A Chorus girl who is in love with her stage manager is led to believe that he is in love with another young woman, so, she agrees to marry a bootlegger instead.A Chorus girl who is in love with her stage manager is led to believe that he is in love with another young woman, so, she agrees to marry a bootlegger instead.A Chorus girl who is in love with her stage manager is led to believe that he is in love with another young woman, so, she agrees to marry a bootlegger instead.
- Awards
- 1 win
- Florine Chanler
- (as Miriam Byron)
- Joe - One of the Poker Players
- (uncredited)
- Landlady
- (uncredited)
- One of Perc's Henchmen
- (uncredited)
- Tony Ginetti - the Nightclub Manager
- (uncredited)
- Club Patron
- (uncredited)
- Boarder with Newspaper
- (uncredited)
Storyline
Did you know
- TriviaTalkie debut for silent star Alice White.
- Quotes
Dee Foster: You all think you're smart. But, it's just the old story of sour grapes!
Durgan: Well, they weren't sour when the biggest Johns on Broadway used to drink champagne out of my slippers. Now look at me. I lost everything, just because I let my fool heart lose my head.
- Alternate versionsThis movie was also issued as a silent, with a film length of 2039.11 m.
- ConnectionsReferenced in Loose Ankles (1930)
- SoundtracksWishing and Waiting for Love
(1929) (uncredited)
Music by Harry Akst
Lyrics by Grant Clarke
Sung by an unidentified man over the opening credits
Reprised by Alice White and chorus at the nightclub
Played as background music often
It may have originally been shot as a silent, but it looks like an early talkie all the way through, especially with the dance numbers performed on a big stage with the proscenium arch in plain view, looking like all the early First National talkies. In fact, that's in no small part it's problem. While Miss White's sexuality is on plain display, and no one did it better, her voice was weak and her dancing was not top notch. Much as people enjoy her, her stardom was one of those sports thrown up in the early stages of a new art form. One hit was looked on as a trend, and they worked it to death within a couple of years, along with the early movie musical. It would take some real innovation, again by Mervyn Leroy, to help revive the musical in 1933.
Still, within the context of 1929 musicals, this is as good as they get. Everyone gives their work as much oomph as can be hoped for. The poor sound on the copy I looked at was a bit of a surprise, given the superior recording ability of Vitaphone in this period. Clearly a cleaner print, and a better soundtrack would help.
Details
- Release date
- Country of origin
- Language
- Also known as
- Brodvejske ucenjivačice
- Filming locations
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 26 minutes
- Color
- Aspect ratio
- 1.33 : 1