusion, Succession is not just a show about a media empire - it's a psychological drama that delves into the complexities of family, loyalty, and ambition. Its ability to make the corporate world emotionally engaging, combined with its sharp critique of wealth and power, has solidified its place as one of the most important television series of the modern era. With its gripping narrative, exceptional performances, and insightful commentary, Succession is a rare example of a show that masterfully balances character-driven drama with broader thematic concerns, making it both a critical and cultural phenomenon.

A show that manages to combine both family drama and corporate power struggle whilst simultaneously revealing the biased and unforgiving tendencies of two double-edged swords that are capitalism and democracy; "Succession" is a show that can never be replicated. 'Men and women who have everything yet nothing'. The irony of the show is that you will be rooting for each and every single character at one point or another. In short, there is no protagonist for you to constantly get behind because because each character is worse than the next. This, alongside the brilliant and witty dialogues, glorious soundtrack, perfect casting and a riveting plot that keeps folding, twisting and turning in on itself has led to the culmination of this high-octane masterpiece.

Succession isn't just a TV show-it's a cultural phenomenon and a masterclass in storytelling. With its razor-sharp writing, impeccable acting, and gripping narrative, it's no wonder this series has become one of the most talked-about shows of the past decade.

At its core, Succession is a Shakespearean family drama wrapped in the ruthless world of corporate power. The Roy family's power struggles are equal parts tragic and absurd, and the show walks this tightrope with perfect balance. The dialogue is biting and darkly funny, delivering laugh-out-loud moments in one scene and gut-wrenching emotional punches in the next.

The performances are nothing short of brilliant. Brian Cox as the towering patriarch Logan Roy commands every scene he's in, while Jeremy Strong as Kendall gives a career-defining portrayal of a man torn apart by ambition, insecurity, and his father's shadow. Sarah Snook, Kieran Culkin, and Matthew Macfadyen are equally outstanding, adding layers of complexity and humanity (or lack thereof) to their deeply flawed characters.

The writing is what truly elevates Succession to greatness. Each episode is packed with tension, twists, and memorable lines, and the show's exploration of power, loyalty, and legacy feels as universal as it is specific. Whether it's a boardroom showdown, a media scandal, or a dysfunctional family gathering, every scene feels meticulously crafted and utterly captivating.

Visually, the series is stunning. The luxurious settings-private jets, opulent apartments, and sprawling estates-serve as a stark backdrop to the ugliness of the characters' behavior. The direction and cinematography pull you into this world, making you feel like a fly on the wall for every backstab and betrayal.

Perhaps the most remarkable thing about Succession is its ability to make you care deeply about such morally bankrupt characters. You find yourself rooting for them, hating them, and even pitying them all at once. It's a testament to the show's nuanced storytelling that these characters feel so human despite their monstrous flaws.

Succession is not just one of the best shows of its time-it's a timeless exploration of family, greed, and the cost of power. It's funny, devastating, and utterly addictive from start to finish.

10/10. A masterpiece.

This show has won over the world largely because of its fantastic dialogue and lovable/hateable cast.

The first few seasons of this show were downright addictive to watch. For me personally, it sort of runs out of steam by the end. The last two seasons begin to feel like the show is running in circles until the conclusion.

We retread on the same ground a little too often and the ending of the show was actually a bit of disappointment to me. Not necessarily because of what happens in the end, but more in how it's executed. Kendall's wife and her relationship to the themes of the story were a good example of that for me.

The last season just felt anticlimactic, and I understand why but it doesn't make it more entertaining or compelling for me. The same sense of tragedy could've been accomplished with more emotionally satisfying conclusions.

So yeah, I'm not wild about this show like lots of other people are. But it's definitely a good show and worth watching.

The show notion is deep and unexpected . Casting is so perfect and so professional . Amazing is the ups and downs done in a way that you don't feel it's sometimes enological . Sara Snook ( Chev) was my favorite with her feminine turnovers that made sense even when it didn't !. What was amazing to me are the dialogues .. how can this be written in script with all the arguments , interruptions and F words !!! . Logan Roy is the kind of fathers who loves his children so much that he couldn't accept their failures , we see this model often in real life . From children's side , they loved him back but again couldn't accept his guidance or orders .. so real , emotional and touching .

Bravo.

Succession is a show where you can't be playing on your phone, cooking dinner or doing something else, it requires your undivided attention. It's a show that never gets stale. I can't remember ever being bored, even for one episode. I loved every second of every episode and I think you will to if you give it a chance. I've already watched this a few times through from beginning to end. I don't think some of these negative reviews really gave it a chance. They either say they never made it past the first episode or it's a negative review from someone who always leaves negative reviews on any show or movie that is popular. Those are the worst kind of reviewers. They're so miserable that they go to any show or movie that's popular and wants to bash it without ever watching a second of it.

After finishing the series all I can say it's one of the best shows ever , all the characters somehow plays an important role ( they all psychics ) , you can see what is dark humor in addition the pure drama , the legacy and pride showed so well.

Logan roy is the real American business father who can mange all his children

Ken roy ? Wow what a character the one u will never know what is he doing

Chevon and roman are just the two noisy brother and sister but they are amazing Tom is the definition of the devil u wanna know what he wants but u will never know how Thanks to all the cast members...

This show, right from the first scene all the way to the last, was amazing. I am so sad it has ended. Not one performance was bad. The casting could not have been more spot on. Everyone was very believable in their characters.

The script was fantastastic. I did feel that some episodes fell back a little. They felt a bit like filler episodes where not much happened. This was only a few episodes in the second season. But overall, I found that the majority of episodes as a whole, had purpose and wasn't lacking at all. I really wish it didn't have to end. The only comparable show I would say is The Newsroom, which I found slightly better, more so to do with the pacing and writing. But this is definitely in the same field.