IMDb RATING
5.9/10
2.6K
YOUR RATING
In 1973, a young gallery assistant goes on a wild adventure behind the scenes as he helps the aging genius Salvador Dali prepare for a big show in New York.In 1973, a young gallery assistant goes on a wild adventure behind the scenes as he helps the aging genius Salvador Dali prepare for a big show in New York.In 1973, a young gallery assistant goes on a wild adventure behind the scenes as he helps the aging genius Salvador Dali prepare for a big show in New York.
- Awards
- 2 nominations
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaEzra Miller was originally envisioned to play James Linton. Due to scheduling conflicts, Miller was eventually cast to play a younger version of Salvador Dalí, while Christopher Briney was cast as Linton.
- Quotes
Salvador Dali: Because Death is so close, is possible to make *erotic* every single moment of my life.
- ConnectionsFeatures What's My Line? (1950)
Featured review
I remember being taught about Salvadore Dalí in high school (decades ago!) and was intrigued by his surrealist art. But I have never known much about him as a person. Dalíland is a captivating drama that delves into this man's life and artistic journey. Dalí was an influential and controversial figure of the 20th century. This film explores Dalí's years in Spain, followed by his remarkable ascent to fame in Paris as a key leader of the surrealist movement. Throughout his journey, we witness the complexities of his relationships with family, his muse Gala and fellow artists like Luis Buñuel and Federico García Lorca. The movie delves into Dalí's artistic process, eccentric personality, and unyielding fascination with immortality.
Directed by Mary Harron, known for her work on films like Psycho and The Notorious Bettie Page, Dalí boasts meticulous attention to detail and a delightful touch of humour that perfectly captures the essence of Dalí's whimsical world. Visually striking with its colour palette and imaginative interpretations of Dalí's paintings, this film showcases the impeccable cinematography by Marcel Zyskind, which masterfully juxtaposes realism with surrealism within each scene. Isona Rigau's remarkable production design flawlessly recreates settings and costumes with precision and flair. The special effects employed are also noteworthy in those mesmerising moments where Dalí's paintings spring to life.
The movie showcases a cast led by Ben Kingsley in the role of Dalí. Kingsley delivers a captivating portrayal capturing the complexity and charisma of this genius madman. He skillfully embodies Dalí's mannerisms, accent and expressions with subtlety. He effectively conveys Dalí's emotions, from passion and joy to fear and loneliness. Supporting Kingsley is Barbara Sukowa, as Gala, who delivers a sympathetic performance as Dalí's partner (Dalí would have been almost impossible to live with). Manville portrays Gala's intelligence, charm, and ambition while expressing her frustration and pain at being overshadowed by Dalís fame and eccentricity. There's a large supporting cast, all putting in good performances.
Unfortunately, Dalí sometimes suffers from a lack of focus and coherence; it jumps from one episode to another without a clear narrative thread. It also attempts to cover too much ground within its two-hour runtime resulting in a superficial overview that feels disjointed. The movie also misses the chance to delve into some of Dalí's aspects, like his beliefs, sexual orientation, and exploitation of Gala. These issues are either skimmed over or lightly touched upon in the film missing out on an opportunity to present a critical perspective on Dalí. Despite the events in Dalí's life, the film lacks impact. It fails to make us truly care about Dalí or his relationships, leaving us detached and indifferent.
Dalíland is a film with potential but falls way short of its ambitions. It is visually stunning and entertaining as it showcases Dalís artistry and personality, but it also comes across as shallow and fragmented, unable to capture the essence and significance of Dalí. While it may appeal to fans of Dalí and surrealism, it may disappoint those seeking insights into one of history's captivating artists.
Directed by Mary Harron, known for her work on films like Psycho and The Notorious Bettie Page, Dalí boasts meticulous attention to detail and a delightful touch of humour that perfectly captures the essence of Dalí's whimsical world. Visually striking with its colour palette and imaginative interpretations of Dalí's paintings, this film showcases the impeccable cinematography by Marcel Zyskind, which masterfully juxtaposes realism with surrealism within each scene. Isona Rigau's remarkable production design flawlessly recreates settings and costumes with precision and flair. The special effects employed are also noteworthy in those mesmerising moments where Dalí's paintings spring to life.
The movie showcases a cast led by Ben Kingsley in the role of Dalí. Kingsley delivers a captivating portrayal capturing the complexity and charisma of this genius madman. He skillfully embodies Dalí's mannerisms, accent and expressions with subtlety. He effectively conveys Dalí's emotions, from passion and joy to fear and loneliness. Supporting Kingsley is Barbara Sukowa, as Gala, who delivers a sympathetic performance as Dalí's partner (Dalí would have been almost impossible to live with). Manville portrays Gala's intelligence, charm, and ambition while expressing her frustration and pain at being overshadowed by Dalís fame and eccentricity. There's a large supporting cast, all putting in good performances.
Unfortunately, Dalí sometimes suffers from a lack of focus and coherence; it jumps from one episode to another without a clear narrative thread. It also attempts to cover too much ground within its two-hour runtime resulting in a superficial overview that feels disjointed. The movie also misses the chance to delve into some of Dalí's aspects, like his beliefs, sexual orientation, and exploitation of Gala. These issues are either skimmed over or lightly touched upon in the film missing out on an opportunity to present a critical perspective on Dalí. Despite the events in Dalí's life, the film lacks impact. It fails to make us truly care about Dalí or his relationships, leaving us detached and indifferent.
Dalíland is a film with potential but falls way short of its ambitions. It is visually stunning and entertaining as it showcases Dalís artistry and personality, but it also comes across as shallow and fragmented, unable to capture the essence and significance of Dalí. While it may appeal to fans of Dalí and surrealism, it may disappoint those seeking insights into one of history's captivating artists.
- steveinadelaide
- Jul 22, 2023
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Details
- Release date
- Countries of origin
- Languages
- Also known as
- Dalíland
- Filming locations
- Maison de Salvador Dali, Platja de, Portlligat, Catalogne, Spain(Dali's home and studio near Cadaques)
- Production companies
- See more company credits at IMDbPro
Box office
- Gross US & Canada
- $82,769
- Opening weekend US & Canada
- $27,587
- Jun 11, 2023
- Gross worldwide
- $508,421
- Runtime1 hour 37 minutes
- Color
- Aspect ratio
- 1.85 : 1
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