Had I never read the original novel "Scaramouche" by Rafael Sabatini and had I never seen the amazing Stewart Granger film of the 1950s, then I probably would have loved this silent movie. However, the book was so good and the Granger film so perfect that I found myself forever comparing this silent epic to the others and it usually came up short. In a way, that's sad, because it IS a very good film--especially compared to other films of the day.
The basic plot is set in the days just following the French Revolution of 1789. For a few short years, the country had still not slipped into radicalism and the country was ruled by a coalition of the old elite and young upstarts. Eventually, of course, most of the elite would be executed or run off to exile, but this film is set during the last gasps of the nobles--who STILL exercised some of their old clout.
Andre (Ramon Novarro) is an orphan who hobnobs with the upper crust but is definitely not one of them. When his best friend is murdered by an evil nobleman (Lewis Stone), he vows revenge and soon becomes a very outspoken critic of the rich. However, because of his outspokenness, he is marked for death and so he hides with a traveling theater company. He becomes very successful for the plays he writes as well as his rendition of the classic "Scaramouche" character. During this time, he also practices with the sword in the hopes of one day killing Stone. Eventually, his fame on stage increases so much that he is invited to serve in the Parlement. Plus, they want him because his swordsmanship is so good they figure he'll be able to protect himself--as the nobles are always dueling with their opponents killing them (a great way to deplete the non-elite class in Parlement).
All this leads to the expected ultimate showdown with Stone, though it ends differently than the Granger film and more like the original novel. In some ways, this isn't bad, but what is missing is the great sword fight between Novarro and Stone--it ends almost as soon as it begins! In the Granger version, the fight is the longest and best sword fight in film history and something you can't miss.
Apart from the fight that just fizzled, the film does have excellent sets, cinematography and musical score (something many silents do NOT have when shown today). It's good,...but I just can't help but prefer the sumptuous and more entertaining remake. This is one of the few cases when I do prefer a remake--so it just goes to show you how wonderful Stewart Granger's version is. If you only want to see one version of the film, see that one.
