Two couples and a troupe of actors have an encounter with some mischievous fairies in the forest.Two couples and a troupe of actors have an encounter with some mischievous fairies in the forest.Two couples and a troupe of actors have an encounter with some mischievous fairies in the forest.
- Won 2 Oscars
- 2 wins & 2 nominations total
Olivia de Havilland
- Hermia - In Love with Lysander
- (as Olivia de Haviland)
Nini Theilade
- Fairie - Attending Titania
- (as Nina Theilade)
- Directors
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaWhen the forest that Max Reinhardt designed could not be lit properly, cinematographer Hal Mohr thinned the trees slightly, sprayed them with aluminum paint and covered them with cobwebs and tiny metal particles to reflect the light. As a result, he became the first (and only) write-in winner of an Academy Award.
- GoofsCorrective lenses were introduced in the 13th century so they could have been worn in Shakespeare's time.
- Quotes
Hermia, in Love with Lysander: [to Helena] How low am I, you painted maypole? Speak! How low am I? I am not yet so low but that my nails can reach into your eyes!
- Crazy creditsThe opening credits appear as if they were "trickling down" from the top of the screen.
- Alternate versionsThe original 132-minute roadshow version of this film has been restored, shown on cable, and issued on videocassette and DVD. For many years, though, this film was shown only in its general release version, a 117-minute version painstakingly edited by the studio (so that the cuts would not be noticeable), which shifted the order of some sequences and eliminated others.The 2007 DVD release also restores the Intermission title card, not seen since the film's original roadshow release in 1935, as well as including the overture and exit music.
- ConnectionsFeatured in A Dream Comes True (1935)
- SoundtracksA Midsummer Night's Dream: Overture and Incidental Music
(1826) (uncredited)
Music by Felix Mendelssohn
Adapted by Erich Wolfgang Korngold
Heard throughout the film
Featured review
Since "Shakespeare in Love" made that particular playwright happening and new, check out this, Warner Bros.' wild, expensive, free-wheeling adaptation of "A Midsummer Night's Dream".
For me, James Cagney makes the movie. He's Nick Bottom, the leader (or so he believes) of a traveling troupe of actors. He gives an invigorating performance--the screen is his. At one point, he gets to wear a donkey's head (if you know the play, you know what I'm talking about), but it doesn't faze him in the least. Cagney, the most energetic screen actor, doesn't let his over-the-top approach mar his skill or care with The Bard's great words. It's the test of anyone wishing to act out a part in a Shakespeare play, which Cagney passes, to "speak" the dialogue, and by doing so, make what might be confusing on the page understandable to audiences on the screen or stage.
Warner really spared no expense with this production, which I think might have been the costliest of that year. The whole affair is like a dream in every way--it seems to sway in the wind, fragile to the touch. It features Mendolssohn music, soft-white photography (the great Hal Mohr), and some of the most incredible sets and costumes you're likely to see in a 1930s film.
Nominated for three Academy Awards: Picture, Cinematography and Editing. Bested by "Mutiny on the Bounty" for the first, it won the other two.
For me, James Cagney makes the movie. He's Nick Bottom, the leader (or so he believes) of a traveling troupe of actors. He gives an invigorating performance--the screen is his. At one point, he gets to wear a donkey's head (if you know the play, you know what I'm talking about), but it doesn't faze him in the least. Cagney, the most energetic screen actor, doesn't let his over-the-top approach mar his skill or care with The Bard's great words. It's the test of anyone wishing to act out a part in a Shakespeare play, which Cagney passes, to "speak" the dialogue, and by doing so, make what might be confusing on the page understandable to audiences on the screen or stage.
Warner really spared no expense with this production, which I think might have been the costliest of that year. The whole affair is like a dream in every way--it seems to sway in the wind, fragile to the touch. It features Mendolssohn music, soft-white photography (the great Hal Mohr), and some of the most incredible sets and costumes you're likely to see in a 1930s film.
Nominated for three Academy Awards: Picture, Cinematography and Editing. Bested by "Mutiny on the Bounty" for the first, it won the other two.
- Jaime N. Christley
- Apr 16, 1999
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Details
- Release date
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- Also known as
- San latnje noći
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- See more company credits at IMDbPro
Box office
- Gross worldwide
- $2,616,000
- Runtime2 hours 13 minutes
- Color
- Sound mix
- Aspect ratio
- 1.37 : 1
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By what name was A Midsummer Night's Dream (1935) officially released in India in English?
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