User reviews

Starts off well, competent acting. attractive lead actress. So we are quickly into an office revenge mass killing but from there it goes downhill. Like most low budget horrors it has the semblance of an idea but cannot maintain the pacing or hold the viewers interest!

I am seemingly the first to review this and have watched it so you do not have to - avoid it is not worth the effort a pretty boring effort although it does manage to conjure up a fair amount of bleak and haunting atmosphere but that does not a good film make - Rating of 3.4 on this one is about right!

I believe the screenwriter or screenwriters were drunk the time they wrote this because it's mostly incoherent with obvious Scare Tactics that failed. And above all it's really repetitive and dull, dull, dulls. Sloppy uninspired Direction. Whatever they were trying for they missed the mark. The actors did okay with what they had to work with but even an excellent actor couldn't do anything with this lousy script. Very disappointed in what could have been a promising film. Boooooring. And the twist ending was anything but a Twist like a really bad immature Twilight Zone episode that's way too long and no surprises. Nuff said.

So it was incredibly refreshing to see a thrilling flick with such a unique storyline. But on the other end, I feel like this is kind of its downside as well because that gave it just so much potential that it didn't deliver on. It was OK overall. My only real gripe is this, I still didn't really understand why in the world she stopped and stayed at this boarding house. Because you know, that's generally what we do in America when we're on a road trip, is stop at a boarding house for some time I guess.

Firstly, Siobhan Williams is outstanding. Her portrayal of an alcoholic is brilliant. Anyone who has had a close relationship with someone who is addicted to alcohol will recognise the denial. I can guarantee that if an alcoholic and the person they lived with saw this film together they would all be split 50/50. The alcoholic would say 'That's not me', the non-alcoholic would say 'That's you'. If you haven't experienced alcoholism this film would give you a great insight into the problem. The story line is good. Enough twists to keep you well entertained. The acting brilliant and the photography and direction well above par. If you're looking for something to entertain and inform you, this is a great film. If your're looking for some laughs and giggles, steer clear.

Great movie thats very relatable to anyone who has had issues with alcohol. Only a few people in it but everyone played thier parts very well

This was a movie that I got turned on to thanks to Marknado. It is hard earlier in the year to find movies that are being released in the horror genre and he does an excellent job getting lists out there. I read the synopsis here and thought that it worked well to pair up on Journey with a Cinephile: A Horror Movie Podcast on top of that. The synopsis is when a misstep after a workplace shooting puts alcoholic Marcy (Siobhan Williams) on leave, she heads out to see her sister in California. Halfway there, she stops for a couple of days at the Bright Hill Road Boarding House. The walls close in on the deeply troubled woman as she loses touch with reality and comes face to face with the misdeeds of her sordid past.

For this movie, we start off seeing a dark room that looks to be made out of wood. We hear a man's voice calling out to Marcy and she wakes up. There is something interesting here to introduce us to our main character. What we're seeing is hazy and the reason is that our character is experiencing a hangover. To help combat this, she is already drinking as she heads into work. We see her continue to drink all the way in and even at her desk. When she arrives, her secretary who is played by Sally Cacic, tells her that the boss is asking about her and there is concerns with a guy they fired recently by the name of Harvey.

There is an interesting sequence here where Marcy as the Human Resource person for this company and didn't do her job. Harvey showed up and started to shoot up the place. Not realizing this is happening, Marcy goes to the bathroom to throw up. A woman hiding in there is shot and dies in Marcy's arms. To make matters worse, she is put on leave while talking to her boss after the event due to her drinking.

This causes Marcy to go home and reevaluate her life. We see her dump out all of the booze in her place and pack a bag. Her plan is to visit her sister in California. Her addiction runs deep though. She is drinking while driving and we hear a swerve of tires.

The next morning, Marcy finds herself parked near a building with the sign stating Hotel. It was formerly that among other things where it is now a boarding house. The proprietor is Mrs. Inman (Agam Darshi). She knocks on the window, waking Marcy up. She decides to stay a few days and Mrs. Inman checks her in.

Marcy continues to struggle with her drinking. A complimentary bottle of wine is provided and she attempts to just have one glass. She also attempts to give up drinking completely by going cold turkey. Mrs. Inman is helping with her withdrawals. This isn't the only demon she is facing. Marcy has some dark things in her past that she must deal with. She is also quite irritable when Owen (Michael Eklund) moves into a room down the hall. He is playful, but she isn't as enthused as he'd like. He also is harboring a dark secret of his own.

That's where I'm going to leave my recap. I will say that I think this movie is doing some interesting things story-wise and bringing up some relevant topics as well. You know me, as a sucker for social commentary that is something I can get behind. Since we are following Marcy that is where I'm going to start. As stated in my recap, she is an alcoholic. The writing for this character is really good in that we're seeing the different stages and excuses that addicts will make. I know people who have battled this addiction and I've see quite a few episodes of Intervention. There are times she will admit she has a problem and others where she is hiding it. We also see when she is alone the different lies she tells herself. I thought this was well done in exploration of that character.

Another aspect of her that I wanted to go into is that she is dealing with demons of deeds from the past. Her father is dead and it seems she might be to blame here. He died in a fire. There is speculation or at least she is carrying the guilt as being the cause to it. It does appear to be an accident though. Regardless, she blames herself. Her sister seems to as well from the phone calls we hear. She is also partially to blame for the shooting that occurred at work. She didn't do her job and her drinking isn't helping there. She is carrying that with her. This movie does another good job here with mirrors. She at one point sees herself covered in blood and also sees herself as a darker version that is demon like. Both of these I thought were well done with the explanation at the end.

The next bit here I'm going to try to be as vague as possible. I'm not going to do spoilers for this and I'll get into why. This boarding house though isn't as it seems. Marcy believes it to be haunted from things that she is hearing. Her, Owen and Mrs. Inman all have a reason they are there and dealing with demons of their own. I thought this was interesting. I did predict why they were there though at about the halfway point. I'll be honest, the movie got a bit boring for me after that as it got repetitive and just meandered. I think it is interesting, just something that we've seen before in my opinion.

Where I'll go next would be the acting. This is mostly a character study of Marcy. She needs to find herself and we see her as she is hitting the rock-bottom of her character in terms of the movie. I think that Williams did a solid job in her performance. I didn't really have any issues with her and I think her portrayal works for what was needed. I like Eklund as this annoying guy who is a bit misogynistic and childish. It all makes sense for his reveal though. Darshi is also solid as this character trying to guide Marcy for the better and the rest of the cast rounded this out for what was needed in limited roles.

I'll combine the last two elements in this paragraph. The cinematography is well done here. I wouldn't be surprised to see that the director of Robert Cuffley was either a director of photography previously or whomever he had to be the DP having a lot of experience. I really enjoyed the framing, the depth of focus, blurring the images to represent hazy vision and use of mirrors in this movie. There aren't a lot in the way of effects aside from that, but I really liked what they did to see the 'darker' side of people in mirrors so I'll give credit there. The soundtrack also worked for what was needed on top of that.

In conclusion, I really like the ideas this movie is exploring, especially since they are relevant to our society today. Williams portrayal of Marcy as she is dealing with her addictions and demons of the past works for me. I would say the rest of the cast helped get her character where it needed to go in the end. The cinematography, the effects and the soundtrack also work for me. If anything though, I predicted a bit early to where this was going and I feel the movie loses it way in the middle. For that, I'd say this is above average for me. It is just lacking some elements for me to go higher here.

My Rating: 6.5 out of 10

After watching Bright Hill Road I knew it would have a low rating. Maybe it's because I'm a recovering alcoholic, but I loved this film, even though it was predictable.

Following a traumatic workplace accident, a young woman placed on leave decides to visit her family across the country and decides to stop over a motel for a bit of rest and relaxation, but the longer she stays in the strange room the more she finds her sanity slip away as the events of the past continually come back to haunt her.

There was a lot to really like with this one. The fact that it turns a rather simplistic and formulaic approach into a rather fun and gripping thriller. Shown to be grappling with addiction issues and an unresolved grip on the past before being afflicted by the trauma while at work, we're given a nice backstory to understand her psychosis from the start of the film. This goes a long way to understanding how the stay at the motel begins to affect her as the past trauma and grief over what happened in her life begins to get more pronounced, tying nicely together with her addiction issue to create a confounding setup that tests her sanity quite well. This builds up rather well as time goes on where she stays at the hotel long enough to have lost all semblance of reality based on the situation she finds herself trapped in and the mounting stress of being alone at the motel which combines together into an appealing, hallucinatory-styled series of scenes throughout here. This all builds ominously throughout the middle part of the film where it gets far darker in terms of on-screen imagery and the threat to her mental state that it's far more chilling than expected and serves quite nicely as a result. There isn't much really slowing it down, but it tends to grind to a halt when the creepy neighbor is also shown to be at the motel. While it admirably shifts before whether or not he's real or part of her psychotic mindset, the fact that they're scenes together aren't that crucial to the storyline and tend to feel like padding to stretch the running time out. The finale, as well, seems a little rushed as it seems to just rush into a resolution that doesn't entirely feel earned based on the build-up before-hand as this is figured out where it's going quite early on with very little of the moral intended to be taught being applied. Still, this isn't truly detrimental as these factors only end up lowering the film just slightly as a result.

Rated Unrated/R: Violence and Language.

Interesting progression, solid acting. No real violence and nips were blurred during a boring sex scene.

Slow burn. Scary. This movie's got moves but you've got to wait for them. Super exploration of alcoholism.

Left quite the neutral emotion in me. The storyline was a bit silly; however, was good enough to make me stay until the end. Though the plot was not this movie's strength, I still could not predict the ending.

This is another example of film having the potential to be amazing if only for a higher budget and better special effects. I was intrigued with the concept of the movie.

After arriving at work drunk and avoiding death at the hands of a man she fired, a woman tries to find a way out ...

Real interesting psychic journey down the river of alcohol abuse. Or is it? I'm not being clever, because this movie, for all its flaws, uses a lot of skill in generating a truthful mystery behind the vague reality.

It starts with an ordinary portrait of the alcoholic, which is then blown wide open by a violent event, leading to the heroine's attempt to escape her horrible situation. She fetches up in a boarding house, where events turn weird, and every attempted escape from there ends in her getting drawn back in.

That's the set up, and it's done with varying quality. Early on the cinematography ain't up to much, with crude framing, poorly handled focus (sometimes experimental), and unimaginative lighting. Yet there's one beautiful shot of the heroine's terrified face on the pillow, with her eyes in shadow; and an interesting reverse-angle cut through a wine rack that creates the effect of the heroine taking fright at both the opportunity for alcohol and the sight of herself, which plays into the repeated mirror motif - kudos to the editor.

The music and sound effects are a bit obvious. The direction too is clunky in parts, in need of more thought at the storyboard stage, and relies on effects that are too explicit early on. But it settles in for the ride, and there are many imaginative touches that fill out the heroine's bizarre world, such as the wine bottle tags and the guest register.

I think the story finds its feet when the third character is introduced, with an excellent performance that provides a stable frame. The lead actress goes through a good range of drunken behaviour, from self-confident assertion in front of the mirror to haunted anxiety the next morning - although Emily Blunt still takes the Oscar for that kind of performance. The actress playing the proprietor is perfunctory in a limited part.

The climax is fascinating, as the heroine begins to make sense of her situation, sorting photos on the bathroom wall, even as the threat closes in on her. I think the screenwriter must have learned a lot from David Lynch in how to present psychic events as regular narrative. So the notion of the hotel as rehab becomes more explicit, yet it seems just as much a trap as the heroine's own personal gin palace in her bottle strewn bedroom. And is alcohol the real problem, or an escape from something deeper?

The final reckoning does wrap it up entirely, but for me it ducks the psychological truth by insisting that the vague reality, with all those violent deaths, was literal fact rather than a stand in for forces struggling within the heroine. Instead of coming to terms with herself, she says an act of contrition and submits to something external, which has unwelcome connotations of the God of Alcoholics Anonymous. If you watch Mulholland Dr carefully - which I guess was a big influence here - you find that nobody dies, and the strange story maps on to a tragic but ordinary life.

Overall: Real interesting, probably a rewatcher.

#BrightHillRoad what a film, Siobhan Williams Agam Darshi & Michael Eklund was exquisite, Awesome story by Susie moloney and Awesomely directed by Robert Cuffley I can't wait for the dvd release to go with walk all over me ferocious & Chokeslam.. 10 star rating.