A group of bandits stage a brazen train hold-up, only to find a determined posse hot on their heels.A group of bandits stage a brazen train hold-up, only to find a determined posse hot on their heels.A group of bandits stage a brazen train hold-up, only to find a determined posse hot on their heels.
- Awards
- 1 win total
Gilbert M. 'Broncho Billy' Anderson
- Bandit
- (uncredited)
- …
A.C. Abadie
- Sheriff
- (uncredited)
Justus D. Barnes
- Bandit Who Fires at Camera
- (uncredited)
Walter Cameron
- Sheriff
- (uncredited)
John Manus Dougherty Sr.
- Fourth Bandit
- (uncredited)
Donald Gallaher
- Little Boy
- (uncredited)
Shadrack E. Graham
- Child
- (uncredited)
Frank Hanaway
- Bandit
- (uncredited)
Adam Charles Hayman
- Bandit
- (uncredited)
Robert Milasch
- Trainman
- (uncredited)
- …
Marie Murray
- Dance-Hall Dancer
- (uncredited)
Frederick T. Scott
- Man
- (uncredited)
Mary Snow
- Little Girl
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe original camera negative still exists in excellent condition. The Library of Congress, who holds it, can still make new prints.
- GoofsWhen the telegraph operator revives with his hands tied behind his back, he uses one of his hands to help him stand up and then quickly puts the hand behind his back again.
- Alternate versionsThere is an Italian edition of this film on DVD, distributed by DNA srl, "CENTRO! (Straight Shooting, 1917) + IL CAVALLO D'ACCIAIO (The Iron Horse, 1924) + LA GRANDE RAPINA AL TRENO (The Great Train Robbery, 1903)" (3 Films on a single DVD), re-edited with the contribution of film historian Riccardo Cusin. This version is also available for streaming on some platforms.
- ConnectionsEdited into Hollywood: The Dream Factory (1972)
Featured review
What can one say about an 11 minute film, which is reputed to be the first narrative motion picture to be shot in the United States? What does one compare it to when nothing had come before it? What is even more amazing is that parts of this movie are in color! The women's dresses at the dance are in color - each frame had been hand colored. The flashes from the barrels of the six shooters are red and an explosion sends up a riot of color. There is even a little girl in a red coat. Take that, Steven Spielberg!! Except for the last five seconds, all of the shots are in medium to long. The camera never moves. For each sequence, it is set in place and actors move in front of it.
It is a western, of course (shot in the wilds of New Jersey). A gang of bad guys knock out a train station clerk then board a departing train. They move to the car where there is a safe, blow the safe, stop the train and rob the passengers. Back in town, the clerk revives and tries to get help but passes out again. A little girl comes in wakes him up. The townspeople are having a dance when the clerk runs in to form a posse. The posse rides out and surrounds the gang, who is counting the loot in the woods. There is a gunfight and the robbers are killed. That is the whole story, but there is one short scene left - one of the most remarkable in film history. The all color episode lasts about 5 seconds. In medium close-up, a cowboy raises his pistol, points it directly at the camera, and fires three times. It is difficult for us to understand why this is here or what purpose it served. But when people who had never seen a movie before and didn't have any understanding of the technology first saw this man shooting at them, they screamed, fell to the floor, and ran for the door. It is also said that some in the audience pulled firearms and shot back. It is an early testament to the power that motion pictures had, even in its earliest incarnation. Thankfully, TCM ran TGTR without any modern musical accompaniment, as thousands must have seen it in the nineteen-aughts. I watched in total amazement. I was transported. Later, I reflected on how far movies had come and how little they had changed in the last 100 years. This movie is a priceless historical artifact that shows us just how much the past is still with us.
It is a western, of course (shot in the wilds of New Jersey). A gang of bad guys knock out a train station clerk then board a departing train. They move to the car where there is a safe, blow the safe, stop the train and rob the passengers. Back in town, the clerk revives and tries to get help but passes out again. A little girl comes in wakes him up. The townspeople are having a dance when the clerk runs in to form a posse. The posse rides out and surrounds the gang, who is counting the loot in the woods. There is a gunfight and the robbers are killed. That is the whole story, but there is one short scene left - one of the most remarkable in film history. The all color episode lasts about 5 seconds. In medium close-up, a cowboy raises his pistol, points it directly at the camera, and fires three times. It is difficult for us to understand why this is here or what purpose it served. But when people who had never seen a movie before and didn't have any understanding of the technology first saw this man shooting at them, they screamed, fell to the floor, and ran for the door. It is also said that some in the audience pulled firearms and shot back. It is an early testament to the power that motion pictures had, even in its earliest incarnation. Thankfully, TCM ran TGTR without any modern musical accompaniment, as thousands must have seen it in the nineteen-aughts. I watched in total amazement. I was transported. Later, I reflected on how far movies had come and how little they had changed in the last 100 years. This movie is a priceless historical artifact that shows us just how much the past is still with us.
Details
- Release date
- Country of origin
- Language
- Also known as
- Велике пограбування потягу
- Filming locations
- Production company
- See more company credits at IMDbPro
Box office
- Budget
- $150 (estimated)
- Runtime11 minutes
- Sound mix
- Aspect ratio
- 1.33 : 1
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Top Gap
By what name was The Great Train Robbery (1903) officially released in India in English?
Answer