User reviews

What makes The Electric House such a must-see Keaton short is curiously not the showcasing of the great man himself but that of the technical prowess of his technical director Fred Gabourie. Gabourie had built The Boat and worked with Keaton since 1920's One Week, which was the one with the ingenious portable house, and he would progress with Keaton from the shorts to the features. But never were the technical gadgets Keaton used and Gabourie had to make work practically better displayed than in The Electric House. Keaton really lets Gabourie's gadgets take centre stage here and it is a chance to marvel at a master at work.

In a strange way it's almost too brilliant because the laughs don't really play as well. Whereas in One Week or The Boat the gadgets and physical comedy worked in perfect harmony in The Electric House Keaton lets the film get a bit bogged down in watching the gadgets at work.

Nevertheless in these days of CGI and visual cheats it is stunning to see these practical effects in full flow. Gabourie was clearly a genius, one whose name deserves to be held in the same light as practical effects masters like Willis O'Brien, Ray Harryhausen and Stan Winston.

It's funny; the other day I watched Buster Keaton's "College," which starts off with a high school graduation. My next Keaton movie, this one, begins with a college ceremony. Yes, once again, the graduates look more like their fathers than 22- year-old people.

The degrees get mixed up somehow and the Dean thinks Buster has graduated with an Electrical Engineering degree and hires him to wire his house while he and the family go on vacation. Buster knows nothing about that sort of thing but reads a quick how-to-do-it book. The next thing we know, we see the house with all the gadgets.

This was pretty amazing stuff. I didn't think they even had the technology in the early '20s to do this sort of thing. Shows you what I know. Anyway, we see all kinds of James Bond-type tricks from swimming pools that drain and refill within seconds to mechanical billiard tables to train tracks feeding the family. There too many of these crazy things (a bathroom on tracks going right to the bed was one of my favorites!) to list them all.

Suffice to say they are fun to watch. Unfortunately, the real engineer gets wind of what happened, sneaks into the house and sabotages the gadgets while the family is showing them off to guests. Unfortunately (again), justice is not served in this film....or is it? There's a strange ending to this film, too, and makes me wonder if Buster wasn't a bit suicidal. I guess not, since he lived a fairly long time.

There is no real plot in here; just gags....which is fine for a short film, except I found this was so fast-paced in the first half that by the 15-minute mark it seemed almost too long, if that's possible. It seemed like a long 22 minutes.

A wonderfully inventive companion piece to The Scarecrow, this mechanical comedy by Keaton often makes me wonder if it isn't possible to go back in time and hire Keaton to design a house for me.

Due to a mix-up of diplomas, the young hair-stylist character of Keaton is asked to wire a mansion with electricity. Spending a moment with a book on "Wiring Made Easy" and the mansion owner's vacation time, Keaton devises escalators, train-propelled dishwashers, and all the neat little gadgets and tricks that "surprise" them (whether or not any of these flourishes are needed, of course, adds its own amount of humor to the equation).

Of course it's not like we can have everything just go well like that, so the rejected and jealous actual electrical engineer decides one fateful day to wreak vengeance upon the circuitry. It's then a trip of mayhap and mayhem as the hosting family tries to entertain guests, Keaton tries to figure out what's wrong, and bodies, dishes, and pool balls go flying amiss.

The appealing result is a good chuckle. It's definitely not as amazingly inventive as The Scarecrow (which is absolutely mind-boggling in its mechanical genius), but it does the job and does it well. It also doesn't really end the way you come to expect of Keaton. All in all, however, it's a pretty good time.

--PolarisDiB

A lot of Keaton's comedies feature a scene or two filled with creative and wacky gadgets that make you laugh and make you marvel at his inventiveness, all at the same time. This short comedy is entirely devoted to this kind of eccentric gadgetry, and while that means there isn't much of a plot, it's fun to watch. There's a subtle, funny mix-up at the beginning that results in Buster being entrusted with filling up a man's house with whatever electronic devices he can think of, and he really goes to it. "The Electric House" is a funny place to visit.

In addition to the remarkable stunt-work that makes his films unique, Buster Keaton often employed the odd mechanical gadget, and there's certainly much amusement to be found in his technical creativity. 'The Electric House' is a 20-minute short film that dedicates itself entirely to Keaton's gadgets, as a young botany graduate is mistakenly hired as an electrical engineer to wire up a new home. After perusing a book entitled "Electricity Made Easy," Keaton develops a selection of clever and useful household contraptions, including an escalator, a railway system that delivers food to the dinner table, a quick-emptying and re-filling outdoor pool and a self-operating billiards table. Some of the mechanical devices don't quite work as planned, but generally Keaton has done a fair job, and he has certainly invented a few mechanisms that I wouldn't mind having in my own home (assuming, of course, that they operated as they were supposed to).

However, the begrudging electrical engineering graduate who missed out on the job arrives at the new electric house to wreak havoc and achieve his revenge. From the moment he starts moving about wires, the contraptions inside the home begin to go crazy, and poor Keaton is completely at their mercy, unable to understand why his inventions have gone haywire. Of course, there are a few gags that don't quite work {such as Keaton thinking he's seen a ghost}, and the editing is a little choppy at times, but it's all in such good fun that you won't feel disappointed. A lot of amusement is derived from something as simple as an escalator {which was then a relatively new invention, only 25 years or so years old}, with Keaton, in one particularly funny sequence, trying to haul a bulky suitcase up the "stairs" and bafflingly wondering why he's making such little progress.

As the hapless hero, Keaton takes his fair share of beatings from the mechanical devices {in fact, production had to be delayed because he broke his ankle after it got caught in the escalator}, but the other members of the household don't escape unscathed. Joe Roberts plays the disgruntled homeowner whose house is equipped with mischievous gadgetry, and he gets acquainted with the property's swimming pool on at least two entertaining occasions. Though Keaton has certainly done funnier comedic shorts, 'The Electric House (1922)' is an amusing way to pass 20 minutes, and the star's undeniable enthusiasm for slapstick comedy makes his work always worth a watch.

In 1936, Charlie Chaplin released his classic "Modern Times", in which, among other things, he poked fun at unnecessary mechanical gadgets, such as the hilarious 'eating machine'. Well, back in 1922, Buster Keaton had released his comparable satire of marginally useful new gadgets for houses, which seemed useful at first, but then showed their downside when not used properly........In the beginning, Buster is shown graduating from college, having majored in botany, but, with a mix-up in the distribution of diplomas, his said he majored in electrical engineering. It happened that the dean(Joe Roberts) announced that he wanted someone to electrify his house. Buster volunteered and was accepted, after the real graduate in electrical engineering was rejected, because his diploma said he graduated in manicuring. Buster found a manual on electrical wiring, and went to work while the dean and his daughter(played by Virginia Fox) went on a 2 week vacation. He came up with some interesting inventions, most controlled by pushing buttons. I won't enumerate these gadgets, as I want you to discover them yourself. When the real electrical engineer(played by Steve Murphy) somehow sneaked into the house, found the control room, and started switching wires and pulling switches, often the gadgets went haywire, providing humor. To me, this film is as entertaining as Keaton's much acclaimed "Week One", released 2 years earlier.

Buster Keaton stars as botany major who is mistaken as electrical engineer, and who is hired to wire up a house with the newest gadgets, while the owner of the house is on a vacation with his family. After returning home Buster starts to familiarize the house owners with new gadgets. But then Buster's big rival, the guy who got robbed of his job, arrives and starts to sabotage the house, and soon the chaos escalates.

Most of the gags feature some of the electrical gadgets, rather than neck breaking stunts, but still the film is funny as the jokes are as inventive as the electrical systems of the house.

Graduation day at P.U. finds Buster Keaton's character graduating with a degree in botany. He is seated next to a girl graduating with a degree in cosmetology and a man with a degree in electrical engineering. The dean (Big Joe Roberts) asks for someone to take on the job of wiring his house for electricity while he is away on vacation. Just prior to this the diplomas get scrambled and Keaton winds up with the engineering one. Thus, the job winds up going to him. The dean drives away from his home with Keaton sitting at the curb diligently reading "Electricity Made Easy". When the dean returns Keaton has wired the house in only a way that Buster could devise making heavy use of automated trains - Keaton's favorite prop. The plot is complicated when the guy with the actual engineering degree shows up at the dean's house in search of revenge.

Buster always said that if he hadn't been a comedian he would have liked to have been an engineer, and shorts like this one show he had a real talent for both. Highly recommended.

The Buster Keaton short 'The Electric House' is fun to watch, does not bore, but misses the most important element to make a Buster Keaton short brilliant. The thing I mean is his physical magic, displayed in almost all of his short film, almost completely missing here.

As a fake electric engineer Keaton installs electricity in the house of rich man while he is on vacation. Once the man is back Keaton shows him a lot of electrical surprises. There is an electric snooker table, a train that delivers food, a pool able the empty itself and a lot of other stuff. Of course things do not go as they should, especially when the real electrical engineer arrives.

The problem here is the electricity, almost making a statement: electricity makes men useless. The fun in 'The Electric House' comes from the machines, how they work and at times how they fail to work. This leaves little room for Keaton to show what he does best. It is fun alright, but not much more.

A BUSTER KEATON Silent Short.

THE ELECTRIC HOUSE Buster has just retrofitted with modern appliances is about to have a chaotic debut when some wires get crossed...

One sight gag after another keeps this wonderful little film humming along. All of Buster's gadgets are funny when they operate correctly - they slip over the line into hilarity when things go wrong. Highlight: Buster trying to beat an obstinate escalator.

Born into a family of Vaudevillian acrobats, Buster Keaton (1895-1966) mastered physical comedy at a very early age. An association with Fatty Arbuckle led to a series of highly imaginative short subjects and classic, silent feature-length films - all from 1920 to 1928. Writer, director, star & stuntman - Buster could do it all and his intuitive genius gave him almost miraculous knowledge as to the intricacies of film making and of what it took to please an audience. More akin to Fairbanks than Chaplin, Buster's films were full of splendid adventure, exciting derring-do and the most dangerous physical stunts imaginable. His theme of a little man against the world, who triumphs through bravery & ingenuity, dominates his films. Through every calamity & disaster, Buster remained the Great Stone Face, a stoic survivor in a universe gone mad.

In the late 1920's Buster was betrayed by his manager/brother-in-law and his contract was sold to MGM, which proceeded to nearly destroy his career. Teamed initially with Jimmy Durante and eventually allowed small roles in mediocre comedies, Buster was for 35 years consistently given work far beneath his talent. Finally, before lung cancer took him at age 70, he had the satisfaction of knowing that his classic films were being rediscovered. Now, well past his centenary, Buster Keaton is routinely recognized & appreciated as one of cinema's true authentic geniuses. And he knew how to make people laugh...

Fresh college grad Buster Keaton grabs the wrong diploma and is hastily offered a job before he realizes the mistake. He's a trained botanist, but there's quick money in this fancy electrician's gig and the pushy recruiter is awfully anxious to get started. So, after taking an evening to read a fat beginners' manual, he promptly outfits a client's estate with all manner of silly gadgets and inessentials.

This pleases everyone, from the dazzled, superficial homeowner to the cocksure Keaton, who takes delight in nonchalantly demonstrating all the bells and whistles. The rightful recipient of Buster's stolen degree is less enthused, though, and soon sneaks into the basement to perform some spiteful sabotage. The outcome is just what one might expect: malfunctioning Rube Goldberg machines on the rampage, with a desperate crowd of confused onlookers racing to be the next one flung through a second-floor window or knocked, repeatedly, off their feet. The story doesn't have a modicum of depth or any resolution, really, but as an exercise in simple, prop-driven physical comedy, it's a good time. Pretty light fare, but still worthwhile.

A film created around gadgets. In profound impressive manner. Because, the gags, the story, the humor are the perfect frame of a portrait of young man, victim of an error, giving his the best in a not comfortable task. The technique seems almost magic in this case - And that gives to "The Electric House" not the status of the best short film of Buster Keaton but a special one.

Buster Keaton was nothing short of a genius, in comedy or for anything for that matter. Not just because of his humour hilarious, his charm endearing and his physical comedy enough to make many envious, but also because of how he was never afraid to take risks (his most daring work making the jaw drop) and because he was an unparallelled master when it came to deadpan, a lot of people struggle to do it well but Keaton was brilliant at it.

'The Electric House' is not him at his best and he did in my mind do a lot better work both before and since. It is very funny still, and Keaton fans should still see 'The Electric House' without question, with a great premise (among the better ones for his short films) and even greater gadgets. But Keaton and his physical comedy have been better served elsewhere, and that's where some of the disappointment from some people lies.

It is a good looking short film, not among the most technically advanced of Keaton's but it's not primitive either. On the most part, the many gags are well timed, very funny and are suitably inventive. And who cannot help loving those gadgets? Made me craving to have them. The story is slight but has a lot of energy and charm.

Keaton has great comic timing and is easy to endear to, his deadpan "Great Stone Face" acting style having not lost its appeal.

Parts veer on the repetitve side though, or so to me they did.

Also, there is not near enough of Keaton's physical comedy and certainly not of the daring kind that made him so original.

Summarising, very enjoyable but something missing. 8/10

Half the fun is in Buster showing off the modern innovations he's put into a wealthy man's house, and the other half is when they go haywire. The bathtub the moves into the master bedroom at a flip of the switch and the automatic racking contraption at the pool table had me chuckling. Speaking of which, Buster's prowess at pool was as impressive as always, and that was before he got up onto the table using a mangled cue like a golf club. There are lots of clever gags and gadgets here, and great physicality from Buster, especially on the escalator/staircase that he broke his ankle on a couple of years earlier trying to make this film. We even get some dark comedy - Buster trying to electrocute his nemesis, and later trying to commit suicide. Just a fantastic short, very enjoyable. Wish I could have identified his father, mother, and sister, who were supposed to have appeared though.

Disappointing Keaton comedy which sees him designing an electric house with various Heath Robinson-ish devices that inevitably go haywire at the most inopportune moments. A few bright spots, but curiously lacklustre.

Electric House, The (1922)

** (out of 4)

One of the least entertaining Buster Keaton shorts has him turning his Dean's house into a house of the future will all sorts of wild, electrical gadgets. The best joke in the film is near the start of the film when the electric stairwell goes out of control and sends Buster and the Dean out the window and into the pool. The rest of the film looks good but none of the jokes really work.

Available in Kino's The Art of Buster Keaton set, which is one of the greatest collections of films out there.