A small-town girl finds escape from her cruel home life in the arms of a handsome stranger. Soon she finds herself working as a prostitute in New Orleans, desperately clinging to the belief ... Read allA small-town girl finds escape from her cruel home life in the arms of a handsome stranger. Soon she finds herself working as a prostitute in New Orleans, desperately clinging to the belief that he really loves her.A small-town girl finds escape from her cruel home life in the arms of a handsome stranger. Soon she finds herself working as a prostitute in New Orleans, desperately clinging to the belief that he really loves her.
Photos
Tyrone Power Sr.
- Gabrielle's Father
- (as Tyrone Power)
Theodore von Eltz
- Freddy - The Chauffeur
- (as Theodore Von Eltz)
George Siegmann
- Mr. Mack
- (as George Seigman)
Max Asher
- H.E. Reid - The Jeweler
- (uncredited)
Dorothy Davenport
- Woman Telling the Story
- (uncredited)
Charles K. French
- Jury Foreman
- (uncredited)
Storyline
Did you know
- TriviaThe story was based on the true story of Gabrielle Darley, but producer Dorothy Davenport did not secure her permission to film the events in her life. When Darley, who had moved on to marry and become an upstanding member of her community, found out that a film of her life had been made without her consent, she sued Davenport and financially ruined her. Matters of invasion of privacy by the media were not clear in 1925, and it's unlikely that Ms. Darley would have been able to win the case nowadays, since most details of the trial were a matter of public record.
- GoofsSet in 1917, the fashions and cars are contemporary with 1925, when the film was made.
- Quotes
Title Card: Three words - I Love You - sometimes as beautiful and sacred as a prayer - sometimes a cowardly lie.
- Alternate versionsKino International copyrighted a video version in 2000 using the preservation print of the American Film Institute Collection at the Library of Congress. It was restored by Bret Wood, produced by Jessica Rosner, has a piano music score performed and arranged by Robert Israel, and runs 77 minutes. Additional color effects were added by Kevin Christopher at AGI Studios.
- ConnectionsEdited into Women Who Made the Movies (1992)
Featured review
A melodramatic story based on a real woman, whose (oops) identity wasn't changed nor her approval sought, resulting in a lawsuit afterwards. Nonetheless it's pretty cool that this was written, directed, and produced by women (Dorothy Davenport for the latter two), and I liked the visual effect with the red overlays on clothing and streetlights, and orange in a brief scene showing WWI.
The film supports "fallen" women in the sense that it says they're a victim of circumstance, are sympathetic characters, and can be redeemed, which I believe are the reasons the film was banned in some places (kind of surprising when you watch it now). At the same time, it also implies they're tainted, need a white knight figure to make them honest, and need to work hard to be worthy of happiness, all of which seems dated now. Overall though, there is empathy, and out of several Biblical allusions, it picks a good one in "he that is without sin among you, let him first cast a stone at her."
The pace of the film is on the slow side as it plays itself out, told partially in a flashback, so I don't think it's one I could truly love. On the other hand, it has a pretty good performance from Priscilla Bonner, and various street scenes and carnival rides, and while those seem to appear rather often in films from this era, they always work for me. It's decent enough to take a look.
The film supports "fallen" women in the sense that it says they're a victim of circumstance, are sympathetic characters, and can be redeemed, which I believe are the reasons the film was banned in some places (kind of surprising when you watch it now). At the same time, it also implies they're tainted, need a white knight figure to make them honest, and need to work hard to be worthy of happiness, all of which seems dated now. Overall though, there is empathy, and out of several Biblical allusions, it picks a good one in "he that is without sin among you, let him first cast a stone at her."
The pace of the film is on the slow side as it plays itself out, told partially in a flashback, so I don't think it's one I could truly love. On the other hand, it has a pretty good performance from Priscilla Bonner, and various street scenes and carnival rides, and while those seem to appear rather often in films from this era, they always work for me. It's decent enough to take a look.
- gbill-74877
- Aug 2, 2020
- Permalink
Details
- Release date
- Country of origin
- Language
- Also known as
- Red Kimona
- Filming locations
- Venice Pier, Ocean Walk Front at Washington Boulevard, Venice, Los Angeles, California, USA(roller coaster and amusement park)
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 17 minutes
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
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