Juggernaut

Boris Karloff is cast once again as a man of science in the British independent film Juggernaut released here by the short lived Grand National studio. Science might be Boris's game, but he's not mad just led terribly astray.

It's his research and his own mortality that Karloff is worried about, that he might die before finding a cure for some tropical diseases. He's been cut off from research funds and left at sea.

Enter Mona Goya, trophy wife of rich old Morton Selten who is not in good health, but not dying fast enough to suit Mona. She's already got Anthony Ireland in tow ready to share in the fortune when the old coot croaks. But Selten isn't croaking fast enough to suit her.

Enter Karloff who needs money for his research and do I have to go into the rest of it for you? The whole thing ends in one sudden melodramatic climax as if the rest of the film wasn't melodramatic enough.

What is good about Juggernaut that without his usual makeup and sinister science as part of the plot, Karloff does do a very good job as a man who succumbs to evil so he can put a coda of good on his life. But the whole film is really rather far fetched and could have used better writing and production values.