Ethnic comedy of a nightclub entertainer trying to train a boxer.Ethnic comedy of a nightclub entertainer trying to train a boxer.Ethnic comedy of a nightclub entertainer trying to train a boxer.
Fanny Brice
- Fannie Field
- (as Fannie Brice)
Marjorie Kane
- Lola
- (as Marjorie 'Babe' Kane)
One-Eye Connelly
- Bit Role
- (uncredited)
Chuck Hamilton
- Club Patron
- (uncredited)
Anderson Lawler
- Patron in Night Club
- (uncredited)
Jimmy Tolson
- Blues Singer
- (uncredited)
- Director
- Writers
- All cast & crew
- Production, box office & more at IMDbPro
Storyline
Did you know
- TriviaThis film is one of over 200 titles in the list of independent feature films made available for television presentation by Advance Television Pictures announced in Motion Picture Herald 4 April 1942. At this time, television broadcasting was in its infancy, almost totally curtailed by the advent of World War II, and would not continue to develop until 1945-1946. Because of poor documentation (feature films were often not identified by title in conventional sources) no record has yet been found of its initial television broadcast.
- Quotes
Harry Field: A verbal agreement...
Fannie Field: ...is not worth the paper it's written on.
- ConnectionsFeatured in Broadway: The American Musical (2004)
- SoundtracksWhen a Man Loves a Woman
(1930) (uncredited)
Music by Ralph Rainger
Lyrics by Billy Rose
Sung twice by Fanny Brice, first time with
chorus including Patsy 'Babe' Kane, Gertrude Astor
Featured review
"Be Yourself!" is only one of a handful of films made by Fanny Brice. Despite being a bit of a sensation for the Ziegfeld Follies, she never hit it off in movies. And, as an astute reviewer already pointed out, the Fanny Brice we all are familiar with is really Barbra Streisand PLAYING Fanny. Here, you get a rare chance to actually see her as she really was in films. Sadly, what I saw was NOT good at all. Fanny's Jewish ethnic humor is off-putting today, though it might have played better back in 1930. The same can be said DOUBLE for that of Harry Green as her brother. His routine is completely one-dimensional and dumb. And, THE joke was that he was a shyster Jewish lawyer--a nasty stereotype that, again, played well back then but which is painful to watch today.
When it comes to plot, it's pretty limp. Robert Armstrong is a nasty guy who loves to punch people, so Brice and her on-screen brother decide to become his boxing managers! Despite knowing nothing, the guy inexplicably wins---and none of this makes any sense. On top of the plot, there are some songs (not good ones) and some very ethnic humor which falls flat. Frankly, there's just not much to like about this film--it's terribly written, dull and the humor is so incredibly awful. Not worth your time--even if you want to catch a glimpse of Fanny.
After seeing this film, I think I understood why Brice did few films. She just wasn't enjoyable in the least and you wonder what Ziegfeld and the audiences of the 1920s saw in her. Painful and awful.
When it comes to plot, it's pretty limp. Robert Armstrong is a nasty guy who loves to punch people, so Brice and her on-screen brother decide to become his boxing managers! Despite knowing nothing, the guy inexplicably wins---and none of this makes any sense. On top of the plot, there are some songs (not good ones) and some very ethnic humor which falls flat. Frankly, there's just not much to like about this film--it's terribly written, dull and the humor is so incredibly awful. Not worth your time--even if you want to catch a glimpse of Fanny.
After seeing this film, I think I understood why Brice did few films. She just wasn't enjoyable in the least and you wonder what Ziegfeld and the audiences of the 1920s saw in her. Painful and awful.
- planktonrules
- Dec 4, 2012
- Permalink
Details
- Release date
- Country of origin
- Language
- Also known as
- El punto flaco
- Production company
- See more company credits at IMDbPro
- Runtime1 hour 5 minutes
- Color
- Aspect ratio
- 1.20 : 1
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