Liebe, Tod und Teufel

Name: Liebe, Tod und Teufel
Genre: Drama
Released: 1935-05-24
Duration: 1 h 45 min
Rating: 7
Cast: Käthe von Nagy, Albin Skoda, Brigitte Horney

1934
1h 45m

IMDb RATING

7.0/10

YOUR RATING

Heinz Hilpert, Brigitte Horney, Albin Skoda, Reinhart Steinbicker, Käthe von Nagy, and Siegfried Karl Trieb in Liebe, Tod und Teufel (1934)

Drama

Young sailor Kiwe buys a mysterious bottle which fulfills all his wishes for material wealth. The down side: From now on his soul belongs to the devil. Kiwe soon realizes his predicament and... Read allYoung sailor Kiwe buys a mysterious bottle which fulfills all his wishes for material wealth. The down side: From now on his soul belongs to the devil. Kiwe soon realizes his predicament and desperately tries to resell the bottle.Young sailor Kiwe buys a mysterious bottle which fulfills all his wishes for material wealth. The down side: From now on his soul belongs to the devil. Kiwe soon realizes his predicament and desperately tries to resell the bottle.

See production info at IMDbPro

IMDb RATING

7.0/10

YOUR RATING

See production info at IMDbPro

Photos6

Storyline

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Did you know

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Connections
Alternate-language version of Le diable en bouteille (1935)

Soundtracks
So oder so ist das Leben
Music by Theo Mackeben
Lyrics by Hans Fritz Beckmann
Sung by Brigitte Horney

User reviews1

Review

Featured review

Classic song, worthless story

'Liebe, Tod und Teufel' is nothing more than a creaky melodrama. It has dated terribly, boosts lackluster performances and a so-so story. The cheap film is not worth remembering.

Well, in all fairness, the whole show comes to live for around five minutes, when utterly beautiful Brigitte Horney croons Theo Mackeben's great song 'So oder so ist das Leben'. With her earthy charm, prominent cheekbones and deep, sultry voice Miss Horney created quite a sensation in 1934. In the right hands, with good directors and handsome production values she might have become bigger than Dietrich. Alas, her considerable talent was wasted in second banana roles and third-rate melodramas.

In later years Miss Horney played cameos in big budget WW II epics like the superior, much, much underrated 'Nacht fiel ueber Gotenhafen' and found work in mindless Edgar Wallace adaptations.