In antebellum New Orleans, two men vie for the affections of a beautiful young girl during Mardi Gras.In antebellum New Orleans, two men vie for the affections of a beautiful young girl during Mardi Gras.In antebellum New Orleans, two men vie for the affections of a beautiful young girl during Mardi Gras.
- Awards
- 1 win total
Lillian Arons
- Chorus Girl
- (uncredited)
Nancy Lee Blaine
- Chorus Girl
- (uncredited)
Eddy Chandler
- Blondell - Montague's Henchman
- (uncredited)
Bruce Covington
- Colonel Porter
- (uncredited)
Jan Duggan
- Society Woman in Theater Box
- (uncredited)
June Glory
- Chorus Girl
- (uncredited)
Dell Henderson
- Society Man in Theater Box
- (uncredited)
George Herman
- Contortionist
- (uncredited)
Eugene Jackson
- Cupid - Plantation House Boy
- (uncredited)
Storyline
Did you know
- TriviaThe last 2 reels contain 2006 feet of 2-strip Technicolor footage, which was thought to be lost, and is hence missing from the 1956 television release prints and some public domain VHS and DVD copies, but which was rescued by film historian David Chierichetti, preserved by the UCLA film archives, and has now been restored to the original version.
- Quotes
Mrs. Birdie Van Horn: No woman would marry a man if she could see him sleep first.
- ConnectionsEdited into The Toast of New York (1937)
- SoundtracksDixiana
(1930) uncredited)
Music by Harry Tierney
Lyrics by Benny Davis
Sung by Bebe Daniels and chorus
also played as part of the finale
Featured review
Wheeler and Woolsey musical comedy set in the pre-Civil War South is a mixed bag. The comedy duo are not the "stars" of the picture, rather that is Bebe Daniels. Wheeler and Woolsey are instead the comic relief and they do a good job of creating laughs. The plot concerns the pair attempting to make sure that the wedding of their sister goes off with out a hitch. Its a big scale musical of the kind they don't make any more.
The film is based on a Broadway show and while it is suitably spectacular at times it suffers from the problem many films of the time suffered from and that is an uncertainty of camera usage. Because of the sound equipment was noisy and large directors and studios were still struggling with how to shoot scenes or move a camera, here the camera is either moving nicely or painfully nailed down. Its a tough slog. Then again the film's operetta style music is really not my cup of tea.
If you like musicals its worth a try, especially if you're interested in the history of movie musicals.
(I do have to say that rarely have I ever felt a movie recreated a bygone era as well as this film does. Hollywood flourishes aside this film really does feel as if you're watching something from long ago in the deep south)
The film is based on a Broadway show and while it is suitably spectacular at times it suffers from the problem many films of the time suffered from and that is an uncertainty of camera usage. Because of the sound equipment was noisy and large directors and studios were still struggling with how to shoot scenes or move a camera, here the camera is either moving nicely or painfully nailed down. Its a tough slog. Then again the film's operetta style music is really not my cup of tea.
If you like musicals its worth a try, especially if you're interested in the history of movie musicals.
(I do have to say that rarely have I ever felt a movie recreated a bygone era as well as this film does. Hollywood flourishes aside this film really does feel as if you're watching something from long ago in the deep south)
- dbborroughs
- Jan 7, 2006
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Details
- Runtime1 hour 40 minutes
- Color
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