In 17th-century England, an outlaw clan kidnaps a young girl, who grows up among them. The farm boy who met her just before the kidnapping eventually rescues her, and they fall in love.In 17th-century England, an outlaw clan kidnaps a young girl, who grows up among them. The farm boy who met her just before the kidnapping eventually rescues her, and they fall in love.In 17th-century England, an outlaw clan kidnaps a young girl, who grows up among them. The farm boy who met her just before the kidnapping eventually rescues her, and they fall in love.
Mae Giraci
- Lorna as a Child
- (as May Giracci)
Jack McDonald
- 'Counsellor' Doone
- (as Jack MacDonald)
Gertrude Astor
- Countess of Brandir
- (uncredited)
James Robert Chandler
- Frye
- (uncredited)
Irene De Voss
- Lorna's Mother
- (uncredited)
Joan Standing
- Gwenny Carfax
- (uncredited)
Storyline
Did you know
- TriviaFollowing the successful telecasts of Othello (1922) and The Eagle (1925), New York City's WJZ (Channel 7), began a weekly series of Sunday evening silent film feature presentations, shown more or less in their entirety, which aired intermittently for the next twelve months. This feature was initially broadcast Sunday 2 January 1949, and, like the rest of the series, aired simultaneously on sister stations WFIL (Channel 6) (Philadelphia), freshly launched WAAM (Channel 13) (Baltimore), and, the following Thursday 6 January 1949, on WMAL (Channel 7) (Washington DC), an innovation at the time; the following week's selection would be Young April (1926), the final entry in this particular series.
- Alternate versionsJesse Pierce copyrighted a video version in 2001 with a music score written and arranged by Mari Iijima, and running 87 minutes.
- ConnectionsVersion of Lorna Doone (1911)
- SoundtracksLorna Doone
ballad
Lyrics by Arthur A. Penn, music by Frederick W. Vanderpool, c. 1922
'suggested by Maurice Tourneur's picturization of "Lorna Doone" produced at the studios of Thos. H. Ince Corporation with Madge Bellamy in the role of "Lorna Doone" A First National Attraction'
Featured review
In 17th-century England, the outlaw Doone clan kidnaps a young girl, who grows up among them. The farm boy who met her just before the kidnapping eventually rescues her, and they fall in love.
I wasn't familiar with this story, having neither read the novel nor seen the various movie and TV adaptations. The bare bones of this boy-meets-girl tale are, of course, familiar to anyone; but (in this version, at least) it is fleshed out in a particularly engaging way. The graceful photography of Henry Sharp, under Maurice Tourneur's direction, is the movie's main asset. Both leads (Madge Bellamy in the title role and John Bowers as the hero) are strong. Frank Keenan, as the elderly leader of the outlaw clan and Lorna's protector, gives a fascinatingly florid performance (an improvement over his equally striking, but ridiculously slow-motion, acting in "The Coward" from 1915). Charles Hatton, who plays the hero as a boy, has a strong screen presence: it's disappointing to see from his IMDb filmography that he only made a few films and then disappeared.
The 2001 presentations of this film has a lovely background music by Mari Iijima; but unfortunately, Iijima didn't exactly score the film so much as write a few pieces for it, which are repeated without variation throughout the movie. The repetitiveness is a defect.
I wasn't familiar with this story, having neither read the novel nor seen the various movie and TV adaptations. The bare bones of this boy-meets-girl tale are, of course, familiar to anyone; but (in this version, at least) it is fleshed out in a particularly engaging way. The graceful photography of Henry Sharp, under Maurice Tourneur's direction, is the movie's main asset. Both leads (Madge Bellamy in the title role and John Bowers as the hero) are strong. Frank Keenan, as the elderly leader of the outlaw clan and Lorna's protector, gives a fascinatingly florid performance (an improvement over his equally striking, but ridiculously slow-motion, acting in "The Coward" from 1915). Charles Hatton, who plays the hero as a boy, has a strong screen presence: it's disappointing to see from his IMDb filmography that he only made a few films and then disappeared.
The 2001 presentations of this film has a lovely background music by Mari Iijima; but unfortunately, Iijima didn't exactly score the film so much as write a few pieces for it, which are repeated without variation throughout the movie. The repetitiveness is a defect.
- J. Spurlin
- Jul 29, 2010
- Permalink
Details
- Runtime1 hour 10 minutes
- Sound mix
- Aspect ratio
- 1.33 : 1
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