3 reviews
Back Stage, one of the earliest Our Gang comedies, retains much of its charm today not because of the story or the somewhat familiar gags, but because of the naturalness and likability of the talented kids who make up the cast. There's nothing calculated or cutesy about them. For the most part they seem unaware of the camera. Moreover, there's a lot to be said for the scruffy, rough-and-ready look of these early entries in the series: the sets, the props, the clothes -- everything looks a little beat up. The kids themselves aren't so well-scrubbed, and they're not always well-mannered, either. It's a real breath of fresh air compared to the goody two-shoes kids so often found in old movies. For that matter, they're far preferable to the cleaned-up Our Gang kids of the 1940s, when the series was in decline.
The opening sequence is the highlight of the whole show, though it has no bearing on anything that follows. The kids have their own jerry-rigged double-decker bus, drawn by a mule, and the contraption looks like great fun to operate. Then the kids are hired by a two-bit vaudeville manager to assist at a local theater. Once they leave that bus behind, the situation (i.e. the kids mess up a show) is more conventional, and the short loses momentum.
Like so many of the early Our Gang comedies, Back Stage is deftly stolen by Farina, who, though barely past infancy, stands out as a natural comic. He's funny operating the bus-- from under the hood --and he has the best gags at the theater too, as when he ruins the strong man's act by hoisting his 'weights' in full view of the audience.
One unfortunate element of these latter scenes hurts the comic impact, however: there are several animals involved in the theater scenes, including horses, a monkey, and a goat, and at a couple of junctures the animals come in for what looks like some rough handling, especially the magicians' rabbits. We can't enjoy the show (or I can't, anyway) if we're worried that the animals are getting hurt. It's well known that filmmakers in general weren't much concerned about this sort of thing until comparatively recently.
At any rate, and despite some qualms about the animals, Back Stage is a generally enjoyable Our Gang comedy. Still, you'd think that once the crew at the Hal Roach Studio constructed that bus for the kids to operate, they'd have built an entire story around it. Eventually, in 1932, they would create another amazing-looking vehicle for a new crop of Our Gang kids, and the result would be a very enjoyable short called Free Wheeling.
The opening sequence is the highlight of the whole show, though it has no bearing on anything that follows. The kids have their own jerry-rigged double-decker bus, drawn by a mule, and the contraption looks like great fun to operate. Then the kids are hired by a two-bit vaudeville manager to assist at a local theater. Once they leave that bus behind, the situation (i.e. the kids mess up a show) is more conventional, and the short loses momentum.
Like so many of the early Our Gang comedies, Back Stage is deftly stolen by Farina, who, though barely past infancy, stands out as a natural comic. He's funny operating the bus-- from under the hood --and he has the best gags at the theater too, as when he ruins the strong man's act by hoisting his 'weights' in full view of the audience.
One unfortunate element of these latter scenes hurts the comic impact, however: there are several animals involved in the theater scenes, including horses, a monkey, and a goat, and at a couple of junctures the animals come in for what looks like some rough handling, especially the magicians' rabbits. We can't enjoy the show (or I can't, anyway) if we're worried that the animals are getting hurt. It's well known that filmmakers in general weren't much concerned about this sort of thing until comparatively recently.
At any rate, and despite some qualms about the animals, Back Stage is a generally enjoyable Our Gang comedy. Still, you'd think that once the crew at the Hal Roach Studio constructed that bus for the kids to operate, they'd have built an entire story around it. Eventually, in 1932, they would create another amazing-looking vehicle for a new crop of Our Gang kids, and the result would be a very enjoyable short called Free Wheeling.
The first portion of "Back Stage" shows the Gang with a taxi service consisting of a seemingly home-made car and it's powered by a donkey! You really have to see it--it's a great sight gag.
Eventually, the kids are brought in to help a guy who has just lost most of his actors in his vaudeville house. He obviously had to be pretty desperate to do this and not surprisingly, they make a huge mess of everything. The worst of the mess was when one of the kids' bug collection is unleashed. I also liked when the strongman, Bicepto, has his act ruined. None of it is brilliant but it is consistently funny and cute. Worth seeing even after almost 90 years.
Eventually, the kids are brought in to help a guy who has just lost most of his actors in his vaudeville house. He obviously had to be pretty desperate to do this and not surprisingly, they make a huge mess of everything. The worst of the mess was when one of the kids' bug collection is unleashed. I also liked when the strongman, Bicepto, has his act ruined. None of it is brilliant but it is consistently funny and cute. Worth seeing even after almost 90 years.
- planktonrules
- Mar 5, 2012
- Permalink
This Hal Roach comedy short, Back Stage, is the thirteenth in the "Our Gang/Little Rascals" series. After this was made and released, Pathe Exchange, Roach's distributor, extended a contract for more of these already successful films after nearly a year in production. This one begins with the kids operating a make-shift double decker bus which is powered by Dinah the Mule's feet as Ernie feeds her food while he's driving. On the way to the gas station (where Ernie then gets some water for Dinah), a showman from a nearby theater asks the boys for some help in running an afternoon show. Oh boy! Let me just now mention with those kids-not to mention various animals and bugs in tow and a certain kind of drink-expect nothing but trouble and you won't be disappointed! This was hilarious from beginning to end, that's for sure! So that's a high recommendation for Back Stage. P.S. Mary Kornman wasn't in this one. Instead, the leading lady here is one Ivadell Carter as Pansy. She was the daughter of one Fern Carter, the teacher who guided the kids off-screen for lessons. When that bus is moving, it almost hits a startled pedestrian but Ernie has Dinah say "Hee-haw!" to alert him. That guy was director Bob McGowan and unlike his last appearance in A Pleasant Journey, you actually see his front side, though you still can't see his face clearly enough. And among the unlucky audience members: James W. Cobb and Richard Daniels, fathers of Joe and Mickey, respectively.