User reviews

King of the Pecos has a pre-Stagecoach John Wayne witnessing the murder of his parents by a no good land swindling dealer played by Cy Kendall. Of course he's a little kid at the time, but when he grows up he becomes a lawyer. But he's no ordinary lawyer, he can ride, and shoot, and fight with the best of them.

Kendall doesn't outrightly own a whole lot of the land he's swindled from folks. He just has phony options. Lawyer Wayne take him to court as well as deal with him in the usual John Wayne fashion.

This is far from the best western the Duke ever made, but it's pretty good for the B product he was stuck in at the time. And his legion of fans will love it.

I wonder why this movie has a low rating? Of course with only 15 folks voting on it, there may be some bias. I found it funny, action filled, and not as cliche as most films from the thirties. I love the charismatic and tough, cocky, self assured character's Wayne played in the thirties, before becoming a bruting middle aged man. I say check this one out, it is worth it. Stiles as the bad guy is perfect. You really end up cheering for "The King of the Pecos", too take the bad guys down. 6/10

I have always enjoyed movies made prior to 60s and King of the Pecos is no exception. As a kid growing up in the 50s my hero was the Lone Ranger which I couldn't help but notice that the Lone Ranger and John Wayne both worn white hats and had white horses. I guess that was the norm for the good guys in those days.

John Wayne's acting in King of the Pecos and his early movies in general were a little bland, but it kept my interest. The story line could also have been a little more interesting but that was kind of the way many early Westerns went.

I noticed that there were a lot of horse related accidents in this movie. There were horses falling to the ground throwing their riders, and even horses running into other horses when a wagon goes over the cliff. It looked like there was a good chance that they may have been hurt, and wonder how concerned the producers and writers were in those days.

If you like early Westerns and John Wayne in particular it's worth watching.

If you see this title and wonder what 'the Pecos' are, don't worry--I had the exact same thought. Apparently, the Pecos river begins in Eastern New Mexico and runs along the Texas border--emptying into the Rio Grande.

Unlike many of John Wayne's early B-movies, this one is not in the public domain and the copy I saw was very crisp and clean. It also appears to have a higher budget than his earlier films for tiny production companies such as Schlessinger. Now it might surprise you to see Wayne in such a film, but through the 1930s, practically all the films he made were B-westerns. It wasn't until after successes in films such as "Stagecoach" and "They Were Expendable" that Wayne graduated to A-pictures and became a top star.

The film begins with a typical baddie deciding that he's entitled to everyone's land. So, when one farmer won't sell out to him, the baddie and his henchmen kill the farmer and his wife--leaving the young boy an orphan. Naturally, the boy grows into a man (John Wayne) intent on exacting justice for his folks. Still, a decade later, the baddie is still forcing people off their land--giving them worthless promissory notes and controlling all the water. Now Wayne is a lawyer and plans on using the law to stop this jerk. Will the law be enough or will Wayne have to resort to his fists and guns? Considering that the baddie controls EVERYTHING, it's not a huge surprise where the film goes next.

The film is nicely polished and watchable. The only negative is that in many of Wayne's early films he had lovable sidekicks--like Gabby Hayes. Here, despite a great villain (Cy Kendall), the supporting cast for the good guys is a bit dull. I missed the usual sidekicks, such as Gabby Hayes, as the deaf guy and his friend were a bit dull. Also, while not exactly a negative, the plot is a bit too familiar--as Wayne and many other western heroes made similar films over the years.

By the way, in a sad note, you see a horse trip and throw its rider near the end (I think this was reused from an earlier film). This is sad, as to get this sort of stunt in the old days, they used trip wires to literally rip the legs out from under the horse--and usually broke the horse's legs in the process!! Fortunately, such things have long ago been outlawed--as it was a terrific waste and morally suspect!

This film begins with an extremely greedy man by the name of "Alexander Stiles" (Cy Kendall) riding out to an isolated part of Texas and arrogantly declaring to his cowboys that the entire area is his by "right of discovery." Of course, being the dishonest man that he is, the fact that his claim has no legal basis doesn't concern him in the least. To that effect, in an effort to also control all of the watering holes as well, he then sends his men to a nearby ranch and demands that the owner sell his stake to him. When the owner refuses, he sends his men to murder both him and his wife. In the process, they also beat their young son and leave him unconscious on the ground while they ride off. The scene then shifts to 10 years later with a young man by the name of "John Clayborn" (John Wayne) riding in a stagecoach into a small West Texas town and declaring to the people there that he is a lawyer and intends to challenge Alexander Stiles' illegitimate claim of land in a court-of-law. Needless to say, this infuriates Alexander Stiles who becomes determined to prevent any such action--one way or the other. Now, rather than reveal any more, I will just say that this turned out to be one of the better John Wayne films from his earlier days as it flowed much more smoothly from one scene to the next than many of his previous pictures. Naturally, as is quite typical for the time, it does have a few corny scenes here and there but even so I enjoyed it for the most part and I have rated it accordingly. Slightly above average.

When John Clayborn (John Wayne) was a child, he witnessed his parents being murdered by Alexander Stiles (Cy Kendall), the developer who wanted control over their land. Clayborn has grown up with one goal -- to get revenge on Stiles. He becomes a lawyer, but, when the judge won't find Stiles guilty, Clayborn resorts to other methods of retaliation. He enlists other men who have been wronged by Stiles and together they take their guns and embark on a mission to hunt him down.

John Wayne as a level-headed lawyer who wants revenge makes "King of the Pecos" entertaining,plus the plot is quite involving with some shoot em up touches and good landscape. Definitely a better Wayne early western.

1st watched 12/30/2001 - 4 out of 10(Dir-Joseph Kane): Uninspired early John Wayne western portraying him at his early acting stages where he seems to just be doing the lines without putting any feeling into them. This story could have brought out much emotion(Wayne's character's father being murdered and him returning as a lawyer to do in the killer) but it's pretty much kept at bay so that we're presented with a flat and typical gun-shooting contest. Wayne is a handsome young stud here but not much else and the screenplay comes across like it was written on the way over to the set without much patchwork done to it. I'm sure Wayne's tall good looks and smile kept his contract going until he was able to actually do some real acting later in his career so for this I'm grateful(I guess).

John Wayne reprises many a role from his past as the man whom, as young boy, witnessed the murder of his parents. This time, it's the cattle baron "Stiles" (Cy Kendall) on whom he is fixated for revenge. He is now, though, a lawyer and so has decided to legitimately dismantle the extensive empire of his nemesis who would rather own the law than adhere to it. Initially dismissive of the young man's efforts, it's soon clear that In so doing he is risking life and limb, as well as those of the gal "Belle" (Muriel Evans). Nothing at all new here, just another 60 minute B-feature, but the Duke is on good form and Kendall makes for quite an effective, odious baddie. Joseph Kane keeps the pace hot, and there are plenty of brawls and galloping chases to keep it interesting, if hardly, challenging.

An American Western; A story set in the 1870s in Pecos River country, Texas, about a criminal lawyer from Austin who witnessed his parents murdered by a land developer when he was a child. When a judge won't find the powerful developer guilty of another crime ten years later, the lawyer resorts to other methods of retaliation. This film has a morality theme about the strong and rich exerting their power over the weak have-nots and the rough justice it inevitably invites. Cy Kendall gives the most effective performance as a the mean, stern, ruthless developer who meets his match in John Wayne's hero. Arthur Aylsworth and Herbert Haywood provide some light comedy relief but it wears a little thin midway through. This routine short feature has a fairly uninvolving love interest too but otherwise it has an interesting revenge plot and has some good shootouts throughout the hot pace.

Iconic director Joseph Kane shows here why he is rated so highly by western and film aficionados. Republic (I like the sound of that word) and Kane and John Wayne are simply unbeatable.

In addition to a superlative story by Bernard McConville, an excellent cast and beautiful scenery create a nearly perfect western.

One bonus is the lovely Muriel Evans, one of the, in fact, loveliest heroines of B westerns in Republic's history. She showed, besides looks, a lot more personality than most of the B heroines.

When Turner Classic Movies showed, on 20 August 2015, a marathon of Mae Clarke movies, one of Ms. Clarke's premier performances came in a little-known film titled "Fast Workers." Muriel Evans had one scene, as a nurse, in which she mostly looked on, then had a few lines.

And in that small part, she didn't quite steal the movie, but sure did make an impression, with a fascinating performance.

She shows even more personality here, in "King of the Pecos," a fairly routine western, perhaps, but with such a sterling cast and superb directing and scenery that can and should make you want to pack your bags. Watch her in scenes where she might be only entering or leaving and you can't help admiring her presence and control.

She has an expressive face and eyes that enthrall.

John Wayne stands tall, demonstrates his personality that led him to be Hollywood's biggest star of all time, but isn't really stretched as an actor.

He is aided by two unknown but immensely talented character actors, playing "Josh" and "Hank," who do generally steal every scene they're in. And praise be, their humor is not the usual silly stuff so often found in B westerns.

The three chief bad guys are among the best in Hollywood history, Cy Kendall, Yakima Canutt, and Jack Clifford, of whom I blush to admit I know almost nothing -- except he is GREAT in this role.

There are several versions of "King of the Pecos" at YouTube and I picked the longest one. Don't you make that mistake. It's longer because whoever posted it tacked on several minutes of the ending twice.

It's a beautiful print, in brightness and contrast, but there are some strange technical glitches that cause the background to wave and wobble.

Still, the extraordinarily high quality of the production makes such stuff irrelevant. I highly recommend "King of the Pecos."

A strong opening scene sets John Wayne up wonderfully. He takes full advantage in going from innocent child to man on a mission. Cy Kendall plays it perfectly as the robber baron who stole the family farm. Two Republic greats in director Joseph Kane and gorgeous Muriel Evans play a major role in the film's success. Crème de la crème henchmen Jack Rube Clifford and Yakima Canutt all but ensures Duke's demise with their skill and great intensity throughout. With all this, Arthur Aylesworth and Herbert Heywood have some scene stealing moments with great comic relief.King Of The Pecos is another wonderful John Wayne movie with an incredible cast and director.