School for Husbands

1937
Approved
1h 11m

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Rex Harrison, Diana Churchill, and June Clyde in School for Husbands (1937)

A couple of lonesome wives, Marion Carter (Diana Churchill) and Diana Cheswick (June Clyde) fall for philanderer Leonard Drummond (Sir Rex Harrison), and arrange to get their husbands, Geoff... Read allA couple of lonesome wives, Marion Carter (Diana Churchill) and Diana Cheswick (June Clyde) fall for philanderer Leonard Drummond (Sir Rex Harrison), and arrange to get their husbands, Geoffrey Carter (Henry Kendall) and Morgan Cheswick (Romney Brent), off to Paris so they can be... Read allA couple of lonesome wives, Marion Carter (Diana Churchill) and Diana Cheswick (June Clyde) fall for philanderer Leonard Drummond (Sir Rex Harrison), and arrange to get their husbands, Geoffrey Carter (Henry Kendall) and Morgan Cheswick (Romney Brent), off to Paris so they can be free for one night of fun and frolic. The husbands are all for this as they think it will... Read all

See production info at IMDbPro

IMDb RATING

5.5/10

YOUR RATING

See production info at IMDbPro

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Trivia
This movie was first shown on USA television Sunday, January 21, 1940 on New York City's pioneer, and still experimental television station W2XBS, which would not be granted full time commercial status until 29 June 1941 as WNBT (Channel 1). This telecast took place barely one year after its initial USA theatrical release, which took place 6 February 1939. Post World War II televiewers got their first look at it in New York City Saturday, December 18, 1948 on WATV (Channel 13).

User reviews3

Featured review

5/10

Sexy Rexy On The Ascent

This was Rex Harrison's seventh film and already he was on the ascent.It would not be long before his name would be above the title.Leaving the likes of Henry Kendall and Romney Brent to flounder on in quota quickies of this nature.The film was made at Shepperton Studios,then called Sound City.Its basic function pre war was to churn out films of this nature.Basically the sort of thing that was probably inspired,if that is the word ,by a west end play.It has to be said that Harrison really has the field to himself as both Kendall and Brent do little to enhance the proceedings.In fact their time had come and gone.The future was Rex Harrison.