A man and his wife have a less-than-enjoyable time at the movies.A man and his wife have a less-than-enjoyable time at the movies.A man and his wife have a less-than-enjoyable time at the movies.
- Director
- Writers
- Stars
- Nominated for 1 Oscar
- 1 nomination total
- Movie Patron
- (uncredited)
- Movie Patron
- (uncredited)
- Movie Patron
- (uncredited)
- Ticket Taker
- (uncredited)
- Child Who Stares
- (uncredited)
- Wife
- (uncredited)
- Mr. Pennelly
- (uncredited)
- Movie Patron
- (uncredited)
- Usherette
- (uncredited)
- Movie Patron
- (uncredited)
- Movie Patron
- (uncredited)
- Movie Patron
- (uncredited)
- Mr. Baum
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Featured reviews
As an aside, I can't imagine having a kid staring at me like that. I can laugh at it in this context, but if it really happened to me, I'd change seats way faster than he did!
Benchley's short films are generally pleasant, but only occasionally rise to the level of his written output. Many of them focus on the foibles of bourgeois domestic life, and come off rather like the later TV sitcoms of the '50s. However, the filmed versions of Benchley's double-talk lectures sometimes scale the heights of inspired insanity he regularly reached in his magazine pieces, and one very early talkie from 1928, The Sex Life of the Polyp, is one of my favorite Benchley shorts, a perfect little gem of comic absurdity.
As for the item at hand, A Night at the Movies is a pleasant but unremarkable effort devoted to the petty irritations encountered by Mr. and Mrs. Average during an evening at the local Bijou. There is confusion with the tickets, difficulty finding seats, a tall fat man who sits directly in front and blocks the screen, someone with a persistent cough, and a moment of strangeness involving a small boy with an eerie stare. (Today, of course, a major problem would be pagers and cell-phones going off during the show.) For modern viewers this short may be more valuable as social history than as comedy, seeing as how it was made in an era when men in public places had to find a place to stow their hats, and dancers performed at movie theaters between the features. On that level this film is an interesting time capsule.
This modest comedy short may not look like much alongside the Marx Brothers, but don't dismiss Robert Benchley. You'll just need to look elsewhere for his funniest and freshest work.
His vehicles were moving from the ones in which he lectured vaguely on subjects which left the viewer knowing less than when he started, to ones in which he performed as the befuddled man ever in quest of a decent good time and doomed to failure. Although the sight of a movie house packed with thousands of attendees, and a disdainful staff to supervise their comings and going may confuse the modern viewer, still we can feel his consternation at trying to find a movie that neither he nor his wife have seen before. After all, although we may no longer go to the movies several times a week, we do have to deal with cable or TV service with thousands of channels and offerings.... and nothing on.
Is this actually funny? I know Benchley was some kind of comedy star of his day. I don't really get it. It's complaining about the movie going experience as it gets played in the movie theaters. I guess that could work if done well. First, I don't like this couple. I don't care about their movie going experience. The kid is almost funny. I can see the attempt, but the result is no laughs.
Did you know
- TriviaJust after Robert Benchley buys his tickets from the cashier (Gwen Lee), he walks past a poster advertising My Dear Miss Aldrich (1937), which features Lee.
- Quotes
[first lines]
Husband: Well, now, let's see - at the, uh, Mirdaline, there is "The Third Glove"; it says it's the best show in town.
Wife: Oh, I've seen that - but I don't mind seeing it again if you haven't.
Husband: No, no; there's no sense in sitting through it a second time. Well, others - uh, showing "Souls on a Tandem".
Wife: What's the picture with it?
Husband: Uh, "The Case of the Missing Milkman".
Wife: Hmm. We can miss that. But I hear "Souls on a Tandem" is good.
Husband: Yes, it is - I saw it last week. I'd just as soon see it again, though.
Wife: Oh, no, no; there's no use your sitting through it a second time.
- Alternate versionsAn alternate version exists where Robert Benchley literally walks in front of the opening titles and addresses the audience.
- ConnectionsFeatured in The Big Parade of Comedy (1964)
Details
- Release date
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- Also known as
- Вечер в кино
- Filming locations
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- See more company credits at IMDbPro
- Runtime10 minutes
- Color
- Aspect ratio
- 1.37 : 1