Young Esther Victoria Blodgett comes to Hollywood with dreams of stardom and achieves them only with the help of alcoholic leading man Norman Maine, whose best days are behind him.Young Esther Victoria Blodgett comes to Hollywood with dreams of stardom and achieves them only with the help of alcoholic leading man Norman Maine, whose best days are behind him.Young Esther Victoria Blodgett comes to Hollywood with dreams of stardom and achieves them only with the help of alcoholic leading man Norman Maine, whose best days are behind him.
- Won 1 Oscar
- 4 wins & 7 nominations total
Guinn 'Big Boy' Williams
- Posture Coach
- (as Guinn Williams)
Jean Acker
- Woman at Preview
- (uncredited)
Eric Alden
- Niles' Assistant
- (uncredited)
Irving Bacon
- Station Agent
- (uncredited)
Jane Barnes
- Waitress #1
- (uncredited)
Vince Barnett
- Otto
- (uncredited)
Clara Blandick
- Aunt Mattie
- (uncredited)
Storyline
Did you know
- TriviaWhen the drunken Norman Maine character raucously interrupts the Oscar presentation, it was déja vu for Janet Gaynor. She had brought her sister to the Academy Awards ceremony in 1929, when she won the first Best Actress Oscar ever awarded, for 7th Heaven (1927). Her sister became very drunk and completely out of control, thoroughly embarrassing Gaynor.
- GoofsThe Night Court Judge refers to the "commonwealth" of California, but California isn't one of the states with commonwealth status. The judge should have referred to the "state" instead.
- Quotes
Grandmother Lettie: If you've got one drop of my blood in your veins, you won't let Mattie or any of her kind break your heart, you'll go right out there and break it yourself.
- Alternate versionsAlso available in black and white
- ConnectionsEdited into What's Cookin' Doc? (1944)
- SoundtracksCalifornia, Here I Come
(1924) (uncredited)
Music by Joseph Meyer
(variations in the score as Esther arrives in Hollywood)
Featured review
This is perhaps my favorite movie from the thirties. The writing, the acting, the directing, the music are virtually perfect. It is a rare kind of movie. The dialogue is sharp, smart, witty, compassionate, mature and incredibly contemporary. It could have been written last week. It is not afraid to deal with real life: alcoholism, drunk driving, failure, success, suicide. The characters are real. The drama is firmly anchored in real life. The writers are obviously good people who feel and think deeply. This movie was blissfully free from the usual contrived plots. What a breath of fresh air! The music alone makes it worth HEARING again and again.
I loved the fact that the movie didn't try prove anything. It just tells a story in an esthetically satisfying manner. It is of the same high quality as "The Best Years Of Our Lives". I haven't seen subsequent versions, but they cannot possibly be as good.
This the the most wonderful homage Hollywood ever paid to itself, to all those ordinary folks who became stars, or who valiantly tried and failed, or whose goals were more modest, and who achieved fulfillment behind the scenes.
This is the Hollywood epic standing proud and tall, and it is impossible not to shed a tear of admiration and affection.
I loved the fact that the movie didn't try prove anything. It just tells a story in an esthetically satisfying manner. It is of the same high quality as "The Best Years Of Our Lives". I haven't seen subsequent versions, but they cannot possibly be as good.
This the the most wonderful homage Hollywood ever paid to itself, to all those ordinary folks who became stars, or who valiantly tried and failed, or whose goals were more modest, and who achieved fulfillment behind the scenes.
This is the Hollywood epic standing proud and tall, and it is impossible not to shed a tear of admiration and affection.
Details
- Release date
- Country of origin
- Language
- Also known as
- Kariera
- Filming locations
- Production companies
- See more company credits at IMDbPro
Box office
- Budget
- $1,173,639 (estimated)
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