IMDb RATING
6.9/10
4.1K
YOUR RATING
Circus performer Tira seeks a better life pursuing the company of wealthy New York men with improbable comic complications along the way.Circus performer Tira seeks a better life pursuing the company of wealthy New York men with improbable comic complications along the way.Circus performer Tira seeks a better life pursuing the company of wealthy New York men with improbable comic complications along the way.
William B. Davidson
- The Chump Ernest Brown
- (as Wm. B. Davidson)
Bobby Barber
- Man In Crowd
- (uncredited)
Eddie Borden
- Carnival Sideshow Spectator
- (uncredited)
George Bruggeman
- Omnes
- (uncredited)
Morrie Cohan
- Bartons Chauffeur
- (uncredited)
Monte Collins
- Sailor at Circus
- (uncredited)
Ray Cooke
- Sailor at Circus
- (uncredited)
Storyline
Did you know
- TriviaIn 1935 and 1949, the production code was more rigorously enforced, and the film was not approved for re-release.
- GoofsDuring closeup when Tira sorts through a pile of phonograph records with different titles (That Dallas Man, That Frisco Man, etc.), all the labels have same serial number.
- Quotes
Jack Clayton: You were wonderful tonight.
Tira: Yeah, I'm always wonderful at night.
Jack Clayton: Tonight, you were especially good.
Tira: Well... When I'm good, I'm very good. But, when I'm bad...
[winks at Jack]
Tira: I'm better.
- Crazy creditsBefore the Paramount logo appears on screen in the opening credits, a sign declares that the studio is an NRA (National Recovery Act) member with the text "We do our part" written beneath.
- ConnectionsFeatured in The Love Goddesses (1965)
- SoundtracksThey Call Me Sister Honky-Tonk
(1933) (uncredited)
Music by Harvey Brooks
Lyrics by Gladys DuBois and Ben Ellison
Sung by Mae West
Featured review
The great stars are inimitable. With the very greatest, such as the outrageous one-of-a-kind Mae West, nobody else even mirrors the style. Bogart, Hepburn, Dietrich, Cagney, maybe a few others - all you ask is that the story not smother what they do best. Here is Mae West's finest movie, giving her the opportunities, sometimes denied elsewhere, to strut her stuff - all of it. Suggestive dialog, provocative poses, sashaying hips, and a young Cary Grant who makes her purr: the Production Code would not be far behind.
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Details
Box office
- Budget
- $225,000 (estimated)
- Gross worldwide
- $159
- Runtime1 hour 27 minutes
- Color
- Aspect ratio
- 1.37 : 1
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