Ottavio Rosati in 2011 accepts the invitation of the conductor Magalli to present pet therapy and his strange form of psychodrama with Teto and Iside. When Rosati finds himself on the set of a program, written and directed with Alessandro Cecchi Paone, an impromptu twist of Iside, puts the psychoplay in place of psychoanalysis. The parrot flight takes the place of the interview and Ottavio is the first hero to appear on the balconyof the dictator who stopped his work in 1995.
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