Conviction

The subject is taken from a true story, and this is already the worst presentation card for me. In the specific case: the protagonist - who is unable to understand why she cares about it so much that she loses her job - is unpleasant, the film is too long, it gets lost in the names of French characters who are confused with each other, and the final plea is infinite. The direction then punctuates the debate in the classroom with haphazardly glued close-ups, as in the worst television programs. In summary, the defects prevail over the merits, consisting above all in the raw and realistic cut of the relationship between the defense lawyer and the woman who took over the case.