User reviews

Even though there is very little singing and dancing, which is a big part of the appeal of Shirley Temple, it's still a solid film.

This was the first movie in which was Shirley was the big star, I believe, and you can see why she quickly won the hearts of Americans.

Although there is only one song, it's perhaps her most famous: "On the Good Ship Lollipop." The rest of the film is almost as charming as that song with many sweet, touching moments that made her films so endearing.

It also helped to have James Dunn as the male lead. Dunn was one of the more likable guys in classic Hollywood, on and off the screen. He and Shirley make a great pair.

Other interesting people to watch in this movie are the crabby old grandfather, played by Charles Sellon; the spoiled brat played by Jane Withers, who is so bad she's funny and an assortment of other characters from fliers to cooks to old girlfriends.

The only negative is the ending. It looked like they didn't know how to end this, so they rushed to finish it without much thought. Oh, well, the main thing is Shirley's charm.....and that's there in abundance.

Jane Withers, at age four, started as one of the deep South's most popular radio stars on Aunt Sally's Kiddy Club. She was so small she had to be lifted up to reach the microphone. She was the mischief-maker of the Kiddy Club program, called "The Little Pest". Like Mitzi Green, she had an uncanny ability to imitate the voices and facial expressions of actors, actresses and other people, something she learned playing with the mirror. On stage by age five, she became a famous actress throughout the South, finally moving to Hollywood at five-and-a-half. In Hollywood, Jane began by playing in a weekly radio-revue and gave numerous stage performances for beneficial organizations.

"Bright Eyes" was Jane's first credited movie role and led to a long-term contract with Twentieth Century-Fox. She stared in numerous movies of the thirties, and was Shirley Temple's main competition. Jane was one of the great child actresses of all times, very popular with the children of her era, and after watching Shirley's goodie two-shoes act in Bright Eyes playing against Jane's power-house comedy performance, I can see why. Shirley Temple was her usual cute, sugar-coated, man-worshiping self with everyone giggling politely at her jokes except the audience. In contrast, Jane Withers had my daughter and I laughing our heads off until we had stomach-aches. Jane in Bright Eyes was bratty, adorable and hilarously funny. Her brat act has seldom, if ever, been equaled in the annals of film.

It is really a shame, and I hope the studios who own Jane Withers' many films as a child take note, that Bright Eyes is the only Jane Withers performance to survive to contemporary video. What ever happened to her movies "Ginger", Paddy O'Day", "Gentle Julia", "Little Miss Nobody", "Can This be Dixie?" and "Pepper"? In a published chat-room article Jane, who is still very much alive, says that she will eventually finish her book on her child star days. Like the kids of Our Gang, she remembers a fun, privileged childhood and has nothing in the way of sob stories. Let's hope that the studios will stop suppressing her films and release them on video soon, perhaps coinciding with her book.

Up until recently, I never watched Shirley Temple movies and deliberately avoided them. I assumed the were cloying and I hate child actors. However, I ran into a problem on Netflix--I'd seen just about everything and ALL of the classic films. So, reluctantly, I decided to try a couple. To my surprise, the films are, for the most part, delightful--much of it because Temple was a simply amazing child actress. No matter how much I knew the studio was manipulating the audience, I just couldn't help but adore the child. Despite being almost like the product of some unholy breeding experiment because she was SO perfect, I just couldn't resist her charm.

Of all the Shirley Temple movies I've seen (and by now I've seen most), I would have to say that "Bright Eyes" is the best. It is sweet but it also has a nice balance of nastiness that really helps the film along. Let me explain...while Shirley is wonderful, counter-balancing it with the Smythe family, and especially their bratty child (Jane Withers). I loved Withers in the film--she played the most bratty and nasty little girl--and it took a lot of talent to make her character THIS awful! So, we have two of the greatest child actresses of all-time in one film! The plot is, in some ways, a bit like Cinderella...just a bit. It begins with Shirley and her widowed mother living and working at the home of the rich but horrid Smythe family. Aside from their uncle (played WONDERFULLY by Charles Sellon), the entire brood are worthless people--and they couldn't care less about sweet Shirley or her mother. However, when Shirley's mother is killed, the uncle INSISTS the child be treated like a member of the family and move out of the servants' quarters. The Smythes can't stand her--but they want the uncle's money and they agree. But what about her guardian, Luke (James Dunn)? He adores the child and can't think of living without her. So what will become of all this? See this nice film and see.

A wonderful blend of sentiment and comedy, I can't help but recommend this film. In addition, you'll get to hear Shirley's terrific rendition of "Good Ship Lollipop"--an amazingly toe-tapping tune. With all the wonderful acting (Dunne, Sellon, Withers and Temple especially), this is the Twentieth Century-Fox formula at its very best. Unless you are even more cynical than me, you will find you can't help but love this film.

Little BRIGHT EYES wins the hearts & changes the lives of a lonely aviator and a cranky old coot.

This movie was a very big hit for Shirley Temple, who certainly deserved all the attention: she is adorable. Although the film tends to lag into melodramatics during the final half hour, Shirley brightens everything considerably when she appears. With her undeniable talent & elfin smile, it's easy to see why she became Hollywood's top box office star.

However, the Mighty Mite does have competition. Jane Withers is on hand as the Ultimate Brat, a dreadful child who likes to play with imaginary machine guns and amputate body parts off of dolls. Although she looks alarmingly like OUR GANG's Alfalfa in drag, Withers is wonderful and the perfect antidote for those who may find Miss Temple a tad bit icky sticky. To say that Miss Withers practically plunders the picture from The Moppet is high praise, indeed.

James Dunn appeared in four films with Shirley in 1934; in BRIGHT EYES he has his finest scenes with her. As her dead father's best buddy, Dunn is quite touching in his devotion to the child. Elderly character actor Charles Sellon has some funny scenes as a most obstreperous old blister. His contempt for Miss Withers is a joy to behold.

Jane Darwell was always a welcome addition to any cast; here she plays a lovable Irish cook. Brandon Hurst as her prim English butler husband, Judith Allen as Dunn's love interest, Lois Wilson as Shirley's doomed mother, and Theodore von Eltz & Dorothy Christy as Withers' pestilential parents all add to the movie's enjoyment.

Shirley sings what was to become her signature song - ‘On The Good Ship Lollipop' - and it is a highlight of the film. Many first time viewers, having heard the song all their lives, may be surprised to learn it's about a plane, not a boat - in this case, from American Airlines.

Shirley Temple is at it again, stealing everyone's heart. Her mother works for some snooty people in this film called Bright Eyes. The only one in the household who likes her is the old man, Grandfather, who nicknamed her Bright Eyes, hence the name of the film. His daughter and son-in-law are only nice to him for his money and really want nothing to do with him and nothing to do with Shirley. They reluctantly hired her mother as a maid. James Dunn plays a flier and is friends with Shirley and her mother, due to the fact he was good friends with Shirley's father before he died in a plane accident. James Dunn, a frequent costar in Shirley's movies, visits them a lot, and the uppity lady of the house doesn't like such riffraff in the house and told her maid that if these flier people don't stop visiting, she'll have to find work elsewhere. But everything takes a dramatic turn just before Shirley's birthday party. If you're looking for the film where Shirley sings "On the Good Ship Lollipop," then you've found it. In fact, it's a highlight in an otherwise routine Shirley Temple film. Not that it's a bad film; it's just not terribly original or different than most Shirley Temple movies. But Ms. Temple's sweet smile and the supporting cast of characters played by capable actors help buoy this film into an enjoyable little film for about 75 minutes.

Five-year-old Glendale, California tyke Shirley Temple (as Shirley Blake) hitch-hikes to the airport to visit her godfather pilot James Dunn (as James "Loop" Merritt). Not many kids could do that today. While she's away, we meet the curly top's family. She lives with mother Lois Wilson (as Mary Blake), who works as the maid for a wealthy family headed by another former "silent film" star, Theodor von Eltz (as J. Wellington Smythe). His snooty wife Dorothy Christy (as Anita) decides to fire mother Wilson for receiving too many telephone calls. However, their obnoxious but deep-down softie uncle Charles Sellon (as Ned Smith) likes Ms. Temple. He calls her "Bright Eyes". The illustrious cast includes servants Jane Darwell and Brandon Hurst. But the most memorable member of the household is Ms. Temple's antithesis – the classic spoiled brat character played by Jane Withers (as Joy Smythe). She decapitates dolls and terrorizes wheelchair-bound uncle Sellon from her tricycle...

"Bright Eyes" was a very successful early vehicle for Temple. The cartoon-like film captures all of her adorableness. Temple sings "On the Good Ship Lollipop" with the girlish innocence (some say sexuality) of a bygone era. Her amateurish vocals balance the perfect doll-like looks. The film has all the subtext depression-weary audiences loved – most importantly, undeserving and insufferable rich characters are put in their place by the angelic, suffering poor. Temple won an "Academy Award" for her cumulative work in 1934; this film has been mentioned as the one most responsible for bringing her the juvenile acting award, but contemporary reviews and research give the honor to "Little Miss Marker" (1934). In the earlier film, "The New York Times" rated Temple's performance higher than co-star Adolphe Menjou. Until the end of the decade, Temple would play variations of her "Bright Eyes" character, ringing up box office cash registers like no other child star, before or since.

****** Bright Eyes (12/20/34) David Butler ~ Shirley Temple, James Dunn, Jane Withers, Charles Sellon

Shirley Blake (Shirley Temple) lost her pilot father in a crash. She likes to hang out at the airport with her godfather Loop Merritt and all of their friends. Her mother Mary is a live-in maid working for the Smythes. Mrs. Smythe disapproves of her flyboy friends and plans to fire her after Christmas. The family hates cranky uncle Ned Smith but Mr. Smythe hopes to get the inheritance. The only person Ned likes is Shirley whom he calls Bright Eyes. Mary is killed by a car and Ned wants to adopt Shirley. This sets up a legal battle for the little girl between the Smythes and Loop.

This has the super cute and spunky Shirley Temple who delivers the song On the Good Ship Lollipop. She's a million watts light bulb. The rest of them are perfectly fine although the other girl Joy is awkwardly bratty. In the end, the battle is between two people who both love Shirley and there is limited drama in the lack of danger. That may be why a dangerous situation had to be manufactured.

One of Shirley Temple's best movies is stolen by an absolutely riotous performance by Jane Withers as Temple's bratty nemesis-the mean rich kid who picks on poor,noble motherless Shirley. This is the movie that boasts Temple's anthem- On the Good Ship Lollipop.Worth seeing if you haven't seen a Shirley Temple movie.And this was one of the major hits of the 1930's.

When tragedy befalls a curly-topped toddler, her care is assumed by a familiar but dysfunctional family, while her spirits are buoyed by the crusty old patriarch and crew of friendly commercial fly-boys. So funny, so precious (On-the-Good-Ship-Lollipop), so fantastic (parachute drop) and, at times, so poignant (Mom's cake run), that I rate Bright-Eyes the most sacred cinema in the Temple of Shirley. Co-stars James Dunn as Shirl's godfather & personal pilot, Charles Sellon is Ned Sparks on wheels, the rich uncle with a soft center and little Jane Withers is the nemesis, cleverly named, Joy. I think Mr Spade would've agreed, this one has all the "stuff(ing) dreams are made of (3/4).

Reasons why this film is worth seeing:

1. Bright Eyes stars Shirley Temple. What an appropriate title. Shirley is too cute for words. If you look at her filmography you will see that she had plenty of roles under her belt by the time she made this film, but this is one of the early films that put her on the map.

2. Shirley's performance was so popular, it put her on the cover of "Time" and won an Academy Award.

3. The canine star of the film is Terry, who later played Toto in The Wizard of Oz.

4. Jane Withers nails her performance of the bratty spoiled kid who terrorizes Shirley and everyone else. Only The Bad Seed has a better juvenile villain.

5. Shirley sings her signature song: "On the Good Ship Lollipop".

"Bright Eyes" is just the second film in which child star Shirley Temple had top billing. It came shortly after another supporting role in "Now and Forever" and her first starring role in "Baby, Take a Bow." This was 1934, the year that the darling child star of Hollywood would break out. She was now all of six years old and had been in more than two dozen films, including shorts, since 1932.

This is the film in which Shirley first sang what would become her signature song, "On the Good Ship Lollipop." She would go on to make 20 more films before becoming a teenager in 1941, and she continued with a movie career in her teens. But she will always be remembered most for those few years as a young child star who sang and danced her way into the hearts of America. There's no doubt but that she helped lift the spirits of people living through the Great Depression.

Like some others of her early films, this one involves a girl who is orphaned or from a broken family. And, the story has some adventure including a couple of escapades that might otherwise be considered hair-raising.

The young Shirley Blake smiles through it all and wins the hearts of Loop Merritt (James Dunn) and Uncle Ned Smith (Charles Sellon) so that they all live happily ever after.

This and all of Temple's movies are good family films that young children, especially, will still take to even well into the 21st century.