IMDb RATING
6.6/10
1.9K
YOUR RATING
Attractive Nan, member of a bank-robbery gang, goes to prison thanks to evangelist Dave Slade...who loves her.Attractive Nan, member of a bank-robbery gang, goes to prison thanks to evangelist Dave Slade...who loves her.Attractive Nan, member of a bank-robbery gang, goes to prison thanks to evangelist Dave Slade...who loves her.
Preston Foster
- David Slade
- (as Preston S. Foster)
Harry C. Bradley
- Attendee at Revival Meeting
- (uncredited)
Louise Carter
- Lefty's Landlady
- (uncredited)
Davison Clark
- Jail Chief
- (uncredited)
Grace Cunard
- Prisoner Marie
- (uncredited)
Cecil Cunningham
- Mrs. Arlington
- (uncredited)
Louise Emmons
- Prisoner Jessie Jones
- (uncredited)
Mary Gordon
- Prisoner in Visiting Room
- (uncredited)
Harry Gribbon
- Bank Guard
- (uncredited)
Storyline
Did you know
- TriviaFilm has some rather blatant and oddball plugs for Warner Brothers stars. In several scenes photos of Joe E. Brown (whom Lillian Roth sings to) and Dick Powell are seen in the women's cells.
- GoofsWhen Linda meets Nan, they stroll down a path through the prison yard. It's clear that the background of the path is projection footage as there is gusty wind violently whipping a tree and shrubbery around, yet their hair doesn't move.
- Quotes
[Nan calculatingly exposes her legs]
District Attorney: You're wasting that panorama on me, Nan. Save it for Dave Slade.
- ConnectionsFeatured in Barbara Stanwyck: Fire and Desire (1991)
- SoundtracksSt. Louis Blues
(1914) (uncredited)
Written by W.C. Handy
Played during the opening credits and at the end
Sung offscreen by Etta Moten in a prison sequence
Featured review
The hard-boiled dames locked up at San Quentin State Penitentiary are some of the LADIES THEY TALK ABOUT.
Barbara Stanwyck stars in this very enjoyable pre-Code crime drama which takes a Hollywood look at women's lives behind bars. The acting is strictly of the ham variety, with a few histrionics, some heart-string tugging and a surprisingly large dollop of comedy thrown in. Some of the plot developments are absolutely ludicrous, but the viewer should never get bored.
Stanwyck is terrific as the female member of a small-time gang of crooks. Prison gives her a chance to get really tough in order to deal with her situation, but the audience always knows that just a few moments with the right man will have her (rather unconvincingly) melting like butter. Whether brawling with a vicious inmate, assisting in an escape attempt, or going gunning for the guy she thinks betrayed her, Stanwyck is always right on the money for entertainment value.
Three female costars give Stanwyck some great support in the prison scenes. Lillian Roth, as the lighthearted inmate who befriends Barbara, nearly steals the show with her perky personality; she gives the movie one of its brightest moments when she croons 'If I Could Be With You' to a fan photo of comic Joe E. Brown. Frowzy Maude Eburne is a hoot as a bawdy former madam who likes to reminisce about her old 'beauty parlor' from the comfort of her rocking chair. Good-natured Ruth Donnelly is a nice addition, in a small role, as an Irish matron with a big white parrot.
Preston Foster, as a reform revivalist who remembers Stanwyck from their childhood together in Benicia, California, gives an earnest performance, stalwart & steady. Lyle Talbot and Harold Huber appear as members of Stanwyck's gang. Elderly Robert McWade makes the most of his performance as Los Angeles' wily District Attorney.
Movie mavens will spot some fine character actors appearing unbilled: rotund DeWitt Jennings as a cagey police detective; Helen Ware as the no-nonsense prison head matron; Madame Sul-Te-Wan as Mustard, the sassy prisoner who's terrified of parrots; Robert Warwick as San Quentin's stern warden. And that's dear Mary Gordon who appears for only a few scant seconds as a laughing white-haired inmate in the Visiting Room.
Barbara Stanwyck stars in this very enjoyable pre-Code crime drama which takes a Hollywood look at women's lives behind bars. The acting is strictly of the ham variety, with a few histrionics, some heart-string tugging and a surprisingly large dollop of comedy thrown in. Some of the plot developments are absolutely ludicrous, but the viewer should never get bored.
Stanwyck is terrific as the female member of a small-time gang of crooks. Prison gives her a chance to get really tough in order to deal with her situation, but the audience always knows that just a few moments with the right man will have her (rather unconvincingly) melting like butter. Whether brawling with a vicious inmate, assisting in an escape attempt, or going gunning for the guy she thinks betrayed her, Stanwyck is always right on the money for entertainment value.
Three female costars give Stanwyck some great support in the prison scenes. Lillian Roth, as the lighthearted inmate who befriends Barbara, nearly steals the show with her perky personality; she gives the movie one of its brightest moments when she croons 'If I Could Be With You' to a fan photo of comic Joe E. Brown. Frowzy Maude Eburne is a hoot as a bawdy former madam who likes to reminisce about her old 'beauty parlor' from the comfort of her rocking chair. Good-natured Ruth Donnelly is a nice addition, in a small role, as an Irish matron with a big white parrot.
Preston Foster, as a reform revivalist who remembers Stanwyck from their childhood together in Benicia, California, gives an earnest performance, stalwart & steady. Lyle Talbot and Harold Huber appear as members of Stanwyck's gang. Elderly Robert McWade makes the most of his performance as Los Angeles' wily District Attorney.
Movie mavens will spot some fine character actors appearing unbilled: rotund DeWitt Jennings as a cagey police detective; Helen Ware as the no-nonsense prison head matron; Madame Sul-Te-Wan as Mustard, the sassy prisoner who's terrified of parrots; Robert Warwick as San Quentin's stern warden. And that's dear Mary Gordon who appears for only a few scant seconds as a laughing white-haired inmate in the Visiting Room.
- Ron Oliver
- Sep 6, 2004
- Permalink
- How long is Ladies They Talk About?Powered by Alexa
Details
- Runtime1 hour 9 minutes
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
Contribute to this page
Suggest an edit or add missing content
Top Gap
By what name was Ladies They Talk About (1933) officially released in India in English?
Answer