IMDb RATING
7.5/10
2.2K
YOUR RATING
A professional clown and a self-indulgent count learn to help each other with their problems, but then become romantic rivals.A professional clown and a self-indulgent count learn to help each other with their problems, but then become romantic rivals.A professional clown and a self-indulgent count learn to help each other with their problems, but then become romantic rivals.
- Awards
- 4 wins & 2 nominations total
Cissy Fitzgerald
- Giancinta
- (as Cissy Fitz-Gerald)
Robert Brower
- Stage Manager
- (uncredited)
Julie DeValora
- Nurse
- (uncredited)
Helena Dime
- Lady at Luigi's Party
- (uncredited)
Leo Feodoroff
- Minor Role
- (uncredited)
Frankie Genardi
- Little Boy at Tito's Death
- (uncredited)
Lilliana Genardi
- Little Girl at Tito's Death
- (uncredited)
Betsy Ann Hisle
- Little Girl at Tito's Death
- (uncredited)
Emmett King
- Doctor
- (uncredited)
Carl M. Leviness
- Party Guest
- (uncredited)
Mickey McBan
- Oldest Boy at Tito's Death
- (uncredited)
Storyline
Did you know
- TriviaHerbert Brenon reportedly loved to pick on and ridicule a 14-year-old Loretta Young (Note: Young turned 15 on day 18 of the 45-day shoot.) in her first big role, but was civil with her whenever Lon Chaney was present on the set. Chaney noticed this and never left her side, even if his character wasn't needed for shooting that day. He directed her throughout the shoot and became her surrogate father on the project. "I shall be beholden to that sensitive, sweet man until I die", said Young of Chaney.
- Quotes
Simon, aka Flok: Laugh, clown, laugh... even though your heart is breaking!
- Alternate versionsAn alternate "happier" ending was shot and was available to theaters who did not like the original. Unfortunately this no longer exists.
- ConnectionsFeatured in Lon Chaney: A Thousand Faces (2000)
Featured review
Not only is this the greatest performance I've seen by Chaney, it is one of the great films.
In this, Chaney definitively proves he is one of the greatest actors, perhaps the greatest, in all of film. Although he appears in different make-ups in almost every scene, the make-up is to portray himself as a younger man who slowly grows older as the 25-year span of the film tells the well-known tragic love story more familiarly known as "Pagliacci," the clown who could not laugh.
The film co-stars a radiant 14-year-old Loretta Young, who Chaney supposedly guided to another great performance. Without the director, who was unduly harsh on her, knowing it. When Chaney found out, he made sure he was always with Young whenever the director was. Young's mistreatment ended.
Several times I was near tears because Chaney's performance--watch his eyes, hands and demeanor--is so naturalistic, even though somewhat melodramatic, as all silent performances were.
Almost all of Chaney's films were about unrequieted love, but here he may have reached his apotheosis. I won't know until I see a few more of his non "horror" films, especially, "He Who Gets Slapped."
Don't let what I've said make you think this is some clunky "tear-jerker," It is filled with good laughs, drama, wonder and real pathos. Chaney's final scene is utterly tragic and beautiful.
Even non-Chaney fans will be awed by "Laugh, Clown, Laugh."
In this, Chaney definitively proves he is one of the greatest actors, perhaps the greatest, in all of film. Although he appears in different make-ups in almost every scene, the make-up is to portray himself as a younger man who slowly grows older as the 25-year span of the film tells the well-known tragic love story more familiarly known as "Pagliacci," the clown who could not laugh.
The film co-stars a radiant 14-year-old Loretta Young, who Chaney supposedly guided to another great performance. Without the director, who was unduly harsh on her, knowing it. When Chaney found out, he made sure he was always with Young whenever the director was. Young's mistreatment ended.
Several times I was near tears because Chaney's performance--watch his eyes, hands and demeanor--is so naturalistic, even though somewhat melodramatic, as all silent performances were.
Almost all of Chaney's films were about unrequieted love, but here he may have reached his apotheosis. I won't know until I see a few more of his non "horror" films, especially, "He Who Gets Slapped."
Don't let what I've said make you think this is some clunky "tear-jerker," It is filled with good laughs, drama, wonder and real pathos. Chaney's final scene is utterly tragic and beautiful.
Even non-Chaney fans will be awed by "Laugh, Clown, Laugh."
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Details
Box office
- Budget
- $293,000 (estimated)
- Runtime1 hour 13 minutes
- Sound mix
- Aspect ratio
- 1.33 : 1
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