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"They fought so hard for us to get here... now we don't have that luxury of not being able to do something." Shout Factory has revealed the official trailer for a kick ass filmmaking documentary called Stuntwomen, made by producer / director April Wright. The film's full title is Stuntwomen: The Untold Hollywood Story and it will be available to watch this September. An action-documentary about the evolution of stunt women from The Perils of Pauline (1914) and beyond. Featuring narration (and interviews) by Michelle Rodriguez. The documentary goes "behind-the-scenes and introduces us to the female stunt performers who drive the action and thrills of Hollywood’s biggest blockbuster movies from the silent age of cinema to present day." This looks awesome! Seriously. I dig all the behind-the-scene glimpses, but it's also so great to hear from these badass, fearless women taking on these intense, dangerous stunts. Fire up the trailer below.

As Disney quietly disappears huge swathes of film history into its vaults, I'm going to spend 2020 celebrating Twentieth Century Fox and the Fox Film Corporation's films, what one might call their output if only someone were putting it out.And now they've quietly disappeared William Fox's name from the company: guilty by association with Rupert Murdoch, even though he never associated with him.***"Would you recognize Milton Berle without his mother? No!" So says the man himself, Milton Berle, in Over My Dead Body (1942), a fairly shoddy reminder that Berle was, for now-inexplicable reasons, a movie star in the early forties. But while some talent from radio and vaudeville slid into cinema with the ease of the proverbial buttered eel, Berle somehow got lodged halfway down cinema's throat, for reasons which may tell us something about classical Hollywood filmmaking, and something about this particular clown.Fox tested Berle on...

“Up, up, and awaaay in my beautiful balloon” sang the Fifth Dimension in the swingin’ 1960s, making this bouncy pop tune their signature song. Drifting high above the clouds then seemed to be the epitome of a lazy, romantic dream date (still does). But a hundred years before, it was quite a different kind of excursion. Many risked their lives dangling from a rickety wicker basket thousands of feet above the ground. That’s the era of the new historical adventure film hitting theatres this weekend. And why were they risking it all? Escape from a hostile regime? Delivering intel to hasten a military victory? No, it’s something we truly take for granted today: predicting the weather. As we leave our homes we switch on the TV forecast or glance at our phone app to know how thick a coat or jacket we should wear or if we should...

This article marks Part 4 of the Gold Derby series analyzing 84 years of Best Original Song at the Oscars. Join us as we look back at the timeless tunes recognized in this category, the results of each race and the overall rankings of the Academy Awards winners.

The 1946 Oscar nominees in Best Original Song were:

“You Keep Coming Back Like a Song” from “Blue Skies”

“Ole Buttermilk Sky” from “Canyon Passage”

“All Through the Day” from “Centennial Summer”

“I Can’t Begin to Tell You” from “The Dolly Sisters”

“On the Atchison, Topeka and the Santa Fe” from “The Harvey Girls”

Won and should’ve won: “On the Atchison, Topeka and the Santa Fe” from “The Harvey Girls”

1946 marks a very obscure and awfully modest year in Best Original Song. There’s not really a rotten apple in the bunch, but there’s also nothing to get terribly head over heels about.

Each year, the Library of Congress selects 25 films to be named to the National Film Registry, a proclamation of commitment to preserving the chosen pictures for all time. They can be big studio pictures or experimental short films, goofball comedies or poetic meditations on life. The National Film Registery "showcases the extraordinary diversity of America’s film heritage and the disparate strands making it so vibrant" and by preserving the films, the Library of Congress hopes to "a crucial element of American creativity, culture and history.” This year’s selections span the period 1913 to 2004 and include a number of films you’re familiar with. Unless you’ve never heard of "Saving Private Ryan," "The Big Lebowski," “Rosemary’s Baby” or "Ferris Bueller's Day Off." Highlights from the list include the aforementioned film, Arthur Penn’s Western "Little Big Man," John Lasseter’s 1986 animated film, “Luxo Jr.," 1953’s “House of Wax,...

Spanning the years 1913-2004, the 25 films to be added to the Library of Congress’ National Film Registry for 2014 include Steven Spielberg’s Saving Private Ryan, Roman Polanski’s Rosemary’s Baby, Arthur Penn’s Little Big Man, John Hughes’ Ferris Bueller’s Day Off and the Coen brothers’ The Big Lebowski. The annual selection helps to ensure that the movies will be preserved for all time. This year’s list brings the number of films in the registry to 650.

Also on the list are John Lasseter’s 1986 animated film, Luxo Jr; the original Willy Wonka And The Chocolate Factory with Gene Wilder; and Howard Hawks’ classic 1959 Western Rio Bravo. Documentaries and silent films also make up part of the selection which represents titles that are “culturally, historically or aesthetically” significant; they must also each be at least 10 years old. Check out the rundown of all 25 movies below:

2014 National Film Registry...

Twi-boycott of MTV prize-giving ceremony following Stewart-Pattinson 'Best Kiss' snub this year Whatever you say about the Twilight Saga fans, there's one thing you must admit: they do take their sacred idols quite seriously. Pictured above: A very casually dressed Logan Lerman on the Mma red carpet. Please scroll down to check out more Mma 2013 pictures. This year, Kristen Stewart and Robert Pattinson were not to be found among the 2013 MTV Movie Awards' Best Kiss nominees. That's incomprehensible -- well, until one comes to the realization that the MTV powers-that-be who handpick the nominees in each category most likely felt that the MTV Movie Awards had been transmogrified into the Twi-Movie Awards, and as a result felt it necessary to expand the show's viewership, especially considering that Twilight is now a movie series of the past. Indeed, this marks the first time that a Stewart-Pattinson kiss has gone un-nominated in the past five years.

You want action? Movie-movie action? Then forget The Avengers, which opens in the Us on May 4. The following day, head instead to the Niles Essanay Film Museum in the northern Californian town of Fremont, where they’ll be screening two action-packed flicks: Laughing at Danger and "The Tragic Plunge," episode 7 of the serial The Perils of Pauline. Haven’t heard of either one? Well, Laughing at Danger was an independent production released in 1924. It stars Richard Talmadge (no relation to sisters Constance Talmadge and Norma Talmadge), who, according to some sources, was quite popular in the Soviet Union, of all places. As for the serial The Perils of Pauline, it was a humongous success in 1914, turning Pearl White (photo) into a major screen star. Actually, more than that. White became a near-legendary movie icon, one whose adventures have been copied, remade, and rebooted ever since. In fact, I wouldn’t...

Howdy fellow movie geeks. With all the interest in bringing classic heroes to the big screen, I thought I’d begin this column dedicated to discussing classic movie serials available on DVD. And since this masked crime buster is the focus of a brand new feature film this weekend, I thought I’d start with a look at the 1940 Universal thirteen chapter movie serial The Green Hornet.

First a little history of movie serials. You younger film fans may wonder what I’m talking about. First it’s serials with an “s”, not a “c”, so I’m not talking about something you pour out of a box into a bowl and douse with milk in the mornings. Film serials started appearing in 1913. Theatre owners and studios thought this new story telling format would be a great way to get patrons returning week after week. Serials were big, thrilling, adventure...