After killing an unknown man for an unknown reason, a mysterious drifter turns himself to the law under a false name, intending to protect his own family's honor. But when the news of his co... Read allAfter killing an unknown man for an unknown reason, a mysterious drifter turns himself to the law under a false name, intending to protect his own family's honor. But when the news of his conviction breaks, the drifter's sister considers the possibility that the man is her long-l... Read allAfter killing an unknown man for an unknown reason, a mysterious drifter turns himself to the law under a false name, intending to protect his own family's honor. But when the news of his conviction breaks, the drifter's sister considers the possibility that the man is her long-lost brother.
- Nominated for 2 Oscars
- 1 win & 2 nominations total
- Robert Ward
- (as John Mack Brown)
- Undetermined Secondary Role
- (scenes deleted)
- Little Boy
- (uncredited)
- Liberty Bondsman
- (uncredited)
- Prison Guard
- (uncredited)
- Little Boy
- (uncredited)
- Harold Everett Porter
- (uncredited)
- Joe Douglas as a Youth
- (uncredited)
- Newspaper Printer
- (uncredited)
- Spinster on Train
- (uncredited)
- Unidentified secondary role
- (uncredited)
Storyline
Did you know
- GoofsWhen the warden begins to head toward the door in order to let Dyke's sister enter his office, he is holding a cigar in his right hand. But on the next immediate cut, as he reaches the door and then opens it; there is no longer a cigar in his hand.
- Quotes
Mary Douglas: Every evening, when I'd be sent off to bed, Joe and I had a little Romeo and Juliet goodnight of our very own.
- ConnectionsAlternate-language version of El valiente (1930)
In 1929 a handful of directors hit the ground running when it came to switching from silents to talkies. Most however, as was amusingly shown in the Margot Robbie film BABYLON hadn't a clue resulting in so much unwatchable awfulness. Although William Howard wasn't one of those up there with the likes of De Mille, von Sternberg, Mamoulian or even Roland West, he wasn't one the worst either. There's nothing wrong with this at all it simply doesn't have the 'wow factor' some of his contemporaries managed to achieve. He clearly knew how to make a silent film and especially his 'film parts' as opposed to the main 'stage play part' at the end (this picture is an expanded version of a very popular one-act play) are excellent. His skill is shown in the first scenes where he perfectly captures an authentic feel of pre-depression America as Muni traipses down some tatty street past tatty kids born a hundred years ago playing out their ordinary lives. He gives us a real time-machine moment.
The acting is also miles better than a lot of the very early talkies but it's still far from natural.... except for Paul Muni. His portrayal of detachment, hopelessness and quiet resignation is outstanding. Although this gets crazily melodramatic, Muni's stoic performance is both intriguing and really rather moving. He easily makes up for the shortcomings of his fellow actors....apart from Johnny Mack Brown who cannot be forgiven on any grounds. Fortunately he's not in this too much. You almost feel embarrassed for him. Whereas MGM and Paramount targeted those who considered themselves sophisticated, Fox's audience were more blue collar. Presumably Mr Brown was picked to appeal to Fox Film's rural audience in middle America but I'd imagine even the humblest of farm hands back then must have found that patronising.
I know people looked older in the past but Edith York, playing the mother looks about two hundred years old. She must have given birth to her daughter when she was about 90 which can only be explained by her daughter Mary being some sort of miracle you read about in The Bible. That's actually feasible and confirmed when you look at Marguerite Churchill because if you had to imagine what an angel looked like, you'd imagine her. She's almost too pretty to be real! You can easily forgive her slightly uneasy performance doing something completely new to her simply because she's so pretty but even so she's not just a (very) pretty face - she really can act - her emotional longing, purity and positiveness actually blends really well with Paul Muni's mysterious self-sacrificing moodiness.
- 1930s_Time_Machine
- Aug 11, 2024
- Permalink
Details
- Release date
- Country of origin
- Language
- Also known as
- Je suis un assassin
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 6 minutes
- Color