Meek Eddie Pink becomes manager of an amusement park beset by mobsters.Meek Eddie Pink becomes manager of an amusement park beset by mobsters.Meek Eddie Pink becomes manager of an amusement park beset by mobsters.
Harry Einstein
- Parkyakarkus
- (as Parkyakarkus)
Helen Lowell
- Hattie 'Ma' Carson
- (as Helene Lowell)
Jack La Rue
- Mr. Thrust
- (as Jack LaRue)
Dona Drake
- Mademoiselle Fifi
- (as Rita Rio)
Sid Fields
- Chorley Lennox
- (as Sidney H. Fields)
Storyline
Did you know
- TriviaAccording to contemporary articles in the New York Times and Variety, Clarence Budington Kelland wrote his story as a vehicle for Harold Lloyd. The novel was serialized in The Saturday Evening Post from May 25 to June 29, 1935.
- GoofsIn the dance number around 1:14:30, during the shot from above where the circle of women in white are trading places with men in black, the couple in the upper right run into each other and fail to complete the spin. The lady especially breaks into laughter and shakes her head, as her partner laughs and looks around (probably looking for someone to shout cut).
- Quotes
Eddie Pink: Dead men don't hiccup.
- ConnectionsFeatured in Broadway: The American Musical (2004)
- SoundtracksFirst You Have Me High (Then You Have Me Low)
(1935) (uncredited)
Music by Harold Arlen
Lyrics by Lew Brown
Sung by Ethel Merman and danced by chorus including The Goldwyn Girls
Also sung by Eddie Cantor a cappella
Featured review
I've seen quite a few Eddie Cantor films and some of them are wonderful films. However, Cantor also made a few clunkers--and STRIKE ME PINK is one of them.
The film starts out well. Cantor plays a milquetoast owner of a dry cleaning business. Because he's so afraid, he takes a correspondence course to make him an assertive man. This aspect of the film is pretty funny and I really was hooked.
When Cantor's friend graduates college, Cantor is offered a job running the amusement park owned by his friend's mother. They hire him because he acts tough and assertive--and they need that because hoods (led by Brian Donlevy and William Frawley) are trying to force the park to place crooked slot machines on the property. The last three managers all met with "unfortunate accidents" or just disappeared, so it looks as if Cantor is in over his head.
Again, so far so good--the set up is just fine and the film is a mildly amusing comedy. However, one problem is noticeable half-way through the film. While Cantor himself often sings cute little songs in his films, this time there are some Busby Berkely-like production numbers and the addition of a lady singer that frankly didn't work. The humor, at times, took a back seat to irrelevant musical numbers. The dumb plot involving the dark-haired lounge singer just didn't work at all.
By the middle of the film, the quality and humor started to fade. However, towards the end the film got really, really bad--like the writers had no idea what to do with the film. Going from a gentle comedy to a "wacky" and outrageous comedy just failed miserably. All too often, Cantor wasn't even in a scenes--just his stunt double. Additionally, with the awful roller coaster scene, too much of a reliance on rear-projection and dippy stunts sank the film. At this point, I just couldn't wait for it to end. It's a shame really, as I wanted to love this film--too bad it all turned to crap at the end.
The film starts out well. Cantor plays a milquetoast owner of a dry cleaning business. Because he's so afraid, he takes a correspondence course to make him an assertive man. This aspect of the film is pretty funny and I really was hooked.
When Cantor's friend graduates college, Cantor is offered a job running the amusement park owned by his friend's mother. They hire him because he acts tough and assertive--and they need that because hoods (led by Brian Donlevy and William Frawley) are trying to force the park to place crooked slot machines on the property. The last three managers all met with "unfortunate accidents" or just disappeared, so it looks as if Cantor is in over his head.
Again, so far so good--the set up is just fine and the film is a mildly amusing comedy. However, one problem is noticeable half-way through the film. While Cantor himself often sings cute little songs in his films, this time there are some Busby Berkely-like production numbers and the addition of a lady singer that frankly didn't work. The humor, at times, took a back seat to irrelevant musical numbers. The dumb plot involving the dark-haired lounge singer just didn't work at all.
By the middle of the film, the quality and humor started to fade. However, towards the end the film got really, really bad--like the writers had no idea what to do with the film. Going from a gentle comedy to a "wacky" and outrageous comedy just failed miserably. All too often, Cantor wasn't even in a scenes--just his stunt double. Additionally, with the awful roller coaster scene, too much of a reliance on rear-projection and dippy stunts sank the film. At this point, I just couldn't wait for it to end. It's a shame really, as I wanted to love this film--too bad it all turned to crap at the end.
- planktonrules
- Jul 22, 2009
- Permalink
Details
- Runtime1 hour 40 minutes
- Color
- Aspect ratio
- 1.37 : 1
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