IMDb RATING
6.3/10
7.2K
YOUR RATING
In the Gay Nineties, a seductive nightclub singer contends with several suitors, including a jealous escaped convict and a handsome temperance league member.In the Gay Nineties, a seductive nightclub singer contends with several suitors, including a jealous escaped convict and a handsome temperance league member.In the Gay Nineties, a seductive nightclub singer contends with several suitors, including a jealous escaped convict and a handsome temperance league member.
- Nominated for 1 Oscar
- 2 wins & 1 nomination total
Noah Beery
- Gus Jordan
- (as Noah Beery Sr.)
Robert Homans
- Doheney
- (as Robert E. Homans)
Ernie Adams
- Man in Audience
- (uncredited)
Billy Bletcher
- Singing Waiter
- (uncredited)
Wade Boteler
- Dan's Pal
- (uncredited)
Jack Carr
- Patron Who Hits His Girl
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- GoofsShadow of camera moves against the back wall of Lady Lou's apartment while she and Sally are talking.
- Alternate versionsMaryland, Massachusetts, New York, Ohio, and Pennsylvania removed the song "A Guy What Takes His Time". Will H. Hays and Adolph Zukor went to New York to edit the song to an entrance by Mae West, one opening verse, and one closing verse to lessen the suggestiveness. Despite this, Ohio and Pennsylvania cut all of West's one liners.
- ConnectionsFeatured in The Twentieth Century: The Movies Learn to Talk (1959)
Featured review
Mae West was a veteran of burlesque, vaudeville and the Broadway stage by the time she made her first film in 1932 at the age of 39. `She Done Him Wrong' was her second film and her first starring role in an adaptation of her smash Broadway hit `Diamond Lil'. It was a play that West had written herself and it played to packed houses on Broadway for years. This film was nominated for an Academy Award for best picture and made Cary Grant into an instant star. Mae went on to write nine of the fourteen screenplays for films in which she was to star. Thus, all those great quotes we've heard that are attributed to her were not only said by her, but written by her as well. By 1935, she was the most highly paid woman in America. To this day, she remains one of the female stars most often imitated by female impersonators.
This film is among her best. It is full of the bawdy double entendre that became her trademark. She was the queen of sexual innuendo and suggestive dialogue and many of her lines have become part of Americana (e.g. `Is that a gun in your pocket or are you just glad to see me?' And, `A hard man is good to find.' And of course, `Come up and see me sometime.')
The plot of this film is simplistic and it is clearly a vehicle for her enormous talent, leading up to the now famous proposal by Cary Grant at the end of the film. Mae commands every frame of the film with her incomparable combination of sex appeal and ribald humor. Her sense of comic timing is impeccable making the funny lines she writes that much more hilarious by the snide way in which she delivers them.
Before this film, Cary Grant had appeared in half a dozen films and was building a reputation as a solid actor. However, none of his early films gave him the exposure that this film did due to its wild popularity at the time. West handpicked him for the part saying that he combined virility with the bearing of a gentleman. She wanted someone who would epitomize the now famous line, `Hello, warm, dark and handsome.' Though his role in this film is minor compared to West's, it made him a household name and a bankable star.
This classic film is a piece of film history that shouldn't be missed. I rated it a 10/10. It is among Mae West's best moments. I highly recommend it.
This film is among her best. It is full of the bawdy double entendre that became her trademark. She was the queen of sexual innuendo and suggestive dialogue and many of her lines have become part of Americana (e.g. `Is that a gun in your pocket or are you just glad to see me?' And, `A hard man is good to find.' And of course, `Come up and see me sometime.')
The plot of this film is simplistic and it is clearly a vehicle for her enormous talent, leading up to the now famous proposal by Cary Grant at the end of the film. Mae commands every frame of the film with her incomparable combination of sex appeal and ribald humor. Her sense of comic timing is impeccable making the funny lines she writes that much more hilarious by the snide way in which she delivers them.
Before this film, Cary Grant had appeared in half a dozen films and was building a reputation as a solid actor. However, none of his early films gave him the exposure that this film did due to its wild popularity at the time. West handpicked him for the part saying that he combined virility with the bearing of a gentleman. She wanted someone who would epitomize the now famous line, `Hello, warm, dark and handsome.' Though his role in this film is minor compared to West's, it made him a household name and a bankable star.
This classic film is a piece of film history that shouldn't be missed. I rated it a 10/10. It is among Mae West's best moments. I highly recommend it.
- FlickJunkie-2
- May 10, 2001
- Permalink
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Details
Box office
- Budget
- $200,000 (estimated)
- Runtime1 hour 6 minutes
- Color
- Aspect ratio
- 1.37 : 1
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