Mickey and Horace gather a rural audience and put on first a xylophone performance, then an elaborate piano solo.Mickey and Horace gather a rural audience and put on first a xylophone performance, then an elaborate piano solo.Mickey and Horace gather a rural audience and put on first a xylophone performance, then an elaborate piano solo.
- Directors
- Star
Photos
Walt Disney
- Mickey Mouse
- (voice)
- (uncredited)
Storyline
Did you know
- Trivia"The Jazz Fool" from 1929 is the first Cartoon to feature Mickey, Horace and the other characters with the popular "pie eyes".
- ConnectionsEdited into The Mickey Mouse Anniversary Show (1968)
Featured review
A Walt Disney MICKEY MOUSE Cartoon.
Mickey's Big Road Show arrives with THE JAZZ FOOL himself as the star attraction.
This is an enjoyable early black & white film, with the plot driven entirely by the musical soundtrack, which features elements of ragtime & Dixieland jazz. Horace Horsecollar gets to showoff his solo instrumentalist talents. The animators threw in a heavy dose of their favorite posterior jokes - even Mickey's piano has its bare bottom smacked. The title is a salute to two recent Al Jolson film hits, THE JAZZ SINGER (1927) & THE SINGING FOOL (1928). Walt Disney performs Mickey's squeaky voice.
Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.
Mickey's Big Road Show arrives with THE JAZZ FOOL himself as the star attraction.
This is an enjoyable early black & white film, with the plot driven entirely by the musical soundtrack, which features elements of ragtime & Dixieland jazz. Horace Horsecollar gets to showoff his solo instrumentalist talents. The animators threw in a heavy dose of their favorite posterior jokes - even Mickey's piano has its bare bottom smacked. The title is a salute to two recent Al Jolson film hits, THE JAZZ SINGER (1927) & THE SINGING FOOL (1928). Walt Disney performs Mickey's squeaky voice.
Walt Disney (1901-1966) was always intrigued by drawings. As a lad in Marceline, Missouri, he sketched farm animals on scraps of paper; later, as an ambulance driver in France during the First World War, he drew figures on the sides of his vehicle. Back in Kansas City, along with artist Ub Iwerks, Walt developed a primitive animation studio that provided animated commercials and tiny cartoons for the local movie theaters. Always the innovator, his ALICE IN CARTOONLAND series broke ground in placing a live figure in a cartoon universe. Business reversals sent Disney & Iwerks to Hollywood in 1923, where Walt's older brother Roy became his lifelong business manager & counselor. When a mildly successful series with Oswald The Lucky Rabbit was snatched away by the distributor, the character of Mickey Mouse sprung into Walt's imagination, ensuring Disney's immortality. The happy arrival of sound technology made Mickey's screen debut, STEAMBOAT WILLIE (1928), a tremendous audience success with its use of synchronized music. The SILLY SYMPHONIES soon appeared, and Walt's growing crew of marvelously talented animators were quickly conquering new territory with full color, illusions of depth and radical advancements in personality development, an arena in which Walt's genius was unbeatable. Mickey's feisty, naughty behavior had captured millions of fans, but he was soon to be joined by other animated companions: temperamental Donald Duck, intellectually-challenged Goofy and energetic Pluto. All this was in preparation for Walt's grandest dream - feature length animated films. Against a blizzard of doomsayers, Walt persevered and over the next decades delighted children of all ages with the adventures of Snow White, Pinocchio, Dumbo, Bambi & Peter Pan. Walt never forgot that his fortunes were all started by a mouse, or that simplicity of message and lots of hard work always pay off.
- Ron Oliver
- Nov 11, 2002
- Permalink
Details
- Release date
- Country of origin
- Language
- Also known as
- Musse Pigg som jazzkung
- Production company
- See more company credits at IMDbPro
- Runtime6 minutes
- Color
- Aspect ratio
- 1.37 : 1
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