Suave thief Colman is sent to Devil's Island, where he becomes romantically involved with the wife of sadistic warden Digges.Suave thief Colman is sent to Devil's Island, where he becomes romantically involved with the wife of sadistic warden Digges.Suave thief Colman is sent to Devil's Island, where he becomes romantically involved with the wife of sadistic warden Digges.
- Nominated for 1 Oscar
- 3 wins & 1 nomination total
Ernie Adams
- Convict Clerk
- (uncredited)
Lionel Belmore
- Convict
- (uncredited)
Baldy Biuddle
- Convict
- (uncredited)
Count Cutelli
- Vocal Effects
- (uncredited)
John George
- Convict
- (uncredited)
Harry Ginsberg
- Convict
- (uncredited)
Otto Hoffman
- Convict Barber
- (uncredited)
Sydney Jarvis
- Ship's Captain
- (uncredited)
Tiny Jones
- Small Gossipy Townswoman
- (uncredited)
Albert Kingsley
- Felix
- (uncredited)
Arturo Kobe
- Convict
- (uncredited)
Bob Kortman
- Prison Guard
- (uncredited)
George Magrill
- Convict Clerk
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaAlso released in a silent version.
- GoofsAll entries contain spoilers
- Crazy creditsOpening credits prologue: The action takes place at the French Penal Colony in South America, commonly known as"Devil's Island."
- ConnectionsReferenced in The Youngest Profession (1943)
Featured review
Ronald Colman has never been a favorite of mine, but in this early talkie, as a convicted thief on Devil's Island who lucks into a job caring for warden's wife Ann Harding and engineers an escape, he's convincing, and even manages to generate some sex appeal. Ms. Harding, as ever, is womanly and subtle and beautiful, and the acting throughout is several notches above the early-talkie norm, with Dudley Digges an eminently hatable spouse, and Louis Wolheim doing one of his useful sidekick turns. But there's much more to it than that. Wesley Ruggles, about to be a top director, paces it far faster than most 1929 films struggling with the new technology, and the deep-focus photography and unusual angles are quite striking. Small wonder: Gregg Toland worked on it, and the production design, by William Cameron Menzies, is so bleached you can feel the French Guyana heat. Some dialogue gets lost, but the sound recording is pretty good for the period. It was a hit, and a deserved one, marred only by a too-rushed happy-ish ending that comes out of nowhere and seems awfully unlikely. I liked it quite a lot, though, and may even have to check out some more Ronald Colman output.
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Details
Box office
- Budget
- $600,000 (estimated)
- Runtime1 hour 26 minutes
- Color
- Aspect ratio
- 1.20 : 1
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