Blotto

A very refined work by Stan Laurel and Oliver hardy in early thirties (the peak time of this comedy team). Stan and Ollie are planning to go to Rainbow Club (which is opening same night) but Anita Garvin (Mrs. Laurel) listen the conversation of both of them on telephone. Stan is telling Ollie that he cant come because he cant find some genuine excuse to go out. Ollie suggest him to send him self a telegram '' important business'' , then Ollie asks from where they can get bottle, Stan says don't worry my wife has got one , he will be blaming it on the iceman. Anita Garvin listen all their plans and change the liquor with cold tea. Wonderful expression by Stan when he wants to talk to Oliver but cant due to the presence of his wife who is sitting close to him. In the end , famous weeping and specially laughing ( that they drank her liquor) by them reflects that they were really master of humour and their records will keep on alive in generations to come. And simultaneously when Anita Garvin tells them that it was cold tea not the liquor, at that very point the transition of them from ''Laughing guys'' to the serious ones reflects that how natural they were while acting. Anita Garvin, performed her role very well, and would be remembered specially , because of her work with these comedy legends.

This short film's direction is twofold. One is to avoid their wive's control over them (they always seemed to have wives who were much smarter, and much meaner than them) by stealing some alcohol from them. The other is to see what happens to them as they drink the tea that has replaced the liquor. The title of the film tells us that someone is going to get really drunk. Of course, they have already blown it before they go to the bottle club (taking a risk during prohibition) because of Ollie's big mouth (he is overheard by his wife). Anyway, the scene at the club is hilarious because the power of suggestion is more powerful than the realities of the human body. This is laugh riot. Will they pay a price for their actions? That's the question.

Laurel and Hardy want to go out for a night at a bar, some sneaky drinking and an all round fun time. However, Laurel is unable to get out of the house as his wife has forbidden him. He manages to wrangle his way out of the house with the use of a faked telegram.

Having half the film with Laurel and Hardy separated was a bit of a risk, but one that the duo just about carry off. The plot sees Laurel trapped in his house by his wife while Hardy tries to contact him by phone. Laurel trying to play his wife is pretty amusing but, once the short moves out of the house it becomes less funny as the routines in the bar are less funny. It is still amusing but not quite as much.

As often happens, a Laurel and Hardy short that lacks one strong central sequence needs to achieve a consistent level of humour. This film neither has a peak or a high consistent level, meaning that it isn't as good as others in my opinion. Laurel does good work early on with his wife, and laughs convincingly towards the end. Hardy is less well used and his looks are used for reasons which are too slight and thus undervalue them slightly. Garvin is strong as Mrs Laurel though.

Overall this short needed to be consistently funny but it didn't manage to deliver it. Still funny but it lacks any parts which rise above the rest and lift the short as a whole.

Ollie hatches a plan to sneak henpecked Stan out for a night on the town with Mrs. Laurel's hidden bottle of liquor. Unfortunately, Mrs. Laurel, played by the always reliable Anita Garvin, overhears the plot and substitutes the liquor for a distasteful combination of her making.

Fans and critics tend to be dismissive of film, but I have always found this film to be one of my favorites of their early talkie shorts. There isn't much of a plot, but the sequences are very well-constructed and funny. The interplay between Stan and Anita is very funny. (I like her much better than Linda Loredo, who plays the same role in the Spanish language version.) I also really enjoy Ollie's solo bits on the telephone. Those people who dismiss him as being Stan's straight man should watch that scene. His mannerisms and expressions are priceless.

The nightclub sequence is very funny as the boys proceed to get "drunk" on the illicit "alcohol." The best moment is when Stan is reduced to tears by a melancholy song. The boys would go on laughing jags later in the other films, but nowhere is it funnier than in this film, which also ends effectively with a big car gag -- as so many Laurel and Hardy films do!

Others may disagree, but I consider this a classic Laurel & Hardy short.

This is a nice Laurel & Hardy short film, although you can not say there is a story. Laurel is married and wants to go out but his wife forbids him. Hardy calls Laurel a couple of times and after a while he speaks to Laurel's wife. She is nice instead of angry but has a plan of her own. She pretends to be in the kitchen while Laurel is talking but she also grabs a phone and learns about a plan the men have. This is the first part of the short.

The second part is the actual plan of Laurel & Hardy. They are on a night out but they have brought their own bottle of liquor. What happens there with the wife who knows where they are and their own bottle of liquor I will not reveal but it is a nice piece of comedy.

Maybe the premise doesn't sound very good, but there are a lot of laughs here. Especially Stanley Laurel is great and he manages to get a smile out of the most simple situations. Still, this is definitely not one of their best. Because it has no story it gets a little boring. Fortunately the final moment is hilarious and makes sure you will enjoy this short film from start to finish.