A young boy, opressed by his mother, goes on an outing in the country with a social welfare group where he dares to dream of a land where the cares of his ordinary life fade.A young boy, opressed by his mother, goes on an outing in the country with a social welfare group where he dares to dream of a land where the cares of his ordinary life fade.A young boy, opressed by his mother, goes on an outing in the country with a social welfare group where he dares to dream of a land where the cares of his ordinary life fade.
- Awards
- 1 win total
Margery Bonney Erskine
- Committee Woman
- (as Mrs. Wallace Erskine)
Edna May Weick
- Little Girl giving Joe money
- (uncredited)
- Director
- Writer
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
Art combines with messaging in cinema's first nonprofit promotional film, October 1912's "The Land Beyond Sunset." The short movie, sponsored by the still active non-profit organization The Fresh Air Fund, encourages poor city children to make an effort to visit the outdoors. The ending is absolutely stunning.
Edison Studios took on the task of creating a story--script written by Dorothy Shore--of convincing people, especially children, to escape the confining tenements of the big cities and journey into the countryside. An abused boy constantly being beaten by his drunken grandmother, takes up the offer to go on a children's trip to a countryside lake. The excursion proves to be such an eyeopener and refreshing that he's hesitant to return to his nightmarish home environment.
This first ever promotional movie was eventful and convincing to those in the audience. Yet the film, directed by Harold Shaw, is so beautifully done that it set the template of how to produce a persuasive message on film by an organization who wants to improve the lives of those in destitute.
Edison Studios took on the task of creating a story--script written by Dorothy Shore--of convincing people, especially children, to escape the confining tenements of the big cities and journey into the countryside. An abused boy constantly being beaten by his drunken grandmother, takes up the offer to go on a children's trip to a countryside lake. The excursion proves to be such an eyeopener and refreshing that he's hesitant to return to his nightmarish home environment.
This first ever promotional movie was eventful and convincing to those in the audience. Yet the film, directed by Harold Shaw, is so beautifully done that it set the template of how to produce a persuasive message on film by an organization who wants to improve the lives of those in destitute.
10danc-26
This little film has a powerful, haunting final scene that gives me a chill, not only when I watch it, but when I think about it. An unusual film for 1912, particularly the ambiguity, the lack of a comforting ending. Reminiscent of the final scene in Hitchcock's The Birds — the uneasy ambiguity, of being on edge, of having the viewer fill in the finale. I am reluctant to write more, as I follow the view of Irish playwright Samuel Beckett, who said he refrained from producing more written works, because it was an "unnecessary stain on the silence." This is a short film that should be paid respect with an equally short review.
This magical little gem from the studios of Thomas Edison is one of the revelations of the "Treasures from American Film Archives" program shown on TCM and available on DVD. In it a poor newsboy who lives with an alcoholic and abusive grandmother in a city slum gets to visit the countryside and participate in a picnic for the underprivileged. There he becomes transformed by a fairy-tale story that is read to the kids and is inspired to seek for himself that land beyond the horizon, where all is happiness and joy, a desire which all of us on this planet must surely share from time to time. The music track added to this presentation features some lovely songs which, together with the compelling images, transport us all to that better beyond.
This thoughtful, memorable drama is the kind of movie that sticks with you after it is over, and it provides some thoughtful, sensitive commentary on problems that are, unfortunately, still all too present in our society. It is also one of the best Edison Company films of the 1910s, and while they did make a fair number of entertaining movies during this time, "The Land Beyond the Sunset" stands out in addressing a sensitive subject without resorting to easy answers.
The story focuses on Joe, a young newsboy living in a squalid situation, who one day has the opportunity for a pleasant outing in the country, courtesy of the Fresh Air Fund. The story is simple, but it portrays the characters quite realistically. For a time, you expect to see an upbeat if pat resolution of Joe's struggles, but the finale is much better than that. Another reviewer here has very aptly described its "haunting ambiguity", because indeed it rejects all easy answers, leaving the viewer challenged to think for himself or herself.
There are also a couple of fine moments on the technical side. The one that stands out most of all is the crucial scene when the children on the outing are listening to the fairy tale told them by their well-meaning hosts. The composition is excellent, catching the detail in the foreground with a partial glimpse of the expanse of water in the background, fitting in nicely with the content of the story and the situation. Then there is added a double exposure shot that communicates exactly what Joe is thinking, nicely setting up the finale.
It all works very well, and is well worth taking the time to watch if you have any interest in silent dramas.
The story focuses on Joe, a young newsboy living in a squalid situation, who one day has the opportunity for a pleasant outing in the country, courtesy of the Fresh Air Fund. The story is simple, but it portrays the characters quite realistically. For a time, you expect to see an upbeat if pat resolution of Joe's struggles, but the finale is much better than that. Another reviewer here has very aptly described its "haunting ambiguity", because indeed it rejects all easy answers, leaving the viewer challenged to think for himself or herself.
There are also a couple of fine moments on the technical side. The one that stands out most of all is the crucial scene when the children on the outing are listening to the fairy tale told them by their well-meaning hosts. The composition is excellent, catching the detail in the foreground with a partial glimpse of the expanse of water in the background, fitting in nicely with the content of the story and the situation. Then there is added a double exposure shot that communicates exactly what Joe is thinking, nicely setting up the finale.
It all works very well, and is well worth taking the time to watch if you have any interest in silent dramas.
Forever abused by his alcoholic grandmother, an impoverished, orphaned newspaper boy escapes his wretched home-life for a day, when he goes to the countryside on a charitable outing for poor children. Whilst there, he is regaled with a story about a young boy who makes an escape from a wicked witch. Aided by fairies, the story's protagonist is taken on a boat journey across the sea to The Land Beyond the Sunset, where he lives happily ever after, proving an inspiration to the young boy in the process, in this Edison Studios production-an affecting, beautifully crafted short, which expertly juxtaposes fantasy and reality for maximum impact.
Did you know
- TriviaMade as a promotional short for the New York Fresh Air Fund, a charity whose purpose is to get poor kids out of the city for the summer and spend some time out in the country. The organization still exists.
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- Страна по ту сторону заката
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- Runtime14 minutes
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- 1.33 : 1
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