Little Sara Crewe is placed in a boarding school by her father when he goes off to war, but he does not understand that the headmistress is a cruel, spiteful woman who makes life miserable f... Read allLittle Sara Crewe is placed in a boarding school by her father when he goes off to war, but he does not understand that the headmistress is a cruel, spiteful woman who makes life miserable for Sara.Little Sara Crewe is placed in a boarding school by her father when he goes off to war, but he does not understand that the headmistress is a cruel, spiteful woman who makes life miserable for Sara.
Anne Schaefer
- Amelia Minchin
- (as Ann Schaefer)
W.E. Lawrence
- Ali-Baba
- (as William E. Lawrence)
George A. McDaniel
- Ram Dass
- (as George McDaniel)
Joan Marsh
- Child
- (uncredited)
Joe Murphy
- Leader of Forty Bandits
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaOne of many silent-era films starring "America's Sweetheart" Mary Pickford which were later remade as Shirley Temple vehicles. Known as the "Girl with the Curls," Pickford's box-office hits included The Poor Little Rich Girl (1917), Rebecca of Sunnybrook Farm (1917) the film. In the mid-1930s 20th Century-Fox boss Darryl F. Zanuck re-purposed Pickford's films as vehicles for Temple and thus produced Poor Little Rich Girl (1936), Rebecca of Sunnybrook Farm (1938), The Little Princess (1939), etc. Zanuck also instructed studio publicists to use Pickford's persona and nicknames as a model for Temple's public image as a Hollywood starlet.
- Quotes
Sara Crewe: Papa--Papa dear--I want you!
- ConnectionsFeatured in Mary Pickford: A Life on Film (1997)
Featured review
Though there are always exceptions, one can consistently rely on films from the silent era for certain things. The filming locations will be lovely, and more than this, the production design and art direction are exceptional, a feast for the eyes. The costume design, hair, and makeup work are quite fetching; with such necessary emphasis on the visual element, of course one should hope so. Sure, the acting in much of the silent era was characterized by exaggerated body language and facial expressions, holdovers from the stage, to compensate for lack of spoken dialogue or otherwise sound. Yet this trait shifted over time toward more natural, nuanced expression generally, and even at that I don't think there's much arguing against the skills of those in front of the camera, especially for the demands that were placed on them in comparison to the modern cinema we know today. There is still room for considerable subtlety in performances from the 1910s or earlier, and likewise for the imagination with which writers could approach intertitles to relate dialogue or exposition
'A little princess,' starring early screen icon Mary Pickford, most assuredly carries all these facets with it, and is as well made as could be said of any of its contemporaries. Just as importantly, sincere storytelling is adjoined by light humor to provide the entertainment, and even a tinge of adventure as a fair portion of the length includes a recounting of the tale of "Ali Baba and the Forty Thieves." Filmmaker Marshall Neilan demonstrates capable direction, and Frances Marion's adapted screenplay feels gratifyingly well-rounded even in so small a runtime, not least in communicating the friendship between Sara and Becky. Where modest effects and tricks of the camera or editing are employed, they all look pretty terrific, with the latter possibly feeling a tad advanced for 1917. Not least of all, the cast broadly turn in commendable acting, with Pickford and ZaSu Pitts particularly leading the pack in their foremost roles. The end result is really rather entertaining - perhaps not super special, all things considered, let alone essential among silent classics, but fitting neatly among its contemporaries and ably providing a good time for one hour.
None of this is to say that 'A little princess' is wholly perfect. Even by Hollywood's standards of casting, that Pickford, then 25-years old, was portraying a preteen child requires powerful suspension of disbelief. Hand in hand with that characterization and the setting, there are aspects of the film that are extra ham-handed. Like no few other titles from the era, this one is also a tad questionable when it comes to portraying non-white characters, nevermind cultures outside the predominant "western" purview, and this is specifically a bit dubious when it comes to the conveyance of a story from 'One thousand and one nights.' To that point, the story within a story occupies so much of the runtime that one risks forgetting there's a plot outside Ali Baba; this would have benefited from a more concise screenplay. Even setting all this aside: for as fine as the craftsmanship here is at large, there are some moments that really kind of spotlight the ethos of "simpler entertainment for a simpler time"; the direction, narrative, and acting all seem oversimplified at points, if not weirdly outright inauthentic. All this is to say that for as well done as this picture may be, it may not be the silent classic that will change the minds of anyone who has difficulty abiding those traits common to the era.
Still, despite indelicacies or idiosyncrasies, more than not this is quite suitably well done, and fairly fun such as it is. So maybe it will most likely to appeal only to those who are already enamored of its contemporaries; this is hardly the only movie for which that is true. Even with that in mind this feature offers steady entertainment, and while nothing revelatory, successfully meets its goal. There's no need to go out of your way for 'A little princess,' but if you happen to come across it, this is a worth checking out.
'A little princess,' starring early screen icon Mary Pickford, most assuredly carries all these facets with it, and is as well made as could be said of any of its contemporaries. Just as importantly, sincere storytelling is adjoined by light humor to provide the entertainment, and even a tinge of adventure as a fair portion of the length includes a recounting of the tale of "Ali Baba and the Forty Thieves." Filmmaker Marshall Neilan demonstrates capable direction, and Frances Marion's adapted screenplay feels gratifyingly well-rounded even in so small a runtime, not least in communicating the friendship between Sara and Becky. Where modest effects and tricks of the camera or editing are employed, they all look pretty terrific, with the latter possibly feeling a tad advanced for 1917. Not least of all, the cast broadly turn in commendable acting, with Pickford and ZaSu Pitts particularly leading the pack in their foremost roles. The end result is really rather entertaining - perhaps not super special, all things considered, let alone essential among silent classics, but fitting neatly among its contemporaries and ably providing a good time for one hour.
None of this is to say that 'A little princess' is wholly perfect. Even by Hollywood's standards of casting, that Pickford, then 25-years old, was portraying a preteen child requires powerful suspension of disbelief. Hand in hand with that characterization and the setting, there are aspects of the film that are extra ham-handed. Like no few other titles from the era, this one is also a tad questionable when it comes to portraying non-white characters, nevermind cultures outside the predominant "western" purview, and this is specifically a bit dubious when it comes to the conveyance of a story from 'One thousand and one nights.' To that point, the story within a story occupies so much of the runtime that one risks forgetting there's a plot outside Ali Baba; this would have benefited from a more concise screenplay. Even setting all this aside: for as fine as the craftsmanship here is at large, there are some moments that really kind of spotlight the ethos of "simpler entertainment for a simpler time"; the direction, narrative, and acting all seem oversimplified at points, if not weirdly outright inauthentic. All this is to say that for as well done as this picture may be, it may not be the silent classic that will change the minds of anyone who has difficulty abiding those traits common to the era.
Still, despite indelicacies or idiosyncrasies, more than not this is quite suitably well done, and fairly fun such as it is. So maybe it will most likely to appeal only to those who are already enamored of its contemporaries; this is hardly the only movie for which that is true. Even with that in mind this feature offers steady entertainment, and while nothing revelatory, successfully meets its goal. There's no need to go out of your way for 'A little princess,' but if you happen to come across it, this is a worth checking out.
- I_Ailurophile
- Mar 3, 2023
- Permalink
Details
- Release date
- Country of origin
- Languages
- Also known as
- The Little Princess
- Filming locations
- Busch Gardens, Pasadena, California, USA(Viewed film)
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 2 minutes
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
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