18 reviews
As my review headline stated, this will be very subjective according to me, my nostalgia to he exact.
I spent my chuldhood and adolescent elyears studying at a Marsudirini school in North Jakarta. It is an Asisi Fransiscan order school with a Sister as headmistress. They can dish out discipline and tough love like no one else, but they're all actually kind hearts.
The older sisters in the movie reminded me very much of my school's headmistresses. They too go to such nursing home in Semarang when their age caught up to them.
And the location's architecture and especially interior design details really is likw my school looked like. Tiles high on walls, faded pastel colors almost everywhere, that distinct style on doors and window railings, arching door frames and so on.
About the movie itself, I like how the direction kind of took a big chunk of the style of Hong Kong director Wong Kar Wai, telling its story strongly through combination of every element shown on screen and jot just theough dialogue. Thus the dialogue here fan often feel so very short, but it is sharp with less wasted words. I particularly liked the dinner scene, so creative and impactful.
The cinematography is a feast for the eyes, incorporating various angles, calmed color palette, and litlle camera movement which enhanced the aura of stillness commonly found in these kinds of places.
The acting was solid, the leads and supporting cast all gave out good performances.
I spent my chuldhood and adolescent elyears studying at a Marsudirini school in North Jakarta. It is an Asisi Fransiscan order school with a Sister as headmistress. They can dish out discipline and tough love like no one else, but they're all actually kind hearts.
The older sisters in the movie reminded me very much of my school's headmistresses. They too go to such nursing home in Semarang when their age caught up to them.
And the location's architecture and especially interior design details really is likw my school looked like. Tiles high on walls, faded pastel colors almost everywhere, that distinct style on doors and window railings, arching door frames and so on.
About the movie itself, I like how the direction kind of took a big chunk of the style of Hong Kong director Wong Kar Wai, telling its story strongly through combination of every element shown on screen and jot just theough dialogue. Thus the dialogue here fan often feel so very short, but it is sharp with less wasted words. I particularly liked the dinner scene, so creative and impactful.
The cinematography is a feast for the eyes, incorporating various angles, calmed color palette, and litlle camera movement which enhanced the aura of stillness commonly found in these kinds of places.
The acting was solid, the leads and supporting cast all gave out good performances.
Beautifully written, shot, diction.
Ave Maryam is about a nun who live in Semarang that has her confusion what will she choose, the love or the vows she made. The story just as simple as that, what makes it more beautiful is the story with beautiful diction.
"If my heaven is not promised by, then why I bothered your hell?" --this line is my most memorable words from this movie.
Also beautiful cinematography. Love the Semarang shot and the beach shot.
The acting is brilliant by its lead actress, Maudy Koesnaedi. Her acting just describe her confussion, her confession, her sadness.
This movie have minuses. The dub of the conversation bothered me, not exact naturally from the movie. And there is shot of a beach, the priest give birthday cake for the sister, with candle afire. Beach, we know that that place is very windy right, and the candle is not out! Wow magic!
Over all this movie offers you different Indonesian cinematic experience. Oh yes, this movie also told us about diversity, love, confession and faith.
- cantikahafnil
- Apr 10, 2019
- Permalink
Very outstanding DOP and great story, in very low budget (i beleive) in scene setup, such as modern car, and in train station its not like 1980's, its very recent.
- yosafat_sitanggang
- Jan 15, 2021
- Permalink
Cutting off Maryam's background really affects the perception of her character dynamics and leaves some pieces missing, primarily since they intended to show her inner struggles at the monastery. While perhaps the crew wanted to have subtlety as the main element of this film within the performance, the cinematography, and the dialogues, it unfortunately resulted in a lack of cohesion. The main attractiveness that pulls Maryam and Yosef is practically non-existent, some of the scenes contained rather pretentious lines than reflections of the wisdom from the bible, and the emotions only peaked in the third act after the slow-paced first and second acts filled with misinterpretation of "ascetic" with stale. On a lighter note, I hope this film will bring more ideas amongst Indonesian filmmakers, that religion outside the majority religion as well as cities outside Jakarta and Bali, can be equally beautiful on screen.
- mademoisherl
- Jan 13, 2023
- Permalink
This Film is so beautiful with excellent cinematography. The movie is not a religious film (like I thought before) but a love story, a forbidden one, a story of lust and guilt. Sometimes love can be complicated but stil it is Beautiful. The performaces of Maudy as Maryam is awesome. She is "the star" of the Movie😊 and I love the set.. Especially when Pastor Josef have his orchestra playing at Lawang Sewu Semarang. Beautiful..❤
- abigailprasetya
- Apr 10, 2019
- Permalink
This movie is soooo good, top notch cinematography and performaces by Maudy as Maryam. Have a lot memorable scene like "the cafe", "spiegel", "beach", "stairway". I love the musicand the mood. I love the set so much too, i never knew Semarang can so romantic. This movie is beauty. Just go watch it.
- blueclementinex
- Apr 11, 2019
- Permalink
An another film than usual, a brave story that was lifted from a religion and has a very good cinematography. a life story and can even be said to be real in the life of monks and nuns especially the performance of Maudy Koesnady as Sister Maryam and Chicco Jerikho as Father Joseph are amazing, so proud of them cause they did it very well. This film show us how an epic love story of an ordinary man who is not immune to his human desires, regardless of who they are. Last but not least.. there are many moral lessons that we can get from this film. Actually.. This is awesome film and i do love it.
- mariatulung
- Apr 10, 2019
- Permalink
The whole point of this movie is to be artisanal, beautiful cinematography and sparse dialogue. This leaves a lot to be desired in terms of character depth, musical scoring, and any kind of plot.
- Calicodreamin
- Sep 2, 2020
- Permalink
Ave Maryam embraces audience to enjoy cinematic shots with amazing character displays. Having to see the forbidden love story give an amazing angle to it. All in all it is a beautiful romance
The tone, color grading, and also the font reminds me of Lady Bird. TAKE MY MONEY ALREADY. Looks pretty legit. A movie that our nation needs. AMEN
- gaphisafadelian
- Apr 14, 2019
- Permalink
The cinematography is good. But, i find a minus on this movie. The plot story is too simple, then unconsistence scene. Ave Maryam is win in cinematography and camera take. The acting is totallity.
While much of the hype around Ave Maryam talk about forbidden love between father and nun, within the 73 minutes of runtime, I found myself something higher than the acting and the screenplay. It's the power of visual and cinematography that able to speak louder than its dialogues.
The premise of the movie is quite simple. Sister Maryam who lives in a nursing home for old nuns as a caretaker must choose between her vow or love when she meets father Yosef, who shares the same feeling.
This movie's power relies on its cinematography that heavily utilize long shots, which capable of depicting Sister Maryam's feelings, her introverted self, about the rigidity, loneliness, and emptiness that fills the nursing home, to the audience. This narration is highly useful to replace Sister Maryam's words. Like a moving picture, most of the scenes play as a daily event but the shots able to be translated as our titular character's perception.
Another strong point in this movie is how tame the climax that goes with the slow and steady flow of the whole film. The climax isn't full of tears and music to usher the emotion, but the little or no music in the scenes along with few handheld scenes, able to convey how intense the situation is. I love how the director takes this direction, it's not everyone's cup of tea, but for me, it's a direction that this movie has to take to grasp its full potential.
While the story adds few interesting elements (like living in harmony with other religion, old nun's "jealousy"), the cinematography still unable to explain the resolution from the characters. My next question is the lack of authority that usually becomes the major antagonist in movies with a similar theme aren't shown clearly. Lastly, lots of episodes of multiple "philosophical" dialogues, were thrown awkwardly and make the scenes seem unnatural.
To sum it up, drama movies aren't new in Indonesia and how to seek audiences' tears aren't that new attempt. However, a drama that used multiple technical aspects in clever way to told a perspective and a story, gives Ave Maryam more than just a forbidden love tale people love to know. It's a living proof of a proverb that a picture is worth a thousand words.
The premise of the movie is quite simple. Sister Maryam who lives in a nursing home for old nuns as a caretaker must choose between her vow or love when she meets father Yosef, who shares the same feeling.
This movie's power relies on its cinematography that heavily utilize long shots, which capable of depicting Sister Maryam's feelings, her introverted self, about the rigidity, loneliness, and emptiness that fills the nursing home, to the audience. This narration is highly useful to replace Sister Maryam's words. Like a moving picture, most of the scenes play as a daily event but the shots able to be translated as our titular character's perception.
Another strong point in this movie is how tame the climax that goes with the slow and steady flow of the whole film. The climax isn't full of tears and music to usher the emotion, but the little or no music in the scenes along with few handheld scenes, able to convey how intense the situation is. I love how the director takes this direction, it's not everyone's cup of tea, but for me, it's a direction that this movie has to take to grasp its full potential.
While the story adds few interesting elements (like living in harmony with other religion, old nun's "jealousy"), the cinematography still unable to explain the resolution from the characters. My next question is the lack of authority that usually becomes the major antagonist in movies with a similar theme aren't shown clearly. Lastly, lots of episodes of multiple "philosophical" dialogues, were thrown awkwardly and make the scenes seem unnatural.
To sum it up, drama movies aren't new in Indonesia and how to seek audiences' tears aren't that new attempt. However, a drama that used multiple technical aspects in clever way to told a perspective and a story, gives Ave Maryam more than just a forbidden love tale people love to know. It's a living proof of a proverb that a picture is worth a thousand words.
I was waiting for so long to watch Ave Maryam which tells us about A nun, named Maryam who falling in Love with Father Yosef..
Yeah.. That's a forbidden love.. But sometimes.. When LOVE come to us.. We can't avoid it.. The options that we can take is..
Decided to keep that feeling or forget it forever...
.
This is the main point that success make this become a tearjerker movie.. It is really hard to be Maryam or Yosef...
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I really recommend this movie and please to open your eyes, heart and mind when watching this movie.. And still.. There are so many Silver Linings that we can take from AVE MARYAM..
- joshspidy_07
- Apr 12, 2019
- Permalink
7,5 for the story and 9 for the DOP. This film has a simple story but the DOP and cinematography amazing
- hakimsatrio
- Nov 16, 2020
- Permalink