IMDb RATING
8.1/10
6.8K
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Siegfried, son of King Siegmund of Xanten, sets off on a treacherous journey to the Kingdom of Burgundy to ask King Gunther for the hand of his sister, the beautiful Princess Kriemhild.Siegfried, son of King Siegmund of Xanten, sets off on a treacherous journey to the Kingdom of Burgundy to ask King Gunther for the hand of his sister, the beautiful Princess Kriemhild.Siegfried, son of King Siegmund of Xanten, sets off on a treacherous journey to the Kingdom of Burgundy to ask King Gunther for the hand of his sister, the beautiful Princess Kriemhild.
- Awards
- 1 win & 2 nominations
Yuri Yurovsky
- The Priest
- (as Georg Jurowski)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThe dragon in the film is not a miniature. It is a full-scale puppet 60 feet long.
- GoofsThe tip of the spear Siegfied is killed with exits through the chest. Since Siegfried is invulnerable except at the entry point this should not be possible. The same impossible chest wound is shown later to be the one bleeding when the murderer enters the room.
- Crazy creditsKarl Vollbrecht receives a credit as "Erbauer des Drachens" -- 'dragon builder'.
- Alternate versionsA 2012 restoration project completed by the Friedrich-Wilhelm-Murnau-Stiftung has been released by Kino Lorber on both DVD and Blu-ray formats. Both "Die Nibelungen: Siegfried" (1924) and "Die Nibelungen: Kriemhild's Revenge" (1925) are included. The film's running times differ from other versions at 149 minutes and 131 minutes, respectively. This can be attributed to the fact that the restoration utilized some footage from different takes of scenes and slight adjustments were made to the 'frames-per-second' rate perhaps to present a more realistic flow of the action.
- ConnectionsEdited into Fritz Lang, le cercle du destin - Les films allemands (2004)
Featured review
I saw this on the big screen with live organ accompaniment (from the original film score) last night and I'm glad I did. Most people don't know Fritz Lang for anything before *Metropolis*, but this is a film which, to my mind, matches the best of what he has done. It's incredible to see what they were able to do with the wild set design. The score was suitably intense at moments. And the story was a pretty touching one about the fall of Siegfried.
The scenes I was amazed by in particular are: the dragon-slaying sequence (which, at first, elicited laughs because of the obvious artificiality of the creature but then got sounds of pity as he lay slain with blood shooting from his torso); Kriemhild's dream sequence, which has to be the earliest example of animation I've seen (the animation and accompanying music are pretty dark and disturbed--they gave me the creeps); and the approach to Brunhilde (with an incredible sea of fire). What I've come away with is even more of an appreciation for what filmmakers were capable of in the silent period. It seems clear after a film like *Siegfried* that silent film was not an infant technology waiting for sound but was an artform of its own.
All in all, I'd say this is a must-see. It's clearly not just preparation for the "great" films of Lang to come (like *Metropolis* and *M*), but is on par with any of the best of his stuff. This and *Dr. Mabuse, the Gambler*, both Lang films which are rarely screened, should be caught if at all possible.
The scenes I was amazed by in particular are: the dragon-slaying sequence (which, at first, elicited laughs because of the obvious artificiality of the creature but then got sounds of pity as he lay slain with blood shooting from his torso); Kriemhild's dream sequence, which has to be the earliest example of animation I've seen (the animation and accompanying music are pretty dark and disturbed--they gave me the creeps); and the approach to Brunhilde (with an incredible sea of fire). What I've come away with is even more of an appreciation for what filmmakers were capable of in the silent period. It seems clear after a film like *Siegfried* that silent film was not an infant technology waiting for sound but was an artform of its own.
All in all, I'd say this is a must-see. It's clearly not just preparation for the "great" films of Lang to come (like *Metropolis* and *M*), but is on par with any of the best of his stuff. This and *Dr. Mabuse, the Gambler*, both Lang films which are rarely screened, should be caught if at all possible.
- How long is Die Nibelungen: Siegfried?Powered by Alexa
Details
- Runtime1 hour 40 minutes
- Sound mix
- Aspect ratio
- 1.33 : 1
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By what name was Die Nibelungen: Siegfried (1924) officially released in India in English?
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