IMDb RATING
7.5/10
5.2K
YOUR RATING
A blue-collar worker on New York's depressed waterfront finds his life changed after he saves a woman attempting suicide.A blue-collar worker on New York's depressed waterfront finds his life changed after he saves a woman attempting suicide.A blue-collar worker on New York's depressed waterfront finds his life changed after he saves a woman attempting suicide.
- Awards
- 7 wins
Olga Baclanova
- Lou -- Wife of Andy
- (as Baclanova)
Richard Alexander
- Lou's Sweetheart
- (uncredited)
May Foster
- Mrs. Crimp
- (uncredited)
George Irving
- Night Court Judge
- (uncredited)
John Kelly
- Sailor Barfly
- (uncredited)
Charles McMurphy
- Policeman
- (uncredited)
Guy Oliver
- The Crimp
- (uncredited)
Bob Reeves
- Court Bailiff
- (uncredited)
Lillian Worth
- Andy's Girl
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- Trivia'Sugar' Steve tries to light Mae's cigarette from the same match he used to light Bill's and his own cigarettes while she is mending Bill's shirt. Mae blows out the match and says, "What are you trying to do, bring me more bad luck?" He must light a new match for her cigarette. At the time, "three on a match" was considered bad luck. Soldiers during the Crimea War believed that if three soldiers lit their cigarettes from the same match, one of the three would be killed, or alternately the third soldier to use the match would be shot. The superstition persisted with soldiers through World War II.
- Alternate versionsVideo version includes new score by Gaylord Carter.
- ConnectionsEdited into Catalogue of Ships (2008)
Featured review
Docks of New York, The (1928)
*** 1/2 (out of 4)
Impressive melodrama benefits from some strong performances and some terrific visuals. The film tells the story of Bill Roberts (George Bancroft) a man who lives down on the docks who ends up saving a woman (Betty Compson) from killing herself. Over the period of a day he saves her life, then the two get to know one another before getting married hours later but neither of them know what the future might hold. The plot of this film is pretty simple and in many ways it's not too original but that doesn't hamper the film too much as director von Sternberg has such an amazing eye that each scene contains something fresh even if the story in that scene isn't anything new. I'm not sure how much a better story would have helped overall but it might have benefited in a few ways including the two actually falling for one another. In many ways this film plays out like a lonely males fantasy of him just happening to save a beautiful woman and then she gives him a chance of winning her heart. Being made years before the Code went into full effect allowed the director to show off some darker moments to both characters as it's made clear in a very funny scene that neither person are virgins and that they've both had their share of wild moments. What's most impressive about the direction here is his visual style, which is easily the most impressive that I've seen from him. Just take a look at the scene where Bill saves the woman. The fog is laid on very thick making the scene come off almost like a fantasy sequence and the way von Sternberg edits the thing makes it seem like some sort of strange dreamland. The way the girl is seen, pulled from the water and eventually carried home are all shot very darkly with very little light and what light there is comes mainly from the reflections off the fog. I loved the way von Sternberg shot the scene where the woman comes to and is introduced to the man who saved her. I loved where the camera was placed and how the lighting once again plays a very important part. The atmosphere is a very thick one as you can feel how dirty the docks are and all the people there seem like the type you'd actually find living and working there. Bancroft delivers a very good performance in a role he has no problem playing. The toughness of the character is very believable with Bancroft in the role but he also handles the more quiet and tender moments. Compson has the harder of the two roles as her character is much darker but she has no problem making us care for her. The two don't look like the types who would be together but their performances are so good and the two act so well together that they make us believe. While the film is far from flawless it's well worth watching for the performances and directing.
*** 1/2 (out of 4)
Impressive melodrama benefits from some strong performances and some terrific visuals. The film tells the story of Bill Roberts (George Bancroft) a man who lives down on the docks who ends up saving a woman (Betty Compson) from killing herself. Over the period of a day he saves her life, then the two get to know one another before getting married hours later but neither of them know what the future might hold. The plot of this film is pretty simple and in many ways it's not too original but that doesn't hamper the film too much as director von Sternberg has such an amazing eye that each scene contains something fresh even if the story in that scene isn't anything new. I'm not sure how much a better story would have helped overall but it might have benefited in a few ways including the two actually falling for one another. In many ways this film plays out like a lonely males fantasy of him just happening to save a beautiful woman and then she gives him a chance of winning her heart. Being made years before the Code went into full effect allowed the director to show off some darker moments to both characters as it's made clear in a very funny scene that neither person are virgins and that they've both had their share of wild moments. What's most impressive about the direction here is his visual style, which is easily the most impressive that I've seen from him. Just take a look at the scene where Bill saves the woman. The fog is laid on very thick making the scene come off almost like a fantasy sequence and the way von Sternberg edits the thing makes it seem like some sort of strange dreamland. The way the girl is seen, pulled from the water and eventually carried home are all shot very darkly with very little light and what light there is comes mainly from the reflections off the fog. I loved the way von Sternberg shot the scene where the woman comes to and is introduced to the man who saved her. I loved where the camera was placed and how the lighting once again plays a very important part. The atmosphere is a very thick one as you can feel how dirty the docks are and all the people there seem like the type you'd actually find living and working there. Bancroft delivers a very good performance in a role he has no problem playing. The toughness of the character is very believable with Bancroft in the role but he also handles the more quiet and tender moments. Compson has the harder of the two roles as her character is much darker but she has no problem making us care for her. The two don't look like the types who would be together but their performances are so good and the two act so well together that they make us believe. While the film is far from flawless it's well worth watching for the performances and directing.
- Michael_Elliott
- Sep 1, 2010
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Details
- Release date
- Country of origin
- Language
- Also known as
- Im Hafen von New York
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 16 minutes
- Color
- Sound mix
- Aspect ratio
- 1.33 : 1
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