No Greater Glory

Is this an allegory? Is it intended to show the futility of war? Is it just a story of a moment of boys' life? Supposedly it is somewhat autobiographical, a story by Ferenc Molnar.

Whatever its intent, and I suppose a viewer is allowed to see what he wants, it is a moving and beautifully done film.

There is one very sad irony: Jimmy Butler, who gives a magnificent performance, and who shows so much talent you just know he is going to be a big star, was later a casualty of the real war, World War II.

He shows astonishing presence, especially for one so young -- he was 13 when "No Greater Glory" was released -- and gave a performance not surpassed by many adults.

Frankie Darro, sometimes billed as "Darrow," was nearly always simply great (You must see him in "Wild Boys of the Road," where he performs surely the first "break dance" on film.), and he is a stand-out here.

Ralph Morgan and Lois Wilson are wonderful as parents of the boy played by George Breakston, just heartbreaking as they wish their little son recovery from his illness.

Really, even when an occasional player is less than great, this movie and the portrayals are enthralling.

Turner Classic Movies is to be commended for letting us see this.

In a busy military hospital, one German soldier bemoans participating in a deadly World War, shouting out, "Patriotism is a loathsome lie!" Then, the story dissolves to a Hungarian schoolteacher telling his young students, "There is nothing finer than Patriotism, nothing nobler than War in defense of the country!" Keeping a few of the boys after school, for passing notes, reveals they are part of a gang. They are "The Paul Street Boys", and they are being threatened by older teenage gang "The Red Shirts" who want to take control of a vacant lot. The lot is the only one left in the neighborhood where the gang can meet and play. "The Paul Street Boys" like to play war games.

Most of the two dozen members of the gang are officers. Only small but determined George Breakston (as Erno Nemecsek), remains a "Private". Young blonde Breakston is the smallest because he won't wear heels. He's also clumsy and admits to being afraid - but "Nemecsek" possesses an enviable amount of determination. Despite being made a scapegoat in the group, Breakston admires "The Paul Street Boys" courageous leader Jimmy Butler (as Boka), who is reelected over a scheming Jackie Searl (as Gereb). Young Searl gets only two votes, from himself and the confident winner.

The boys are playing marbles when "The Red Shirts" cocky leader Frankie Darro (as Feri Ats) arrives on screen. Mr. Darro is obviously going to be hard to beat. Darro has already made inroads; working for the enemy, Searl lets Darro sneak into the "Paul Street Boys" lot and steal their flag. That evening, Breakston volunteers for a dangerous mission - to accompany leader Butler and banana lover Donald Haines (as Csonakos) to "The Red Shirts" camp, and bring back their flag. You'll have to see for yourself how successful they are, but you can be sure the gangs go to War...

An interesting side effect of Breakston's capture is the respect Darro has for his enemy's heroics. Breakston would find himself a more valued member of Darro's gang, but never wavers in his support for Butler. These relationships are highly intriguing. You can probably read a lot of different things in the allegorical story (my favorite "reading" is of "Nemecsek" as Jewish, but there are other interpretations). This film is clearly from a superior source, even without the introduction, "From Ferenc Molnar's immortal book." As it turns out, this is a classic novel from Hungry. For upshot Columbia Pictures, director Frank Borzage, photographer Joseph August, and editor Viola Lawrence excel.

Each of the performers are outstanding, with an amazing lead by Breakston. He may tend toward the sentimental, but plays it as directed. The producers and/or Mr. Borzage seem to have added an "All Quiet on the Western Front" type opening, which partially works; really, the story was strong enough as is. Also regrettable is the decision to intentionally speed up the film in selected parts. Incredibly, this received an homage in the opening of the excellent 1969 re-make, which was nominated for an "Academy Award" in the foreign language category.

******** No Greater Glory (3/14/34) Frank Borzage ~ George Breakston, Jimmy Butler, Frankie Darro, Jackie Searl

I am 53 years old. When I was 12 my father told me to stay home from school to see this movie on television. The movie was a tearjerker classic that every boy, girl and adult should see. Unfortunately this was the last time I ever saw it. It is listed with 5 out of 5 stars in the blockbuster movie guide and I concur. There was reportedly a remake of this film, I believe in color, but not the same title. I would love to hear of anyone who knows if either film still exists and especially if it will be shown anywhere. I'm hoping that Ted Turner has it intact in his collection for TCM. If I never see it again I at least hope all of you see it at least once. Thank you

No Greater Glory (1934)

*** (out of 4)

A rather strange anti-war film that tells the story of two rival kid gangs who are planning to go to war in order to fight over a vacant playground that both sides want. Jimmy Butler plays Boka, a small child who is the only Private in his gang, because he's so small, yet he's the only one will to risk his neck for the greater good of the gang. I've heard people call this a Our Gang Goes to War film and perhaps that isn't too far off base but in the end this is a film I respected a lot more than enjoyed. I'm sure many, many people are going to watch this film and love it but I wouldn't go that far. I think the message is loud and clear but to me it's way too loud and clear. This is the second film I've seen from Borzage's career during this period, the other being Young America, and there's no doubt he wants to get his views across but I think in both films he goes a little overboard. The most impressive thing about this film are the child performances, which range from very good to downright excellent. I was very impressed with the young Butler not only because of his acting but because of his small structure and his ability to rise up and battle. It was a little sad and ironic when I read that he would die in WW2 fighting for his country. George P. Breakston, Jackie Searl and Frankie Darro also add nice work with future Dick Tracy Ralph Morgan having a small role. Another major plus was the cinematography, which looked extremely well and so focused that you couldn't help but feel as if you were there during all the action. The ending, which goes for emotions, certainly gets them and remains one of the most powerful scenes from this era.

No Greater Glory is Frank Borzage's adaption of a biographical novel by Ferenc Molnar. It's set in the postwar depression that Germany had after World War I. As it opens we first see a veteran talking about the futility of war and then it cuts to a German school where the boys, there are no women in this film other than the lead character's mother, are being spoonfed the same militaristic propaganda that sent Lew Ayres and his friends off to the trenches.

These kids learn well and Lord of the Flies like they split into communities, rival communities that we call gangs. The gang we first meet is the Paul Street Boys and their leader Jimmy Butler. Another group of slightly older kids are trying to push these kids out of the vacant lot that the Paul Street kids play in. This means war and these kids have developed their own rules about it.

One kid, small and scrawny George Breakston wants so much to belong to the gang, but the others tease him and tell him he's too little. He spends the rest of the film trying to prove himself worthy.

No Greater Glory is a really heartbreaking film about kids with misplaced values, the kind who would later become good recruiting fodder for the Nazis. Breakston's performance will elicit tears from the stone lions at the New York Public Library. Frankie Darro and Butler as the rival gang leaders do well by their roles.

I'd love to know how Frank Borzage got Harry Cohn at Columbia Pictures to OK this project. It's a B film, no big stars involved at all, still it's not the most commercial of projects. Yet if you do see it, you will discover a classic.