Hopefully March will bring respite from crippling snow storms and frigid temperatures for much of the globe. And if it doesn’t? Well, Hulu’s got some new streaming options at least!
Hulu’s list of new releases for March 2021 are relatively slight on Hulu originals. Thankfully, one beloved original of note is coming back this month. Solar Opposites will premiere all episodes of its second season on March 26. This sci-fi animated comedy from Rick and Morty co-creator Justin Roiland is a breath of fresh alien air.
On the movie side of things, Hulu is premiering Boss Level on March 5. This actioner will star the delightful Frank Grillo and the decidedly less delightful Mel Gibson. Speaking of delightful though, the documentary Kid 90 will arrive on March 12. This comes from Punky Brewster star Soleil Moon Frye and features hours of footage she shot in the ’90s that will depict what...
Hulu’s list of new releases for March 2021 are relatively slight on Hulu originals. Thankfully, one beloved original of note is coming back this month. Solar Opposites will premiere all episodes of its second season on March 26. This sci-fi animated comedy from Rick and Morty co-creator Justin Roiland is a breath of fresh alien air.
On the movie side of things, Hulu is premiering Boss Level on March 5. This actioner will star the delightful Frank Grillo and the decidedly less delightful Mel Gibson. Speaking of delightful though, the documentary Kid 90 will arrive on March 12. This comes from Punky Brewster star Soleil Moon Frye and features hours of footage she shot in the ’90s that will depict what...
- 2/27/2021
- by Alec Bojalad
- Den of Geek
HBO has put in development drama The Big D, from Lily Rabe and her Kill Claudio Productions and married writing/directing duo Samantha Buck and Marie Schlingmann.
Co-written by Buck and Schlingmann, The Big D is set during a hot and hotly contested summer in Dallas 1980. It follows a triangle of women as their lives collide to unearth a secret past involving the city’s would-be First Lady, Pat Pangburn, and her mysterious bout of amnesia. Unfolding against the backdrop of a vicious election and a city bedazzling its brutal past, The Big D explores political and sexual identity, the ramifications of living in denial, and what happens when you let go of perceived power to dig for the truth.
Rabe and and her producing partner Bettina Barrow executive produce for their Kill Claudio Productions. Buck and Schlingmann will co-executive produce.
This is Kill Claudio...
Co-written by Buck and Schlingmann, The Big D is set during a hot and hotly contested summer in Dallas 1980. It follows a triangle of women as their lives collide to unearth a secret past involving the city’s would-be First Lady, Pat Pangburn, and her mysterious bout of amnesia. Unfolding against the backdrop of a vicious election and a city bedazzling its brutal past, The Big D explores political and sexual identity, the ramifications of living in denial, and what happens when you let go of perceived power to dig for the truth.
Rabe and and her producing partner Bettina Barrow executive produce for their Kill Claudio Productions. Buck and Schlingmann will co-executive produce.
This is Kill Claudio...
- 9/14/2020
- by Denise Petski
- Deadline Film + TV
HBO is developing a drama series that boasts Lily Rabe among its executive producers.
The project is currently titled “The Big D.” Set during a hot and hotly contested summer in Dallas 1980, the show follows a triangle of women as their lives collide to unearth a secret past involving the city’s would-be First Lady, Pat Pangburn, and her mysterious bout of amnesia.
Samantha Buck and Marie Schlingmann will serve as writers and co-executive producers on the project. Rabe and Bettina Barrow will executive produce via Kill Claudio Productions.
Rabe is set to appear in the upcoming HBO limited series “The Undoing” opposite Nicole Kidman and Hugh Grant. She is also known for her roles on the FX anthology “American Horror Story,” having appeared in eight seasons of the show to date. She is currently working on “The Underground Railroad” at Amazon, which hails from Barry Jenkins. Rabe is also an accomplished stage actress,...
The project is currently titled “The Big D.” Set during a hot and hotly contested summer in Dallas 1980, the show follows a triangle of women as their lives collide to unearth a secret past involving the city’s would-be First Lady, Pat Pangburn, and her mysterious bout of amnesia.
Samantha Buck and Marie Schlingmann will serve as writers and co-executive producers on the project. Rabe and Bettina Barrow will executive produce via Kill Claudio Productions.
Rabe is set to appear in the upcoming HBO limited series “The Undoing” opposite Nicole Kidman and Hugh Grant. She is also known for her roles on the FX anthology “American Horror Story,” having appeared in eight seasons of the show to date. She is currently working on “The Underground Railroad” at Amazon, which hails from Barry Jenkins. Rabe is also an accomplished stage actress,...
- 9/14/2020
- by Joe Otterson
- Variety Film + TV
If You Seek Aimee: Buck & Schlingmann Resurrect a Fallen Angel
Directors Samantha Buck and Marie Schlingmann succeed with one overarching point in their indie-ensconced portrait of the infamous Sister Aimee Semple McPherson in Sister Aimee, and it’s more to do with the systematic erasure of women’s stories, accomplishments and history than their zeitgeist centerpiece subject.
Christianity has been far from a friend to the ‘second sex,’ and look no further than the maligned narrative of Mary Magdalene or Eve’s original sin to witness the disparagement of women through the annals of oral tradition and the eventual ‘good book,’ continually misinterpreted to serve the needs of the proletariat.…...
Directors Samantha Buck and Marie Schlingmann succeed with one overarching point in their indie-ensconced portrait of the infamous Sister Aimee Semple McPherson in Sister Aimee, and it’s more to do with the systematic erasure of women’s stories, accomplishments and history than their zeitgeist centerpiece subject.
Christianity has been far from a friend to the ‘second sex,’ and look no further than the maligned narrative of Mary Magdalene or Eve’s original sin to witness the disparagement of women through the annals of oral tradition and the eventual ‘good book,’ continually misinterpreted to serve the needs of the proletariat.…...
- 9/29/2019
- by Nicholas Bell
- IONCINEMA.com
No matter the veracity of its basic premise, “Sister Aimee” is upfront about its fictitiousness, claiming that “5½ percent is truth. The rest is imagination.” Unfortunately, the invention on display is of a helter-skelter variety, as Samantha Buck and Marie Schlingmann’s film so madly lurches about in search of a tone that it feels like the first draft of a gonzo faux-biopic. To be sure, there’s a method to its madcap decision to play fast and loose with the facts. But .
“Sister Aimee” is a made-up tall tale about what happened to the actual Sister Aimee Semple McPherson — a nationally famous 1920s Evangelical preacher who rocketed to stardom thanks to her canny use of radio — when, in 1926, she vanished for five weeks following a swim in Venice Beach, Calif. She’d eventually reappear in Mexico, claiming she’d been kidnapped, and inciting a media firestorm thanks to accusations that...
“Sister Aimee” is a made-up tall tale about what happened to the actual Sister Aimee Semple McPherson — a nationally famous 1920s Evangelical preacher who rocketed to stardom thanks to her canny use of radio — when, in 1926, she vanished for five weeks following a swim in Venice Beach, Calif. She’d eventually reappear in Mexico, claiming she’d been kidnapped, and inciting a media firestorm thanks to accusations that...
- 9/26/2019
- by Nick Schager
- Variety Film + TV
It’s hard to keep up with a movie that is constantly changing its story. It’s even harder when that story is stranger than fiction and may even be fiction — but about a real person. Such is the case of “Sister Aimee,” writers-directors Samantha Buck and Marie Schlingmann’s (“Canary”) film that scrambles together a mix of rumors and fantasies about notorious evangelist Aimee Semple McPherson. But the finished product fails to say much about these tales.
It’s worth noting that a woman who is actually able to control her narrative, even filling it with lies, without it being usurped by a man’s perspective in any era is an extraordinary feat. But that’s especially true in 1926, when we first meet Sister Aimee as she’s wrapping up yet another breathless healing service where she miraculously cures her subject while remaining stupendously dissatisfied. She’s craving something...
It’s worth noting that a woman who is actually able to control her narrative, even filling it with lies, without it being usurped by a man’s perspective in any era is an extraordinary feat. But that’s especially true in 1926, when we first meet Sister Aimee as she’s wrapping up yet another breathless healing service where she miraculously cures her subject while remaining stupendously dissatisfied. She’s craving something...
- 9/26/2019
- by Candice Frederick
- The Wrap
"I'm just an entertainer, that's all." 1091 has unveiled an official trailer for an indie comedy titled Sister Aimee, which premiered at the Sundance Film Festival earlier this year. From directors Samantha Buck & Marie Schlingmann making their feature debut, the film stars newcomer Anna Margaret Hollyman as Sister Aimee. America's most famous evangelist in 1926 is a woman looking for a way out. Fed up with her own success, and swept up in her lover’s daydreams about Mexico, she finds herself on a wild road trip to the border. "Based on true events. Mostly made up." The cast includes Michael Mosley, Andrea Suarez Paz, Julie White, Amy Hargreaves, Macon Blair, Luis Bordonada, Nathan Zellner, Lee Eddy, John Merriman, and Bill Wise. This looks like it gets extra wild by the end, with all sorts of happenings. Here's the first trailer for Samantha Buck & Marie Schlingmann's Sister Aimee, from 1091's YouTube:...
- 8/21/2019
- by Alex Billington
- firstshowing.net
Michael Mosley is set to portray the nefarious Doctor Light in a recurring role for Season 2 of Titans, the flagship show of the DC Universe subscription streaming site.
Mosley will portray the conveniently named Dr. Arthur Light, a physicist who manipulates light and its properties to launch a criminal career. Since his 1962 debut in Justice League of America No. 12 (in a story by writer Gardner Fox and artist Mike Sekowsky), the scientist criminal has been portrayed in a variety of ways. The relatively minor character was revamped as a comedic persona in the 1980s, for instance, but wa taken in a far different direction in 2004 when the Identity Crisis series presented him as a ruthless rapist in its controversial but popular story arc.
Titans returns with weekly episodes on Sept. 6th. Mosley will play opposite Brenton Twaites, Anna Diop, Teagan Croft, and Ryan Potter. Created by Greg Berlanti...
Mosley will portray the conveniently named Dr. Arthur Light, a physicist who manipulates light and its properties to launch a criminal career. Since his 1962 debut in Justice League of America No. 12 (in a story by writer Gardner Fox and artist Mike Sekowsky), the scientist criminal has been portrayed in a variety of ways. The relatively minor character was revamped as a comedic persona in the 1980s, for instance, but wa taken in a far different direction in 2004 when the Identity Crisis series presented him as a ruthless rapist in its controversial but popular story arc.
Titans returns with weekly episodes on Sept. 6th. Mosley will play opposite Brenton Twaites, Anna Diop, Teagan Croft, and Ryan Potter. Created by Greg Berlanti...
- 8/20/2019
- by Geoff Boucher
- Deadline Film + TV
While the story of the 1926 disappearance of evangelist Aimee Semple McPherson may not be known by many, there’s more than enough in the life story of this cult figure to fill many movies. For their narrative feature debut, queer filmmakers Samantha Buck and Marie Schlingmann zero in on the five weeks that Semple McPherson (at one point the second most popular religious figure in the world behind the Pope) went missing in Mexico. As seen in this exclusive first trailer, the result is an often zany, satirical, and feminist musical comedy led by a radiant Anna Margaret Hollyman.
Here’s the official synopsis: “In 1926 America’s most famous evangelist is a woman. And she’s looking for a way out. Fed up with her own success, she gets swept up in her lover’s daydreams about Mexico and finds herself on a wild road trip towards the border. Based on true events.
Here’s the official synopsis: “In 1926 America’s most famous evangelist is a woman. And she’s looking for a way out. Fed up with her own success, she gets swept up in her lover’s daydreams about Mexico and finds herself on a wild road trip towards the border. Based on true events.
- 8/20/2019
- by Jude Dry
- Indiewire
Exclusive: Samantha Buck and Marie Schlingmann’s Sister Aimee, which had its premiere in the Next section at this year’s Sundance Film Festival, has been acquired by 1091 (formerly known as The Orchard Film Group) and Obscured Pictures. It will now hit theaters September 27 at the Village East Cinema in New York and the Laemmle Glendale in Los Angeles ahead of a further rollout and a VOD bow October 1.
The pic written and directed by Buck and Schlingmann tells the mostly fictional story of the real-life early 20th century mega-star evangelist Sister Aimee Semple McPherson (played by Anna Margaret Hollyman), with the movie’s plot revolving around the media sensation faking her own death at the pinnacle of her fame to run away to Mexico with her married lover. In real life, the Foursquare Church founder was allegedly kidnapped and held captive for more than a month, but the...
The pic written and directed by Buck and Schlingmann tells the mostly fictional story of the real-life early 20th century mega-star evangelist Sister Aimee Semple McPherson (played by Anna Margaret Hollyman), with the movie’s plot revolving around the media sensation faking her own death at the pinnacle of her fame to run away to Mexico with her married lover. In real life, the Foursquare Church founder was allegedly kidnapped and held captive for more than a month, but the...
- 8/5/2019
- by Patrick Hipes
- Deadline Film + TV
One of New York City’s best summertime diversions for cinephiles, Rooftop Films has unveiled its current slate for its 2019 Summer Series, presented by SundanceTV. This year’s series will take place May 17 – August 23, featuring more than 45 outdoor screenings in more than a dozen spectacular outdoor venues, with live music, filmmaker appearances, and special enhanced screenings of the best, new, independent films from around the world.
The series will kick off on Friday, May 17 at Green-Wood Cemetery with This is What We Mean by Short Films, Rooftop’s annual collection of some of the most innovative short films from the past year. The 23rd Summer Series will continue through August with screenings of new indies and festival favorites, including “Brittany Runs a Marathon,” “My Days of Mercy,” “Mickey and the Bear,” “Saint Frances,” “The Sound of Silence,” “Pink Wall,” “Premature,” “Sister Aimee,” and “Greener Grass.”
“Last year, all of us...
The series will kick off on Friday, May 17 at Green-Wood Cemetery with This is What We Mean by Short Films, Rooftop’s annual collection of some of the most innovative short films from the past year. The 23rd Summer Series will continue through August with screenings of new indies and festival favorites, including “Brittany Runs a Marathon,” “My Days of Mercy,” “Mickey and the Bear,” “Saint Frances,” “The Sound of Silence,” “Pink Wall,” “Premature,” “Sister Aimee,” and “Greener Grass.”
“Last year, all of us...
- 5/10/2019
- by Kate Erbland
- Indiewire
Filmmakers Samantha Buck and Marie Schlingmann aren’t promising the truth in their often wily, occasionally weird “Sister Aimee”: the film opens with a scroll that explains that only “5.5 percent” of what follows is real, the rest is pure imagination. Yet 5.5 percent of the duo’s chosen subject is enough to yield some jaw-dropping revelations, and even the stuff the writers and directors make up about the 1926 disappearance of evangelist Aimee Semple McPherson (the always-stellar Anna Margaret Hollyman) is nutty enough to fit in alongside the mythos of a religious figure who was, at one time, second only to the pope in her popularity. Despite a modern unawareness surrounding Semple McPherson and her wild life — just look at her wholly bonkers Wikipedia page! — much of it is indeed worthy of the big screen treatment, perhaps even a decade-spanning limited series.
For their snappy 87-minute feature, Buck and Schlingmann focus...
For their snappy 87-minute feature, Buck and Schlingmann focus...
- 3/12/2019
- by Kate Erbland
- Indiewire
Exclusive: In the wake of their film Sister Aimee making its world premiere at Sundance in the Next section, married writing/directing duo Samantha Buck and Marie Schlingmann have inked with ICM partners.
The pic, starring Anna Margaret Hollyman and Amy Hargreaves tells the story of America’s most famous evangelist, a woman, in 1926. Fed up with her own success, she gets swept up in her lover’s daydreams about Mexico and finds herself on a wild road trip towards the border, hoping to escape her career. The pic will next play SXSW.
Buck and Schlingmann are currently in development on their second feature The Big D with producers Bettina Barrow and Lily Rabe, who is also attached to star in the film.
Buck and Schlingmann’s credits include the short films The Mink Catcher and Canary which played Telluride, SXSW, Palm Springs International Shortsfest and Provincetown, among others.
Buck...
The pic, starring Anna Margaret Hollyman and Amy Hargreaves tells the story of America’s most famous evangelist, a woman, in 1926. Fed up with her own success, she gets swept up in her lover’s daydreams about Mexico and finds herself on a wild road trip towards the border, hoping to escape her career. The pic will next play SXSW.
Buck and Schlingmann are currently in development on their second feature The Big D with producers Bettina Barrow and Lily Rabe, who is also attached to star in the film.
Buck and Schlingmann’s credits include the short films The Mink Catcher and Canary which played Telluride, SXSW, Palm Springs International Shortsfest and Provincetown, among others.
Buck...
- 2/8/2019
- by Anthony D'Alessandro
- Deadline Film + TV
The SXSW Film Festival has added more to their already robust lineup including the world premieres of the forthcoming remake of Pet Sematary and the horror The Curse of La Llorona as well as a screening of the series finale of Comedy Central’s Broad City and the second of season of YouTube’s Cobra Kai. In addition, they have unveiled a massive slate of Midnighters, Festival Favorites, Shorts, Episodic Pilots and Virtual Cinema Projects. The 26th edition of the South by Southwest Conference and Festival runs March 8-17 in Austin.
The film fest will end with a horrific scream courtesy of Pet Sematary which is based on the seminal horror novel by Stephen King. The horror stars Jason Clarke, Amy Seimetz, and John Lithgow and is the second film iteration of the popular novel. The first was released in 1989 and was followed by a sequel in 1992.
Also set to...
The film fest will end with a horrific scream courtesy of Pet Sematary which is based on the seminal horror novel by Stephen King. The horror stars Jason Clarke, Amy Seimetz, and John Lithgow and is the second film iteration of the popular novel. The first was released in 1989 and was followed by a sequel in 1992.
Also set to...
- 2/6/2019
- by Dino-Ray Ramos
- Deadline Film + TV
Sundance has always been pretty gay. Whether the festival was supporting queer filmmakers to lead the indie film boom of the ’90s, ushering in the dawn of the New Queer Cinema, or unofficially partnering with OutFest to share programmers and titles, Park City has always been fertile ground in which Lgbtq cinema can thrive. This year brings fewer solely queer offerings than previous years, but the program still has plenty to look forward to.
This year’s program marks the first in Kim Yutani’s new role as director of programming. Formerly a senior programmer for the festival, Yutani began her career at OutFest, where she lived and breathed queer films in her roles as artistic director and director of programming. Yutani reports to festival director John Cooper, another out and gay power player in independent film.
When Sundance released its first round of programming, it boasted that 40 percent, or...
This year’s program marks the first in Kim Yutani’s new role as director of programming. Formerly a senior programmer for the festival, Yutani began her career at OutFest, where she lived and breathed queer films in her roles as artistic director and director of programming. Yutani reports to festival director John Cooper, another out and gay power player in independent film.
When Sundance released its first round of programming, it boasted that 40 percent, or...
- 1/23/2019
- by Jude Dry
- Indiewire
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