User reviews

Although the real force of his personality does not come across on screen until the movies could talk, Babe Ruth made a screen debut in this amiable film, purportedly about his life in the small town of Haverlock until him making good with what was his new team in 1920, the New York Yankees.

In fact Babe Ruth grew up on the mean streets of Baltimore where his dad ran a tavern and the family lived on the premises. It's a stone's throw from the Baltimore Orioles new ballpark at the old Camden Rail Yards and the building is a tourist attraction. He had hardly the idyllic small town boyhood we see here.

In fact when his autobiography became a film starring William Bendix as the Babe, with all of that film's weaknesses it does hit more of the real story than Heading Home.

It wasn't uncommon for many sports personalities of the time to make a few extra bucks appearing in films. Those were not the days of multi- million dollar contracts and while Babe became the highest paid baseball player of his day eventually with $80,000.00, that was almost a decade in coming.

Heading Home is a film made to exploit Babe Ruth's fame and if it weren't for him it would hardly merit any notice at all today.

For anyone wanting to find out about the real life Babe Ruth, this "true story" should be avoided at all costs! Created in 1920, this film purports to be about the Bambino and his rise to fame, but frankly almost none of it bears any similarity to the slugger. In the film, he's a small town boy who is shy and unassuming. In real life, he grew up in the "rustic small town" of Baltimore, Maryland and was a bit of a juvenile delinquent--but I guess this image makes for a rather unappealing film! Now the fact that they played so fast and loose with the facts wasn't totally awful--after all, many of our heroes of times past have an aura of fiction about them. But the fiction they created is so schmaltzy and saccharine that it becomes almost laughable. Babe does practically everything in the film but walk on water and heal the sick! The fact that many at the time believed this is what is so amazing about this film. The only truth in the film is that the writers describe his as ugly--something I am surprised Ruth allowed. I guess he wasn't too hung up about his looks.

Speaking of looks, Babe is quite young in the film--and rather trim after his first season with the Yankees. Oddly, though, he'd been a very famous pitcher with the Red Sox but this is never alluded to in the film--but his prowess with the bat sure is. In fact, in the movie he made the bat himself--something reminiscent of Robert Redford's character in THE NATURAL.

Now I am sure you gather that the historical aspects of this film are dubious, at best. As for the entertainment value and quality of the film, it's not bad--especially for 1920. While people today will most likely laugh at the silly and over-the-top plot, the audience of 1920 ate it up and the film was well-produced and kept my interest.

Overall, I give it a 7 as entertainment and a 1 for historical accuracy!

Boy howdy, if this isn't a trip through time, and maybe even more so than other works of the silent era. Porkpie hats galore; effusive intertitle representation of colloquial phrases, slang, and dialects that are practically another language one century later; self-mythologizing that makes T. E. Lawrence's exaggerations of his escapades look like a little white lie. And to top it all off, 'Headin' home' is a fictionalized biography that is presented as loose narrative fiction, with focus at times on tertiary figures who have nothing to do with the man himself! Very light "comedy," and very light "drama," are really nothing more than an excuse to give baseball legend Babe Ruth his own movie - and at times, it seems, to allow the folks writing the intertitles to let their imagination run wild, seemingly with the aid of several bottles of a favored alcohol beverage.

Neither Ruth, nor writers Arthur "Bugs" Baer or Earle Browne, nor director Lawrence C. Windom were a Buster Keaton or a Harold Lloyd, and this flick is no exemplar of humor or of this period in cinema. Anyone who isn't already enamored of silent films may not find anything here to change their mind. Be that as it may, it's modestly enjoyable on its own merits, and there are some small bits and pieces that are unexpectedly keen. The writers may have been imbibing a brew or five while penning the intertitles, but every now and again they slip in an especially witty line, such as a reference to the League of Nations and Woodrow Wilson's peace plan following World War I, or sly wordplay. Some scenes herein would fit neatly within a feature from a contemporary comedic icon, and for that matter - replace the central sports figure with any other actor, and at once the storytelling in 'Headin' home' would both be less noteworthy, but also right in line with most any picture of 1920. Granted, I think the story is a tad unfocused, and maybe even scattered; there are also instances where the contemporary references in the intertitles are so firmly cemented that a modern viewer can only make inferences as to the full meaning. All the same, these criticisms are no worse than can be said for what other writers have conjured.

In addition to old fashion and old language, it's striking to see depictions of period sports equipment and facilities. In every other capacity this title is well made, if unremarkable - some filmmakers were pushing the envelope and innovating in the medium, and others were happy just to have their fare sell tickets and entertain, and this is an example of the latter. It's all that it needs to be to provide a good time, though, and after all, that was the only earnest intent. It's no lightning bolt of genius, but it does actually earn a few laughs, and overall it's exactly the lighthearted fun that it wants to be. If one is a huge fan of baseball or of Babe Ruth then it will surely come more highly recommended, yet even for the casual viewer this is a splendid diversion for a quiet day. Don't go out of your way for 'Headin' home,' but if you do have the opportunity to watch, this is a fine movie that stands pretty solidly on its own feet even over one hundred years later. Not every winner needs to hit a home run, and this ably runs the bases all by itself.

Babe Ruth (as Babe) helps his foster sister Frances Victory (as Pigtails) get her dog Herman out of the Dog Pound, where he is brought for having no flea license or tail lights. Mr. Ruth is heels over head in love with Ruth Taylor (as Mildred Tobin). Professionally, he wants to be a baseball player. He loves baseball more than eating. Eventually, he'll become accomplished at both. Pitcher William Sheer (as Harry Knight) is an embezzler. James A. Marcus and Ralf Harolde impress as father and son Tobin. This film is very silly.

Babe Ruth fans must have known this was all hogwash in 1920, so it's difficult to ascertain the film's point… possibly, this was a proposed film about a baseball player; after Ruth signed on, the story was probably tailored for the famous baseball star. Certainly, people knew, for example, of Ruth's longer history with the Red Sox. It's interesting to see Babe Ruth as he looked back then, but the film isn't very good, and the better performances are by some of Ruth's supporting cast.

*** Headin' Home (1920) Lawrence C. Windom ~ Babe Ruth, Ruth Taylor, William Sheer

Telling a simple tale of Babe Ruth's life in his small hometown just before his rise to fame, the intertitles relating the story as it is supposedly known by an "oldtimer" from Babe Ruth's birthplace of Haverlock. Following the goings-on in the town including stuff about various locals, Babe's life at home with his mother and foster-sister (an adorable little gal known as "Pigtails" who sports braids that stick out on each side of her head) and Babe's interest in a local woman who appears to be rather fickle. Babe is seen doing homespun stuff like carving baseball bats out of kindling, letting dogs loose that have been caged by the local dog catcher, and playing in a home town game, batting for the other team!

This is a mildly entertaining film - mainly of interest for the view of a young (and fairly trim) Babe Ruth, who plays himself in this. He gives a somewhat bland performance, his facial expression barely changes no matter what is happening on screen. Nevertheless, he has his charm and comes across as a real nice guy - it is certainly very interesting to see him. Some humor is attempted at in this film, via the title cards - but it pretty much falls flat. The backwoods way of speaking as told by the old man who narrates this comes across as slightly annoying - the word "wuz" is used over and over again, you get the idea. Interesting shot of a sea of men in straw hats pouring into the ball park - and I agree, Pigtails (not to mention her cute little dog) steals the film. The print of this, as seen on the Kino DVD, looks very nice, with a good deal of contrast - the music is an old-fashioned organ score that suits the film. All in all, not a great film - but for baseball and Babe Ruth fans, a must see.

It's rare professional athletes play themselves in numerous films. Baseball's Herman Ruth was that rare exception, portraying himself in ten movies, the first in September 1920's "Headin' Home." The fictional biography of Babe's upbringing and how he broke into professional baseball was filmed during his first season with New York Yankees after the Boston Red Sox sold him for cash in the 1919-1920 off season.

Ruth's ambitions for a lucrative movie career while still playing baseball was a factor in him going to New York. In the tail end of the 1919 season, the Sox outfielder signed a $10,000 contract to appear in film, twice the salary he made in Boston that year. After the season, he traveled to Hollywood. However, the producers soon realized how lousy an actor he was after viewing some screen tests and withdrew the contract. But realizing the easy money that could be made in front of a camera versus playing a physically grueling season for much less encouraged him to demand more money from Boston.

That threat unnerved the Sox owners; hence the payoff of $100,000 they received from the Yankees for the Babe, beginning 'The Curse of the Bambino' for Boston. During the summer 1920 season, when Ruth was breaking home run records, movie moguls realized the potential box office hit this baseball superstar could achieve no matter how bad his acting was. With a $15,000 down payment and $35,000 paid if it was a success, the Babe appeared in his first movie in August in nearby Haverstraw, New York, while he was recovering from an injury to his hand (a bug-bite flared up requiring surgery).

The script detailing his boyhood and how he broke into professional baseball is pure bunk. But the 25-year-old Ruth played himself capably. The few minutes seen in the movie capturing rare footage of him playing baseball at such a young age, both playacting on the diamond as well as clips of him in a Yankee uniform, heightens the interest in "Headin' Home." The movie bombed at the theaters, however, negating the final payment. But the film did serve as an inspiration to Robert Redford's 1984 'The Natural,' where his young Roy Hobbs makes a bat out of a tree just as Ruth did in the movie.

Appearing on the big screen must have motivated Ruth the remainder of the season. He ended up hitting 54 home runs, shattering baseball and his previous record of 29.

Never mind that this supposed biography of professional baseball player Babe Ruth is entirely fiction (a brief search of his biographical information reveals a rougher upbringing); the more aggravating problem is how it is so stupid. The film-making is visually incompetent, as is the acting, but the worst aspects are the scenario and titles. The picture is stuffed with title cards, especially for exposition at the beginning—introducing handfuls of characters we're barely going to hear from again or whom we'd be better off not having seen. Episodes such as the dogcatcher and block of ice bits entirely fail at humor. Babe carving baseball bats and the indications of romance at the town's social go nowhere. Even worse is the irritating title cards, which mimic being folksy, with their stupid slang, bad jokes and intentionally misspelled words, which I guess were supposed to be remembered narration by one of Ruth's townsmen who's seen at his game in the beginning—otherwise, I don't see why there are quotation marks around every title card. I only counted three dialogue intertitles (that is, title cards stating what the seen characters say), and they occur near the end of the movie.

Some brief footage of Ruth playing baseball might be of some documentary interest.

Babe Ruth - in addition to being perhaps the greatest baseball player ever - had quite a little side-gig going in Hollywood films. He appeared in several - always as "Babe" (usually but not always as Babe Ruth, but always as "Babe.") "Headin' Home" was his first ever appearance in the movies. Yes, he plays "Babe" - a small town boy who makes it to the big time. Was he playing himself? No. The story of this Babe's life is nothing like the story of Babe Ruth's life, but it's still interesting and enjoyable to watch this silent movie.

This Babe grew up in the small town of Haverlock, fiercely devoted to his apparently single mother and his foster sister. The real Babe grew up in a Baltimore suburb until he was farmed out to an orphanage, after which he only rarely saw his family. So this is most definitely not a biography in any way, shape or form, although you get the definite impression that the producers wanted people to think it was a biography and that Babe Ruth was playing Babe Ruth instead of just plain Babe, since the opening shot of the Bambino has him in his Yankees cap.

But since this story bares absolutely no resemblance to Babe Ruth's real life, I'm not going to call it inaccurate; I'm going to assume it's fiction. As fiction, it's pleasant enough and it even tries to be funny, although jokes told on the title cards used in silent movies don't really work very well. It's most interesting for a look at a very young Babe Ruth - before he put on weight. He's pretty slim and trim in this. There's also a bit of politics mixed on that you have to watch for. This was made in 1920. Woodrow Wilson, until he suffered a stroke in late 1919, had been aggressively promoting Senate passage of the Treaty of Versailles that ended World War I. I thought it interesting that, in a veiled sort of way, there was mention of the "14 points" - Wilson's plan that led to the Treaty - and to the League of Nations - Wilson's brainchild that Senate Republicans were fiercely opposed to. There's even a bit of a crazy dogcatcher who's clearly identified as a Republican. Was a political point in favour of Versailles being made? I don't know.

This is an enjoyable, fun movie. (7/0)

This film which purports to chronicle the childhood of the Babe is almost entirely a fabrication....he didn't grow up in some small town....he grew up near the waterfront docks of Baltimore,MD for the first few years of his life where his father owned and ran a saloon that catered to a very rough crowd.Young George was largely unsupervised most of the time and was continually getting into one scrape or another...as a result George Sr had him enrolled in the St. Mary's Industrial School for boys and pretty much stayed out of young George's life from then on...I'm sure this film's version made for better publicity for the up and coming Babe as well as for the Yankees...Colonel Ruppert was very mindful of his team's public image and making a film about the real version of Babe's young life at that time would have had a lot of negative consequences

Babe Ruth was as wooden as one of his bats, but Pigtails hit a grand slam! I understand that Frances Victory went on to a distinguished Broadway stage career with her equally talented chien partner. It has been hinted that this superlative duo drove the Astaires from Broadway.

The movie hardly makes sense. However, its redeeming value is seeing a young Babe Ruth and the historical footage of the Polo Grounds as it appeared in 1920. The highlight is seeing Ruth at bat in a real game -- the pitcher winds and throws and the Babe swings and hits the ball, and then runs the bases. Terrific stuff. Early in the film Babe takes a turn on the mound. Before he gained fame as a hitter he was an outstanding major league pitcher. The scene involves a sandlot game. I'm not sure Babe gave it his actual windup, but it looked good and professional. The view of the Polo Grounds stands shows the largely male crowd in derby and straw hats. The closing shot was taken from the clubhouse area, which was in back of centerfield. It's too bad all this happens at the very end of the picture.

Babe Ruth comes from a hick town and gets involved in a lot of situations. He ends up as a baseball player.

Whoever came up with this idea should have been hit with a baseball bat. An iconic sports figure, one of the most famous of all time, is reduced to a guy growing up in the sticks, rescuing his kid sister's dog from the pound, breaking up a romance between his girl and a louse, and playing very little baseball. This might be suitable for a Charles Ray film, but not a larger-than-life sports legend. Dull in the extreme, I kept dozing off.

I tried to amuse myself by comparing scenes to other films. For instance, Babe is constantly shown whittling a piece of wood to make a bat, like Joe Don Baker in "Walking Tall."

Then, in an exhibition game in his hometown (in which he inexplicably plays for the visiting team), he breaks a bat. His kid sister then hands him his homemade bat, and he hits a homerun, like Robert Redford in "The Natural" (which of course featured Joe Don Baker as "The Whammer," a Babe Ruth knockoff).

After Ruth hits the homerun (again, for the visiting team), the townspeople chase him all over the place - like a Benny Hill sketch (absent Joe Don Baker).

The beginning of Ruth's career, as a pitcher with the Boston Red Sox, is completely ignored. We see very little footage of him playing for the Yankees, and those scenes are just thrown in without any context. Apparently, the filmmakers thought we'd be more interested in Ruth's life pre-baseball, most of which was made up. Big mistake.

well... this movie made no sense to me - at all! However... it does have Babe Ruth playing "himself" and it's super cool to see him on the screen, especially the baseball scenes. And I think this picture was made during his first year with the Yankees, so it's got that added coolness factor to it, for me! Also, it is a silent pic, so it's kind of a treat to see how a movie from that era plays out. But like I began with, this film just has no cohesive narrative or story to it. But, it does have the Sultan of Swat!